The Last Expression

by Granof, Corinne; Hayes, Peter; Mickenberg, David

• ISBN13: 9780810115484
• ISBN10: 0810115484
• Format: Paperback
• Copyright: 2003-04-01
• Publisher: Mary & Leigh Block Gallery

Summary

If clicheacute; leads us to believe that art is made out of suffering, there are few circumstances in which the language of art could be more direct, more profound, or more moving than art made in the European concentration camps of World War II. While Auschwitz itself has come to represent the evil that is often considered a paradigm and example of modern barbarity, art and culture played significant roles there. In the extreme and physically threatening circumstances that would seem to thwart creativity, art functioned as a survival strategy, catharsis, documentation, and, at times, a means of psychological escape. Auschwitz functions as a symbolic and historical focus for this exhibition and catalog. It serves as a thematic focal point and a common thread that touched so many victims of various nationalities and disparate backgrounds. While the exhibition presents art that was created at Auschwitz, as well as art produced at other sites, including Theresienstadt, Buchenwald, Gurs, and the Loacute;dz Ghetto, all of the artists in The Last Expression: Art and Auschwitz were ultimately victims at Auschwitz. The catalog includes reproductions of some 300 artworks; each tells a piece of an incredible history. Each remnant of these personal journeys and individual travails contributes to our understanding of the victims of the Holocaust, their experiences, the nature and function of the camps, the strategies of the perpetrators, as well as the will and need to create art.

Author Biography

David Mickenberg is the Ruth Gordon Shapiro '37 Director of the Davis Museum and Cultural Center at Wellesley College. Mickenberg was director of the Block Museum of Art at Northwestern University for 14 years. He is also curator of The Last Expression exhibit. Corinne Granof is the Assistant Curator of the Block Museum at Northwestern University. Peter Hayes is the Theodore Z. Weiss Professor of Holocaust Studies and specializes in the history of Germany in the 20th century, particularly the Nazi period. He is the author or editor of five books.

Table of Contents

Preface and Acknowledgments
Foreword
Complexity and Contradiction: An Introduction to The Last Expression
Auschwitz and the German Camp System
Introduction	p. 2
Auschwitz and the German Camp System	p. 4
The Inmate World: Life and Death in Auschwitz	p. 14
Art of the Concentration Camps and Ghettos, 1933-1945
Relics of the Force Field of Art: Drawings Made in Concentration Camps	p. 24
Artistic Strategies for Survival and Resistance	p. 36
The Drawings of Bachrach-Baree: Chronology of a Death March	p. 50
Art at Auschwitz
Art in the Context of Auschwitz	p. 60
Camp Correspondence: The Decorated Letters of Auschwitz-Birkenau Inmates	p. 68
Illustrated Fairy Tales of Auschwitz	p. 78
Women Artists in the Camps/Depictions of Women	p. 88
The Auschwitz Sketchbook	p. 94
Performing Arts at Auschwitz
Theatrical Performance in Auschwitz: A Concert of Words	p. 104
"We all feel this music is infernal ...": Music on Command in Auschwitz	p. 114
Art and Post-Liberation Auschwitz
On the Postwar History of the Auschwitz Site and Its Symbolism	p. 128
The Collections of the Auschwitz-Birkenau State Museum	p. 138
Power and Fragility: The History of the Art Collection at Yad Vashem	p. 144
Plates	p. 150
Notes	p. 250
Index	p. 267
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