Acknowledgments | p. vii |
Introduction | p. 1 |
Wendy Ewald: An Artist's Frame | p. 1 |
Lisa Lord: A Teacher's Reflection | p. 4 |
Katie Hyde: Through a Sociologist's Lens | p. 8 |
About This Book | p. 10 |
The Best Part of Me Questioning Appearances, Exploring Identity | |
Wendy Ewald: An Artist's Frame | p. 14 |
Setting the Stage | p. 17 |
Creating a Safe Classroom Environment | p. 17 |
Brainstorming: Mapping the Body and Discovering Uniqueness | p. 19 |
Talking About the Body | p. 22 |
Reading Photographs | p. 25 |
Reading Family Photographs | p. 27 |
About Readers' and Writers' Workshops | p. 29 |
Planning and Making Photographs and Writing About Them | p. 31 |
Making Photographs | p. 31 |
Choosing and Picturing One Part of the Body | p. 34 |
Reading and Writing About Bodies | p. 38 |
Creating Work for an Audience | p. 43 |
Presenting a Collective Vision | p. 44 |
Making an Installation | p. 46 |
Making a Book | p. 51 |
Lisa Lord: A Teacher's Reflection | p. 53 |
Katie Hyde: Through a Sociologist's Lens | p. 54 |
Lesson Plans: The Best Part of Me | p. 57 |
Black Self/White Self Playing with the Ideas and Imagery of Race | |
Wendy Ewald: An Artist's Frame | p. 60 |
Setting the Stage | p. 65 |
Reading and Understanding Photographic Portraits | p. 65 |
Planning Self-Portraits | p. 68 |
Making Portraits together | p. 69 |
Delving DeeperùReading and Writing About Portraits | p. 73 |
Portraying Imagined Selves and Understanding Others | p. 77 |
Imagining Another Self | p. 77 |
Planning Other-Self Portraits | p. 78 |
Talking About and Making Other-Self Portraits | p. 81 |
Talking About Race | p. 86 |
Reconsidering Other-Self PortraitsùAltering, Writing, and Reflecting | p. 88 |
Project Variation: A Middle School Approach to Self | p. 94 |
Black Self/White Self | p. 94 |
Girl Self/Boy Self | p. 97 |
Lisa Lord: A Teacher's Reflection | p. 98 |
Katie Hyde: Through a Sociologist's Lens | p. 99 |
Lesson Plans: Black Self/White Self | p. 101 |
American Alphabets Picturing Words from the Language of Home | |
Wendy Ewald: An Artist's Frame | p. 106 |
Setting the Stage | p. 110 |
Word Lists for Three Different Alphabets | p. 110 |
Exploring One Alphabet: Writing About Home | p. 114 |
Talking About Language and Home | p. 118 |
Creating a Community Language: Home Alphabet Books | p. 121 |
Photographing Home Alphabets | p. 121 |
Making Home Alphabet Books | p. 124 |
Reading Alphabet Books and Writing Reflections on an Alphabet Word | p. 126 |
Creating Public Portraits of Home | p. 129 |
Selecting Words and Shooting Photographs for a Collaborative Home Alphabet | p. 129 |
Curating and Designing Posters for a Classroom Exhibition | p. 131 |
Installing and Sharing the Collaborative Exhibition | p. 134 |
Lisa Lord: A Teacher's Reflection | p. 136 |
Katie Hyde: Through a Sociologist's Lens | p. 137 |
Lesson Plans: American Alphabets | p. 140 |
Memories from Past Centuries Performing History, Thinking About Everyday Choices | |
Wendy Ewald: An Artist's Frame | p. 144 |
Setting the Stage | p. 150 |
Exploring PreconceptionsùWhat (We Think) We Know About Jews | p. 150 |
A Famous Diary and a Modern Genre | p. 153 |
Studying Documents and Getting to Know Children s Survival Stories | p. 154 |
Photographs of Rescued Children | p. 154 |
Case Histories of Rescued Children | p. 157 |
Reading Aloud Children's Literature on the Holocaust | p. 158 |
Talking About the Holocaust | p. 159 |
Writing Historical Fiction | p. 160 |
A Child's Story | p. 160 |
A Friend's Story | p. 163 |
A Nazi's Story | p. 166 |
Creating Multimedia Art with a Message | p. 170 |
Trying Out a PartùPerforming and Recording Stories About Rescued Children | p. 170 |
Collaborating to Make a Larger Story with a Lasting Message | p. 173 |
Making Movies and Going Public | p. 175 |
Project Variation: American Indian Boarding Schools | p. 180 |
Lisa Lord: A Teacher's Reflection | p. 181 |
Katie Hyde: Through a Sociologist's Lens | p. 183 |
Lesson Plans: Memories from Past Centuries | p. 185 |
References and Additional Classroom Resources for Teachers and Students | p. 189 |
Technical Resources | p. 195 |
About the Authors | p. 199 |
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