Lines of Thought

by Lacour, Claudia Brodsky

• ISBN13: 9780822317746
• ISBN10: 0822317745
• Format: Paperback
• Copyright: 1996-05-01
• Publisher: Duke Univ Pr

Summary

It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. InLines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartesrs"sDiscours de la meacute;thodeandGeacute;omeacute;trie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy. While Cartesianism has long served as a synonym for rationalism, the contents of Descartesrs"s method andcogitohave remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartesrs"s notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in theDiscours, Brodsky Lacour identifies the conceptual problems at the root of Descartesrs"s literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be thecogito, Descartesrs"s theoretical extension of thinking into material being. Describable in accordance with theGeacute;omeacute;trieas a freely constructed line of thought, thecogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns." Part of a growing body of literary and interdisciplinary considerations of philosophical texts,Lines of Thoughtwill appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern.

Table of Contents

Acknowledgments

Notes on the Text

Preface: What Is Moder N?

Descartes' "Design"

Triaté or Discours de la méethode

Autobiographical Discourse: "Fable" as "Tableau"

The "Discourse" of Thinking: Architectural Design

The Things a Thinking Thing Thinks

The Discourse of Method

Letters and Lines: Algebra and Geometry in Descartes' Géométrie

Writing and Intuition

Thinking As Line

The Cogito and Architectural Form

Staircase as Labyrinth: Eudoxe on Method

Postscript: Architectural Theory after Descartes

Epilogue: The Line between Aesthetics and Knowledge

Bibliography

Index

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