The Art of Noise: Anne Dudley has fun with subversive pop | p. 2 |
Vince Clarke: A decade after Depeche Mode, Erasure expands into new techno territory | p. 8 |
Chick Corea: The state of the artist | p. 14 |
Depeche Mode: The wilder side: Alan Wilder speaks | p. 22 |
Devo: Are they not keyboardists? Mark Mothersbaugh and Bob Casale devolve | p. 28 |
Thomas Dolby: He blinded us with synth-based songs | p. 34 |
Larry Fast: The Synergy maestro on the art of electronic orchestration | p. 40 |
David Foster: What's the secret weapon of the music establishment? Hint: He's a keyboard player | p. 46 |
Front 242: The power of recycled culture: An interview with Patrick Codenys | p. 52 |
Peter Gabriel: The worldwide ambassador of music and technology | p. 58 |
Herbie Hancock: From acoustic jazz to electronic experiments, Herbie's always on the cutting edge | p. 64 |
Bruce Hornsby: The elusive ingredients of pop success come together | p. 72 |
Human League: Taking the all-synth sound to the Top 10 | p. 78 |
Jam & Lewis: The Grammy-winning keyboardists/producers defined a decade | p. 84 |
Howard Jones: Techno-rack's top solo synthesist | p. 90 |
Kraftwerk: The electronic minstrels of the global village | p. 96 |
Orchestral Manoeuvres in the Dark: Reaching for the unlimited sonic potential of synths | p. 102 |
Nick Rhodes: Nick Rhodes propels Duran Duran into new wave history | p. 108 |
Vangelis: The Oscar-winning synthesist defines the sound of cinema | p. 114 |
Frank Zappa: A Synclavier of symphonic proportions | p. 120 |
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