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Acknowledgments | |
Note on Editions | |
Introduction: Gender Performance and Genre Slippage | |
Petrarch | |
Inverting the Order: Laura as Eve to Petrarch's Adam | |
"Like a Man Who Thinks and Weeps and Writes": Laura as Mercury to Petrarch's Battus | |
Wyatt | |
Taking Bread: Wyatt's Revenge in the Lyrics and Sustenance in the Psalms | |
"Liking This": Telling Wyatt's Feelings | |
Donne | |
Small Change: Defections from Petrarchan and Spenserian Poetics | |
Sylvia Transformed: Returning Donne's Gifts | |
"A Pregnant Bank": Contracting and Abstracting the "You" in Donne's "A Valediction of My Name in the Window" and "Elegy: Change" Marvell | |
"Busie Companies of Men": Appropriations of Female Power in "Damon the Mower" and "The Gallery" | |
"Preparing for Longer Flight": Marvell's Nymph and the Revenge of Silence | |
A-Mazing and A-Musing: After the Garden in "Appleton House" | |
Musing Afterward | |
Notes | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.