Introduction: The Homecoming of the Limbourg Brothers | p. 1 |
Some Portraits by Johan Maelwael, Painter of the Dukes of Burgundy | p. 5 |
The Belles Heures of Jean de France, Duke of Berry Manuscript and the Question of the Artists' 'Hands' | p. 19 |
Likeness, Loyalty, and the Life of the Court Artist: Portraiture in the Calendar Scenes of the Très Riches Heures | p. 51 |
A Pilgrim's Additions. Traces of Pilgrimage in the Belles Heures of Jean de Berry | p. 85 |
Was kann man aus den Belles Heures über die Limburgs lernen? | p. 105 |
Guelders-France. Another Connection around 1400 | p. 131 |
A Close Encounter? The Limbourg Brothers and Illumination in the Northern Netherlands in the First Half of the Fifteenth Century | p. 149 |
The Master of Guillebert de Mets, Philip the Good, and the Breviary of John the Fearless | p. 191 |
Notes on Contributors | p. 211 |
Name Index | p. 215 |
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