Journeys on Screen Theory,... | Buy

Introduction

Section 1: Mapping Cinematic Journeys: Chronotopes of Journeys
Chapter One: Global Visions: Around-the-World Travel and Visual Culture in Early Modernity, Tiago de Luca
Chapter Two: Brief Encounters: The Railway Station on Film, Lucy Mazdon
Chapter Three: Diasporic dreams and shattered desires: displacement, identity and tradition in Heaven on Earth (Deepa Mehta 2008), Clelia Clini
Chapter Four: Chronotopic ghosts and quiet men: José Luis Guerín's Innisfree, Michael Pigott
Chapter Five: Memories, Notebooks, Roads: The Essayistic Journey in Time and Space, Adam Ludford Freeman

Section 1a: Expanding Europe: Intersistial Production and Border-Crossing in Easter European Cinema
Chapter Six: Shadows of Unforgotten Ancestors: Representations of Estonian Mass Deportations of the 1940s in In the Crosswind (2014) and Body Memory (2011), Eva Näripea
Chapter Seven: The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine, Maurizio Cinquegrani
Chapter Eight: Hesitant Journeys: fugitive and migrant narratives in the new Romanian Cinema, László Strausz
Chapter Nine: Women on the Road: Representing Female Mobility in Contemporary Hungarian-Romanian Co-Productions, Hajnal Király

Section 2: Form and Narrative in Journey Genres
Chapter Ten: The Sense of an Ending: Music, Time and Romance in Before Sunrise, Carlo Cenciarelli
Chapter Eleven: Moving in Circles: Kinetic Elite and Kinetic Proletariat in the 'End of the World' Films, Ewa Mazierska
Chapter Twelve: Transnational productions and regional funding: Border-crossing, European locations and the case of contemporary horror, Stefano Baschiera

Section 2a: The Politics of the Road Movie
Chapter Thirteen: Colonialism in Latin American Road Movies, Natália Pinazza
Chapter Fourteen: Spaces of failure: The gendering of neoliberal mobilities in the U.S. indie road movie, Anna Cooper
Chapter Fifteen: Sic transit: the serial killer road movie, Louis Bayman

Notes on Contributors

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