Top
| The art of emptiness | |
| Yohaku - emptiness (1999) | p. 10 |
| Interconnection (1999) | p. 11 |
| On infinity (1993) | p. 12 |
| The man in the middle (1991-1996) | p. 17 |
| Identity and difference (1998) | p. 18 |
| Art and the body (1978-1997) | p. 20 |
| Setting the conditions of painting (1990-1994) | p. 23 |
| The colors of painting (1993) | p. 24 |
| Using a brush (1975) | p. 25 |
| The fate of painting (1987) | p. 26 |
| The movement of vision (1996) | p. 27 |
| The desert (1984-1990) | p. 28 |
| Stand still a moment (1997) | p. 29 |
| The subjects of sculpture (1982) | p. 30 |
| The conditions of sculpture (1976) | p. 31 |
| Relatum (stone, rubber measuring tape, space) (1969-2000) | p. 32 |
| Discovery of stone (1974-1986) | p. 33 |
| Going to meet stones (1988-1992) | p. 36 |
| Planning and site (1974-1999) | p. 39 |
| The process of making art (1979) | p. 41 |
| On the hand (1973-1987) | p. 42 |
| The living hand (1996) | p. 44 |
| Contemporary art : a medium of revelation (2002) | p. 45 |
| Various artists | |
| Thoughts on Pata Shan-Jen's Magnolias (1983) | p. 48 |
| Painting Saint-Victoire (1986) | p. 51 |
| Cezanne's watercolors (1994) | p. 52 |
| Impressions of Matisse (1981) | p. 54 |
| Kasimir Malevich : kaleidoscopic catharsis (1997-2003) | p. 57 |
| Mondrian (1991) | p. 60 |
| Gerhard Richter (1993-1998) | p. 62 |
| Richard Serra (2000-2001) | p. 63 |
| Daniel Buren (1994-1996) | p. 66 |
| Giuseppe Penone (1996) | p. 67 |
| Anish Kapoor (1997) | p. 69 |
| To Mr. F. Stella - on excessive painting (1987) | p. 71 |
| Thoughts on Jiro Takamatsu's shadow paintings : focusing on Shadow of a child, 1969 (1999) | p. 73 |
| Borrowing stones (1995-1997) | p. 76 |
| Using mirrors (1989) | p. 78 |
| Nam Jun Paik : beyond video (1984) | p. 80 |
| The domain of art | |
| The issue of abstraction in painting (1990-1996) | p. 86 |
| On vision (1982-1998) | p. 92 |
| Being with the outside world (1982-1998) | p. 95 |
| The domain of the painter (1986) | p. 97 |
| Robots and painters (1987) | p. 103 |
| The circle of painting : Umehara Ryuzaburo and Kobayashi Hideo (1985) | p. 106 |
| The painter's two kinds of vision (1986) | p. 109 |
| Weathering (1987) | p. 112 |
| What can be seen in a moment (1985-1992) | p. 114 |
| Repainting (1987) | p. 118 |
| The position of painting and sculpture (1986) | p. 119 |
| Ikebana (1988) | p. 122 |
| Steel plates and stones (1984) | p. 125 |
| Reconstruction (?) - interview (1998) | p. 132 |
| Words and silence (1982-1993) | p. 134 |
| Japanese and translation (1988-1992) | p. 136 |
| Words (1985) | p. 139 |
| The word "Oriental" (1988-2001) | p. 140 |
| Toward a site of new expression | |
| The Mono-ha : foreshadowings and premonitions (1977-2001) | p. 146 |
| Twentieth-century art (1998-2000) | p. 150 |
| American art (1999-2000) | p. 152 |
| Japanese contemporary art (1998) | p. 154 |
| The will to protest (1998) | p. 156 |
| For a new site of expression (1994) | p. 158 |
| Contemporary art and the everyday (1999) | p. 162 |
| Yearning for chaos (1998) | p. 165 |
| Art in decline (1988) | p. 167 |
| Dialogue with the unknown (1999) | p. 169 |
| Threatening art (1974-1994) | p. 171 |
| Meeting and parting (1988-1996) | p. 172 |
| Toward dissolution (1998) | p. 173 |
| Today's key words (1985) | p. 174 |
| Brain-centered thinking (1978) | p. 175 |
| Out of control (1978) | p. 176 |
| Imagination (1974) | p. 178 |
| Understanding and knowing (1971-1983) | p. 179 |
| Transparency (1973) | p. 180 |
| The structure of cooking (1973-1982) | p. 181 |
| East Asian cuisine (1970) | p. 183 |
| Natural law in the eyes (1994) | p. 184 |
| Light and darkness (1982) | p. 186 |
| The thing called nature (1971-1998) | p. 188 |
| Place in art (1971-1985) | p. 190 |
| The role of the art museum (1998) | p. 192 |
| Overcoming the modern (1971) | p. 193 |
| False criticism (1978) | p. 194 |
| In today's cities (1996) | p. 196 |
| Fragments I | |
| Fragments from the catalogue "LEE UFAN", published by Bijutsu Shuppan in 1986 no.1-no.60 (1967-1986) | p. 198 |
| Fragments II | |
| Fragments from the catalogue "LEE UFAN", published by Toshi Shuppan in 1993 no.61-no.100 (1973-1993) | p. 216 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
