List of illustrations | p. ix |
General editors' preface | p. xi |
Preface | p. xv |
Introduction | p. 1 |
A play for the stage | p. 5 |
The politics of adaptation on the English stage | p. 11 |
3 Henry VI on the screen and around the globe | p. 33 |
The first critical question: single authorship or collaboration? | p. 44 |
Moral criticism | p. 49 |
Character criticism | p. 64 |
Henry | p. 68 |
Richard | p. 75 |
Historical criticism: determining sources | p. 81 |
Historical criticism: establishing context | p. 95 |
Psychoanalytic criticism | p. 113 |
New criticism | p. 117 |
Performance criticism | p. 135 |
Feminist criticism | p. 140 |
The texts of The True Tragedy and 3 Henry VI | p. 148 |
O (1595) | p. 149 |
Q2 (1600) | p. 151 |
Q3 (1619) | p. 152 |
F1 (1623) | p. 156 |
Origins of The True Tragedy | p. 159 |
Origins of 3 Henry VI | p. 166 |
Conclusions | p. 175 |
King Henry VI, Part Three | p. 177 |
Appendices | |
The Octavo (1595) | p. 369 |
Casting | p. 410 |
The battles in 3 Henry VI | p. 421 |
Genealogical tables | p. 424 |
Abbreviations and references | p. 428 |
Abbreviations used in notes | p. 428 |
Shakespeare's works and works partly by Shakespeare | p. 429 |
Editions of Shakespeare collated | p. 430 |
Other works | p. 431 |
Index | p. 453 |
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