Manly Leaders in Nineteenth-century British Literature

by Garofalo, Daniela

• ISBN13: 9780791473580
• ISBN10: 0791473589
• Format: Paperback
• Copyright: 2009-01-01
• Publisher: State Univ of New York Pr

Summary

From the 1790s to the 1840s, the fear that Britain had become too effeminate to protect itself against the anarchic forces unleashed by the French Revolution produced in many British writers of the period a desire to portray strong leaders who could control the democratic and commercial forces of modernization. While it is commonplace in Romantic studies to emphasize that Romantic writers are interested in the solitary genius or hero who separates himself from the community to pursue his own creative visions, Daniela Garofalo argues instead that Romantic and early Victorian writers are interested in charismatic males-military heroes, tyrants, kings, and captains of industry-who organize modern political and economic communities, sometimes by example, and sometimes by direct engagement. Reading works by William Godwin, William Wordsworth, Jane Austen, Lord Byron, William Hazlitt, Thomas Carlyle, and Charlotte Bronte, Garofalo shows how these leaders, endowed with an inherent virility rather than simply inherited rank, legitimize hierarchy anew for an age suffering from a crisis of authority. Book jacket.

Author Biography

Daniela Garofalo is Assistant Professor of English at the University of Oklahoma.

Table of Contents

Acknowledgments	p. vii
Introduction: Fantasies of National Virility and William Wordsworth's Poet Leader	p. 1
"A Left-Handed Way": Modern Masters in William Godwin's Caleb Williams	p. 37
Political Seductions: The Show of War in Lord Byron's Sardanapalus	p. 53
Sublime Democracy and the Theater of Violence: Authoritarianism in William Hazlitt's The Life of Napoleon Buonaparte	p. 71
Communities in Mourning: Making Capital Out of Loss in Thomas Carlyle's Past and Present and Heroes	p. 95
"To Please a Woman Worthy of Being Pleased": Darcymania in Jane Austen's Pride and Prejudice	p. 113
Dependent Masters and Independent Servants: The Gothic Pleasures of British Homes in Charlotte Bronte's Jane Eyre	p. 137
Notes	p. 155
Bibliography	p. 193
Index	p. 211
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