Sher Sherrill Grace is a distinguished Canadian author, scholar, and teacher who has co edited two collections of theater criticism for Talonbooks: Performing National Identities: International Perspectives on Contemporary Canadian Theatre [2003] (with Albert Rainer Glaap); and Theatre and AutoBiography: Writing and Performing Lives in Theory and Practice [2006] (with Jerry Wasserman). She is currently President, Academy I, of the Royal Society of Canada.
List of Illustrations | p. 8 |
List Abbreviations | p. 10 |
Preface and Acknowledgements | p. 11 |
Writing Lives and Making Theatre | p. 17 |
Family Matters | p. 30 |
The Angel in the House | p. 68 |
Finding a Voice of Her Own | p. 89 |
Taking to the Stage: From Breakthrough to Banff and Beyond | p. 133 |
Murder She Said: Creating Blood Relations | p. 184 |
Family Trappings | p. 222 |
The Garry Years | p. 279 |
Still Making Theatre | p. 323 |
Taking the Fingerprints of Her Sources | p. 369 |
"Things I Like to Do" from Per Armas (1954), and "How Things Are" (1973) from The Fiddlehead | p. 381 |
The Gany Theatre, 1992-1997 | p. 387 |
The Many Voices of Sharon Pollock | p. 394 |
Sharon Pollock Chronology | p. 412 |
Notes | p. 415 |
Sources | p. 424 |
Bibliography | p. 430 |
Index | p. 467 |
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