What is included with this book?
Acknowledgments | p. ix |
Introduction: The Future of Film Sound Studies | p. 1 |
Theorizing Sound | |
The Phenomenology of Film Sound: Robert Bresson's A Man Escaped | p. 23 |
The Proxemics of the Mediated Voice | p. 36 |
Almost Silent: The Interplay of Sound and Silence in Contemporary Cinema and Television | p. 51 |
The Sounds of "Silence": Dolby Stereo, Sound Design, and The Silence of the Lambs | p. 68 |
Historicizing Sound | |
Sonic Imagination; or, Film Sound as a Discursive Construct in Czech Culture of the Transitional Period | p. 87 |
Sounds of the City: Alfred Newman's "Street Scene" and Urban Modernity | p. 105 |
Film and the Wagnerian Aspiration: Thoughts on Sound Design and the History of the Senses | p. 123 |
Sound and Genre | |
Asynchronous Documentary: Bunuel's Land without Bread | p. 141 |
"We'll Make a Paderewski of You Yet!": Acoustic Reflections in The 5,000 Fingers of Dr. T | p. 152 |
Paul Sharits's Cinematics of Sound | p. 171 |
"Every Beautiful Sound Also Creates an Equally Beautiful Picture": Color Music and Walt Disney's Fantasia | p. 183 |
Film Sound and Cultural Studies | |
"A Question of the Ear": Listening to Touch of Evil | p. 201 |
"Sound Sacrifices": The Postmodern Melodramas of World War II | p. 218 |
Real Fantasies: Connie Stevens, Silencio, and Other Sonic Phenomena in Mulholland Drive | p. 233 |
Case Studies of Film Sound | |
Selling Spectacular Sound: Dolby and the Unheard History of Technical Trademarks | p. 251 |
(S)lip-Sync: Punk Rock Narrative Film and Postmodern Musical Performance | p. 269 |
Critical Hearing and the Lessons of Abbas Kiarostami's Close-Up | p. 289 |
Rethinking Point of Audition in The Cell | p. 299 |
Works Cited | p. 307 |
Contributors | p. 327 |
Index | p. 331 |
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