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Illustrations | p. vii |
Contributors | p. viii |
Acknowledgements | p. xi |
Foreword: art and premonition | p. xv |
Introduction: avant-garde and avant-guerre | p. 1 |
'A campaign of extermination': Walter Sickert and modernism in London in 1914 | p. 20 |
W. B. Yeats in 1914: a cosmopolitan modernist and the 'great menace' of nationalism | p. 41 |
Jacob Epstein's Rock Drill: man and machine | p. 78 |
Conflict 'resolution': Wyndham Lewis's Blasts at war | p. 101 |
'Something is happening there': early British modernism, the Great War and the 'Whitechapel Boys' | p. 122 |
Inventing literary modernism at the outbreak of the Great War | p. 148 |
'Touching civilisation in its tender mood': nationalism and art in the friendship between Henri Gaudier-Brzeska and Edward Wadsworth, 1914-1915 | p. 165 |
Remembrance/reconstruction: autobiography and the men of 1914 | p. 196 |
Around the galleries: art exhibitions in London in 1914 through the eyes of the critics | p. 214 |
Rewriting 1914: the Slade, Tonks, and war in Pat Barker's Life Class | p. 240 |
Appendix | p. 272 |
Bibliography | p. 276 |
Index | p. 292 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.