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Acknowledgments | |
Introduction | p. 1 |
Personal and Political Power in Poetry | p. 13 |
Poetry for The People: A Course Description | |
Claiming and Proclaiming Our Voices | |
Building a Community of Trust Within a Poetry Workshop | p. 35 |
Guidelines For Critiquing A Poem: The Poetry Distiller | |
The Guidelines in Action | |
The Workshop Puzzle: Putting It Together | |
Reflections on Teaching | |
Power Tripping, Responsibility, and Authority | p. 55 |
Why Teach Poetry? (What's Power Got To Do With It?) | |
Some Tips for Leading Poetry Workshops | |
Navigating the Highs and Lows of Teaching | |
Rescuing the Canon: Reinventing and Making It Relevant Again | p. 69 |
Contemporary Poets Talk About the Canon: Adrienne Rich, Joy Harjo, Cornelius Eady, Marilyn Chin, Ntozake Shange, Dan Bellm, Alfred Arteaga Janice Gould | |
Creating Our Own Canon: In-Your-Face-America Bibliographies | |
Alliterative Squat Thrusts | |
A Syllabus and Some Exercises for Writing Poetry | p. 103 |
A Sample Syllabus | |
Modeling Poetic Forms | |
Developing Cultural Literacies | |
Word of Mouth | |
Staging a Revolutionary Reading | p. 135 |
Getting Our Voices Out There | |
Preparing for the Big Events | |
Hot Shot Poet Readings | |
Chillin' After (or Before) the Readings | |
Publicity and Media | |
Let Them Drink Nectar | p. 149 |
Getting the Word Out | |
Reaching Inward and Outward Through Poetry | p. 157 |
Writing Poetry with Children | |
Community Workshops, Performances, and Other Types of Outreach | |
Throwing It Down (On Paper, in a Book) | |
Publishing Our Poetry | p. 177 |
Why Publish? | |
From a Stack of Papers to a Book: A Timeline | |
Poems from Poetry for the People, 1991-1994 | |
A Fantabulous Collection of Poems | p. 191 |
Poetry for the People In a Time of War | |
Poetry for the People: What Now? | |
The Power of the Word | |
Poetry in a Time of Genocide | |
Poetry in a Season of Love | |
Coda | p. 225 |
Index of Coauthors and Contributors | p. 231 |
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