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9780874216110

Living Folklore

by
  • ISBN13:

    9780874216110

  • ISBN10:

    0874216117

  • Format: Hardcover
  • Copyright: 2005-07-30
  • Publisher: Utah State Univ Pr

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Summary

Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation--from the field's history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

Table of Contents

Acknowledgments ix
Preface xi
Folklore
1(29)
What is folklore?
1(11)
A working definition
1(7)
Scholarly definitions of folklore
8(4)
Genres of folklore
12(7)
Defining folklore beyond genre labels: texts and contexts
19(2)
A brief history of folklore study
21(9)
Groups
30(34)
What is a folk group?
31(3)
Definitions
34(4)
How folk groups form
38(3)
Self-identification and group membership
41(3)
Family, school and occupational groups
44(12)
Family
45(2)
School groups
47(3)
Occupational groups
50(3)
Example: folklore in the music store
53(3)
Groups and belief
56(8)
Example: belief and contemporary legends
60(4)
Tradition
64(30)
What is tradition?
64(4)
Tradition is both lore and process
65(1)
Tradition helps to create and confirm a sense of identity
66(2)
Identified as a tradition by the community
68(1)
How do people learn and share traditions?
68(6)
Example: tradition in our daily lives
72(2)
Do traditions disappear?
74(2)
Dynamic and conservative elements of tradition
76(6)
Inventing tradition
82(2)
The question of authenticity
84(3)
Example: traditions in folk art
87(7)
Ritual
94(33)
What is ritual?
95(7)
Low-context and high-context rituals
98(1)
Invented ritual
99(3)
The question of belief in sacred and secular rituals
102(3)
Liminality and ritual space
105(5)
Types of rituals
110(11)
Rites of passage
111(3)
Coming of age rituals
114(5)
Initiation rituals
119(1)
Naming rituals
120(1)
Example: rituals and private and public identity
121(6)
Performance
127(47)
What is performance?
128(5)
Example: a proverbial performance
129(4)
The study of performance
133(1)
Performance texts
134(2)
Texture
136(1)
Context
137(9)
Physical context
138(1)
Social context
139(2)
Recognizing texts in context: performance markers/framing
141(3)
Reflexivity
144(2)
Emergence
146(9)
Folklore that pushes the boundaries
150(2)
Example: performance that transcends roles and rules
152(3)
Aesthetics
155(19)
Critic v. group consensus
157(1)
Traditionality
157(2)
Skill
159(2)
Practicality
161(1)
The nature of aesthetic response
162(5)
Personal narrative in performance
167(3)
Example: A Personal Narrative Emerges
170(4)
Approaches to Interpreting Folklore
174(28)
Functionalism
174(5)
Structuralism
179(8)
Psychoanalytic interpretation
187(5)
Post-structuralist approaches
192(10)
Feminist interpretations
193(2)
Reciprocal ethnography
195(3)
Intersectionality
198(4)
Fieldwork and Ethnography
202(23)
Collecting data: the nuts and bolts of fieldwork
203(15)
Finding Ideas
203(2)
Getting started on fieldwork
205(2)
Developing and asking good questions
207(2)
Some types of questions
209(1)
Example: using open-ended questions
209(2)
Field notes
211(1)
Example: write-up of field notes
212(4)
Transcribing and transcripts
216(2)
Returning from the field: follow-up research
218(1)
The people factor: interpersonal and ethical concerns
218(7)
Insider and outsider roles
229
Observation and participant-observation roles
220(1)
Rapport: creating and understanding researcher-consultant relationships
221(1)
Example: complex relationships and responsibilities
222(1)
Ethics
223(2)
Examples of Folklore Projects
225(48)
One of the guys (Joe Ringler)
226(14)
Gay rituals: outing, biking, and sewing (Mickey Weems)
240(11)
Roadside memorials: material focus of love, devotion, and remembrance (Gary E. A. Saum)
251(15)
The art of gunsmithing in central Ohio: Heritage Gunsmiths, Inc. (Kevin Eyster)
266(7)
Suggestions for Activities and Projects
273(8)
Group and classroom activities
274(1)
Personal reflection
275(1)
Library research
276(1)
Fieldwork projects
276(1)
Integrated projects---bringing it all together
277(4)
Notes 281(5)
References 286(7)
Index 293

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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