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Foreword by Marge Piercy: Marleen Barr's Lost and Found | p. ix |
Acknowledgments | p. xiii |
Introduction: Patriarchal Hocus-Pocus | p. 1 |
Before Feminist Fabulation: Feminist Science Fiction | |
Thelma and Louise: Driving toward Feminist Science Fiction | p. 21 |
Anne McCaffrey Portrays a Female Artist | p. 30 |
Suzy McKee Charnas, Sally Gearhart, and Marge Piercy Depict Sex and the Single Feminist Utopian Quasi-tribesperson | p. 39 |
Jessica Amanda Salmonson's "The Prodigal Daughter" and Feminist Science Fiction's Traditions | p. 50 |
Science Fiction's Invisible Female Men: Joanna Russ's "When It Changed" and James Tiptree's "The Women Men Don't See" | p. 59 |
Men in Feminist Science Fiction: Marge Piercy, Thomas Berger, and the End of Masculinity | p. 67 |
Suzy McKee Charnas, Zoe Fairbairns, Katherine Marcuse, and Kate Wilhelm Blur Generic Conventions: Pregnancy and Power in Feminist Science Fiction | p. 81 |
After Feminist Fabulation: Feminist Postmodernism | |
Octavia Butler and James Tiptree Do Not Write about Zap Guns: Positioning Feminist Science Fiction within Feminist Fabulation | p. 97 |
Antipatriarchal Fabulation; or, The Green Pencils Are Coming, the Green Pencils Are Coming | p. 108 |
Haroun and Seeing Women's Stories: Salman Rushdie and Marianne Wiggins | p. 141 |
Ursula Le Guin's "Sur" as Exemplary Humanist and Antihumanist Text | p. 154 |
Aliens, Airplanes, and Cultural Cross-dressing: Reading Buchi Emecheta, Haruki Murakami, and Paul Theroux | p. 171 |
Ms. Sammler's Planet: Margaret Atwood, Saul Bellow, and Joanna Russ Rescue the Female Child's Story | p. 196 |
Permissions | p. 223 |
Index | p. 225 |
Table of Contents provided by Syndetics. All Rights Reserved. |
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