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List of Illustrations | p. ix |
Preface to the SUNY Press Edition | p. xi |
Introduction (to the Original) | p. xix |
Introduction | |
In Praise of Sound | p. 3 |
Under the Signs of Husserl and Heidegger | p. 17 |
First Phenomenology | p. 25 |
Description | |
The Auditory Dimension | p. 49 |
The Shapes of Sound | p. 57 |
The Auditory Field | p. 73 |
Timeful Sound | p. 85 |
Auditory Horizons | p. 103 |
The Imaginative Mode | |
The Polyphony of Experience | p. 115 |
Auditory Imagination | p. 131 |
Inner Speech | p. 137 |
Voice | |
The Center of Language | p. 147 |
Music and Word | p. 155 |
Silence and Word | p. 161 |
Dramaturgical Voice | p. 167 |
The Face, Voice, and Silence | p. 177 |
Phenomenologies | |
A Phenomenology of Voice | p. 185 |
Auditory Imagination | p. 203 |
Listening | p. 217 |
Acoustic Technologies | |
Bach to Rock: Amplification | p. 227 |
Jazz Embodied: Instrumentation | p. 235 |
Embodying Hearing Devices: Digitalization | p. 243 |
Embodiment, Technologies, and Musics | p. 251 |
Notes | p. 265 |
Index | p. 273 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.