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ACKNOWLEDGEMENTS | VII | ||
INTRODUCTION | 1 | (4) | |
GENDER AND THE DRACULA: WHAT'S AT STAKE? | 5 | (24) | |
VAMPIRE TRANSFORMATIONS: GOTHIC MELODRAMA, SYMPATHY AND THE SELF | 29 | (22) | |
FANS RE-READING THE VAMPIRE: ISSUES OF GENDER AND THE PLEASURES OF PATHOS | 51 | (25) | |
THE PREDICAMENT OF THE VAMPIRE AND THE SLAYER: GOTHIC MELODRAMA IN MODERN AMERICA | 76 | (21) | |
VAMPIRE FANDOM: REBELS WITHOUT A CAUSE? THEORISING FANDOM IN THE FIELD OF CULTURAL PRODUCTION | 97 | (22) | |
VAMPIRE FANDOM IN THE FIELD OF CULTURAL PRODUCTION: A VAMPIRE FAN CLUB CASE STUDY | 119 | (23) | |
DONNING FANGS: GENDER, THE VAMPIRE AND DRESSING THE SELF | 142 | (22) | |
REWRITING THE VAMPIRE: GENDER, SEXUALITY AND FAN FICTION | 164 | (19) | |
CONCLUSION - THE VAMPIRE AND THE SELF: THE DILEMMAS OF THE DEAD AND THE REALM OF THE POSSIBLE | 183 | (8) | |
NOTES | 191 | (5) | |
BIBLIOGRAPHY | 196 | (16) | |
INDEX | 212 |
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