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The Known World
ISBN: 9780061159176
Published: August 29, 2006
Author: Edward P. Jones
About the Author:
Edward P. Jones is a New York Times bestselling author known for his powerful and nuanced storytelling. He has been awarded the Pulitzer Prize for Fiction, the National Book Critics Circle Award, the International IMPAC Dublin Literary Award, and the Lannan Literary Award for *The Known World*. His first collection of stories, *Lost in the City*, won the PEN/Hemingway Award and was shortlisted for the National Book Award. He has also been an instructor of fiction writing at various universities, including Princeton. Jones lives in Washington, D.C.
Book Overview:
*The Known World* is a masterpiece of American literature that delves into the complexities of slavery in antebellum Virginia. The story revolves around Henry Townsend, a former slave who becomes a farmer and boot maker, and his journey to owning his own plantation. When Henry dies unexpectedly, his widow Caldonia struggles to maintain order at the plantation, leading to chaos and revelations about the lives of both the freed and the enslaved.
Who Uses It?
Primarily, this book is used by students and educators in courses focusing on American literature, history, and social justice. It is also a valuable resource for anyone interested in understanding the moral complexities of slavery and its lasting impact on American society.
History and Editions:
*The Known World* has been a significant contribution to the canon of American classic literature since its publication in 2006. It won the 2004 Pulitzer Prize Award and was recognized as the best book of fiction in the 21st century by the New York Times. This novel seamlessly weaves together the lives of the freed and the enslaved, offering a deeper understanding of the multidimensional world created by the institution of slavery.
Author and Other Works:
Edward P. Jones is known for his engaging and detailed storytelling. *The Known World* is his most acclaimed work, but he has also written *Lost in the City* and *All Aunt Hagar’s Children*. His writing style is characterized by its depth and nuance, making him a prominent figure in contemporary American literature.
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The evening his master died he worked again well after he ended the day for the other adults, his own wife among them, and sent them back with hunger and tiredness to their cabins. The young ones, his son among them, had been sent out of the fields an hour or so before the adults, to prepare the late supper and, if there was time enough, to play in the few minutes of sun that were left. When he, Moses, finally freed himself of the ancient and brittle harness that connected him to the oldest mule his master owned, all that was left of the sun was a five-inch-long memory of red orange laid out in still waves across the horizon between two mountains on the left and one on the right. He had been in the fields for all of fourteen hours. He paused before leaving the fields as the evening quiet wrapped itself about him. The mule quivered, wanting home and rest. Moses closed his eyes and bent down and took a pinch of the soil and ate it with no more thought than if it were a spot of cornbread. He worked the dirt around in his mouth and swallowed, leaning his head back and opening his eyes in time to see the strip of sun fade to dark blue and then to nothing. He was the only man in the realm, slave or free, who ate dirt, but while the bondage women, particularly the pregnant ones, ate it for some incomprehensible need, for that something that ash cakes and apples and fatback did not give their bodies, he ate it not only to discover the strengths and weaknesses of the field, but because the eating of it tied him to the only thing in his small world that meant almost as much as his own life.
This was July, and July dirt tasted even more like sweetened metal than the dirt of June or May. Something in the growing crops unleashed a metallic life that only began to dissipate in mid-August, and by harvest time that life would be gone altogether, replaced by a sour moldiness he associated with the coming of fall and winter, the end of a relationship he had begun with the first taste of dirt back in March, before the first hard spring rain. Now, with the sun gone and no moon and the darkness having taken a nice hold of him, he walked to the end of the row, holding the mule by the tail. In the clearing he dropped the tail and moved around the mule toward the barn.
The mule followed him, and after he had prepared the animal for the night and came out, Moses smelled the coming of rain. He breathed deeply, feeling it surge through him. Believing he was alone, he smiled. He knelt down to be closer to the earth and breathed deeply some more. Finally, when the effect began to dwindle, he stood and turned away, for the third time that week, from the path that led to the narrow lane of the quarters with its people and his own cabin, his woman and his boy. His wife knew enough now not to wait for him to come and eat with them. On a night with the moon he could see some of the smoke rising from the world that was the lane—home and food and rest and what passed in many cabins for the life of family. He turned his head slightly to the right and made out what he thought was the sound of playing children, but when he turned his head back, he could hear far more clearly the last bird of the day as it evening-chirped in the small forest far off to the left.
He went straight ahead, to the farthest edge of the cornfields to a patch of woods that had yielded nothing of value since the day his master bought it from a white man who had gone broke and returned to Ireland. "I did well over there," that man lied to his people back in Ireland, his dying wife standing hunched over beside him, "but I longed for all of you and for the wealth of my homeland." The patch of woods of no more than three acres did yield some soft, blue grass that no animal would touch and many trees that no one could identify. Just before Moses stepped into the woods, the rain began, and as he walked on the rain became heavier. Well into the forest the rain came in torrents through the trees and the mighty summer leaves and after a bit Moses stopped and held out his hands and collected water that he washed over his face. Then he undressed down to his nakedness and lay down. To keep the rain out of his nose, he rolled up his shirt and placed it under his head so that it tilted just enough for the rain to flow down about his face. When he was an old man and rheumatism chained up his body, he would look back and blame the chains on evenings such as these, and on nights when he lost himself completely and fell asleep and didn't come to until morning, covered with dew.
The ground was almost soaked. The leaves seemed to soften the hard rain as it fell and it hit his body and face with no more power than the gentle tapping of fingers. He opened his mouth; it was rare for him and the rain to meet up like this. His eyes had remained open, and after taking in all that he could without turning his head, he took up his thing and did it. When he was done, after a few strokes, he closed his eyes, turned on his side and dozed. After a half hour or so the rain stopped abruptly . . .
The Known World. Copyright © by Edward P. Jones. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from The Known World by Edward P. Jones
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