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Preface | p. xi |
Mirror in the Marketplace: American Responses to the Daguerreotype, 1839-51 | p. 3 |
Mute Romance: Stories of a Daguerreotype | p. 26 |
Seeing and Believing: Hawthorne's Reflections on the Daguerreotype in The House of the Seven Gables | p. 46 |
Lincoln's Smile: Ambiguities of the Face in Photography | p. 69 |
Photographs as Symbolic History | p. 86 |
Whitman's Lesson of the City | p. 125 |
Reading the Gilded Age City | p. 140 |
Horatio Alger's Ragged Dick | p. 154 |
The Form of Freedom in Adventures of Huckleberry Finn | p. 167 |
Experiments in Another Country: Stephen Crane's City Sketches | p. 185 |
Civic Idealism in Stone: Louis Sullivan's Auditorium Building | p. 206 |
Mumford in the 1920s: The Historian as Artist | p. 225 |
Brooklyn Bridge as a Cultural Text | p. 241 |
Photography/Cinematography | p. 255 |
The FSA File: From Image to Story | p. 265 |
Walker Evans's Fictions of the South | p. 299 |
W. Eugene Smith's Pittsburgh: Rumors of a City | p. 315 |
Realms of Shadow: Film Noir and the City | p. 326 |
Things on Film: Wright Morris's Fields of Vision | p. 342 |
Acknowledgments | p. 365 |
Index | p. 367 |
Table of Contents provided by Ingram. All Rights Reserved. |
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