Denotes selection is new to this edition | |
The Restoration and the Eighteenth Century | |
The Diary | |
First Entries | |
The Coronation of Charles II | |
The Plague Year | |
The Fire of London | |
Companion Reading | |
From Kalendarium | |
The Royal Society | |
Theater and Music | |
Response | |
From Samuel Pepys | |
Perspectives: The Royal Society and the New Science | |
From The History of the Royal Society of London | |
Philosophical Transactions | |
From Philosophical Transactions | |
From Micrographia | |
From Brief Lives | |
Duchess of Newcastle | |
Poems and Fancies | |
The Poetress's Hasty Resolution | |
The Poetress's Petition | |
An Apology for Writing So Much upon This Book | |
The Hunting of the Hare | |
From A True Relation of My Birth, Breeding, and Life | |
Observations upon Experimental Philosophy | |
Of Micrography, and of Magnifying and Multiplying Glasses | |
The Description of a New Blazing World | |
From To the Reader | |
Creating Worlds | |
Empress, Duchess, Duke | |
Epilogue | |
Absalom and Achitophel: A Poem | |
Companion Reading | |
Charles II: His Majesty's Declaration | |
To the Memory of Mr. Oldham | |
To the Pious Memory of the Accomplished Young Lady | |
Fables Ancient and Modern | |
From Preface | |
The Secular Masque | |
The Disappointment | |
To Lysander, on Some Verses He Writ | |
To Lysander at the Music-Meeting | |
A Letter to Mr. Creech at Oxford | |
To the Fair Clarinda, Who Made Love to Me, Imagined More than Woman | |
Oroonoko | |
Response | |
Oroonoko: A Tragedy | |
Perspectives: Coterie Writing | |
Lady Chudleigh | |
To the Ladies | |
To Almystrea | |
Countess of Winchelsea | |
The Introduction | |
Friendship | |
Between Ephelia and Ardelia | |
A Nocturnal Reverie | |
A Ballad to Mrs. Catherine Fleming in London | |
Mary Leapor | |
The Headache | |
Mira to Octavia To Aurelia | |
An Epistle to Artemisia: On Fame | |
Advice to Sophronia | |
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