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9780812976922

Love, Anger, Madness

by
  • ISBN13:

    9780812976922

  • ISBN10:

    0812976924

  • Format: Trade Paper
  • Copyright: 2010-03-30
  • Publisher: Modern Library

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Summary

Available in English for the first time, Vieux-Chauvet's stunning trilogy of novellas is a remarkable literary event. In a brilliant translation, "Love, Anger, Madness" is a scathing response to the struggles of race, class, and sex that have ruled Haiti.

Author Biography

Marie Vieux-Chauvet, a seminal writer of postoccupation Haiti, was born in Port-au-Prince in 1916 and died in New York in 1973. She is the author of five novels, including Dance on the Volcano, Fonds des Nègres, Fille d’Haiti, and Les Rapaces.

Rose-Myriam Réjouis and Val Vinokur have translated two novels by Patrick Chamoiseau, Solibo Magnificent and Texaco, the latter of which won the American Translators Association Galantière Prize for Best Book. Their translation of Love, Anger, Madness was supported by a Simon Guggenheim Fellowship.

Edwidge Danticat was born in Port-au-Prince, Haiti. She is the author of Brother, I’m Dying; Breath, Eyes, Memory; Krik? Krak!; The Farming of Bones; and The Dew Breaker. She lives in Miami with her husband and two daughters.


From the Hardcover edition.

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Love



Quietly, like a shadow, I watch this drama unfold scene by scene. I am the lucid one here, the dangerous one, and nobody suspects. An old maid! No husband. Doesn’t know love. Hasn’t even lived, really. They’re wrong. In any case, I’m savoring my revenge in silence. Silence is mine, vengeance is mine. I know into whose arms Annette will throw herself, and under no circumstances do I plan to open the eyes of our sister Félicia. She is too enraptured and carries the three-month-old fetus in her womb with too much pride. If she was smart enough to find herself a husband, I want her to be smart enough to keep him. She has too much confidence—in herself, in everyone. Her serenity exasperates me. She smiles while sewing shirts for the son she’s expecting, because of course it must be a son! And Annette will be the godmother, I bet . . .

I rest my elbows on the bedroom windowsill, and watch: standing in broad daylight, Annette offers Jean Luze the freshness of her twenty-two years. Their backs to Félicia, they claim each other without the slightest gesture. Desire bursting in their eyes. Jean Luze struggles, but there is no way out.

I am thirty-nine years old and still a virgin. The unenviable fate of most women in small Haitian towns. Is it like that everywhere? Are there towns in the world like this one, half mired in ancestral habits, people spying on each other? My town! My land! as they proudly call this dreary graveyard, where you see few men besides the doctor, the pharmacist, the priest, the district commandant, the mayor, the prefect, all of them newly appointed to their posts, all of them such typical “coast people” that it’s nauseating. Suitors are exotic birds, since parents here always dream of sending their sons away to Port-au-Prince or abroad to make learned men of them. One of them came back to us in the person of Dr. Audier, who studied in Paris and in whom I still search in vain for something superhuman . . .

I was born in 1900, a time when prejudice was at its height in this little region. Three groups emerged, isolated from each other like enemies: the “aristocrats” to whom we belonged, the petty bourgeois, and the common people. Tugged at by the delicate ambiguity of my situation, I suffered from an early age because of the dark color of my skin. The mahogany color I had inherited from some great-great-grandmother went off like a small bomb in the tight circle of whites and white-mulattoes with whom my parents socialized. But that is the past, and I don’t care to return to what is no more, at least not for now . . .

Father Paul says I have poisoned my mind with education. The truth is that my wits were asleep and I have stirred them—with this journal. I have discovered in myself unsuspected talents. I believe I can write. I believe I can think. I have become arrogant. I have become self-conscious. To reduce my inner life to what the eye can see, that’s my goal. A noble task! Will I succeed? To speak of myself is easy. All I have to do is lie a lot while convincing myself that I’m really putting my finger on it. I will attempt sincerity: solitude has made me bitter; I am like a fruit fallen before ripening, rotting under the tree unnoticed. Hurrah for Annette! After Justin Rollier, the poet who died of tuberculosis, there was Bob the Syrian; after Bob now Jean, brother-in-law to us both—and she is not yet twenty-three. Our little town of X is emancipating itself. It would seem we have been contaminated by what they call civilization.

I am the oldest of the three Clamont sisters. There are about eight years in age between each of us. We live together in this house, an undivided inheritance from our late parents. As usual, I have been entrusted with the more vexing tasks. You have nothing to do, so keep busy, they seem to say. And they have handed the

Excerpted from Love, Anger, Madness: A Haitian Trilogy by Marie Vieux-Chauvet
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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