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9780759102347

The Manual of Museum Exhibitions

by ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;
  • ISBN13:

    9780759102347

  • ISBN10:

    0759102341

  • Format: Paperback
  • Copyright: 2001-11-15
  • Publisher: AltaMira Press

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Summary

The Manual of Museum Exhibitions is a practical, hands-on, comprehensive guide to the entire process of planning, designing, producing, and evaluating exhibitions for museums of all kinds. Conceived, organized, and edited by Gail and Barry Lord, this invaluable book includes contributions by masters of each step in the complex art of museum exhibition-making. Subjects range from traditional displays of art, artifacts, and specimens from the permanent collection to the latest developments in virtual reality, online exhibitions, simulators, and big-screen reality. An exciting array of stimulating case studies featuring outstanding museum exhibitions from both sides of the Atlantic makes this manual all the more valuable to practitioners and students of the museum profession, architects, designers and the many specialized contractors involved in 21st-century exhibitions. The book is also useful and interesting reading for museum Trustees and Board members, volunteers, and all others who understand and enjoy the educational value of today's museum exhibitions. The Manual of Museum Exhibitions is particularly remarkable for its comprehensive scope, including evaluation processes, exhibition gallery requirements, and practical methods for each step in the planning, design, production, and project management of exhibitions. The final chapter surveys contemporary developments and presents a particularly impressive group of case studies that suggest possible directions for museum exhibition development in the new millennium. The Manual of Museum Exhibitions is a practical, hands-on, comprehensive guide to the entire process of planning, designing, producing, and evaluating exhibitions for museums of all kinds. Conceived, organized, and edited by Gail and Barry Lord, this invaluable book includes contributions by masters of each step in the complex art of museum exhibition-making. Subjects range from traditional displays of art, artifacts, and specimens from the permanent collection to the latest developments in virtual reality, online exhibitions, simulators, and big-screen reality. Visit the authors' web page

Table of Contents

List of figures
xi
List of tables
xiii
List of contributors
xvi
Foreword, with acknowledgements xxiv
Barry Lord
Gail Dexter Lord
Introduction: The Exhibition Planning Process
1(8)
Gail Dexter Lord
PART I WHY? 9(458)
The Purpose of Museum Exhibitions
11(16)
Barry Lord
Exhibitions as a Function of Museums
12(3)
Museum Exhibitions as the Communication of Meaning
15(4)
Modes of Exhibition Apprehension
19(8)
Case Study 2.1: Exhibitions at the Corning Museum of Glass: Combining Modes of Visitor Apprehension
23(4)
David Whitehouse
Where Do Exhibition Ideas Come From?
27(12)
Research-based and Market-driven Exhibitions
27(2)
Barry Lord
Planning for Exhibition Research
29(3)
Barry Lord
Exhibition Ideas: Integrating the Voices of Communities and Audiences
32(7)
Margaret May
Case Study 3.1: HuupuKwanum•Tupaat: Out of the Mist Treasures of the Nuu-chah-nulth Chiefs Royal British Columbia Museum, Victoria
35(4)
Martha Black
How Will We Know When We Get There? Exhibition Evaluation
39(30)
The Role of Market Analysis
39(5)
Kate Sellers
Before, During and After: Front-end, Formative and Summative Evaluation
44(14)
Duncan Grewcock
Case Study 4.1: Evaluation for a permanent exhibition about the work of conservators Caught in Time at National Museums and Galleries on Merseyside
54(4)
Anne Penningion
Qualitative and Quantitative Audience Research
58(9)
Barbara Soren
PART II WHERE?
Space and Facilities for Exhibitions
67(2)
Planning and Designing Exhibition Facilities
69(74)
Developing Design Criteria for Exhibition Space
73(3)
Heather Maximea
Case Study 5.1: Design Criteria: The International Glass Museum,Tacoma,Washington
74(2)
Heather Maximea
Projecting Display Space Requirements
76(14)
Heather Maximea
Case Study 5.2: Visible Storage at the Museum of Anthropology (MOA), University of British Columbia, Vancouver Canada
86(4)
Heather Maximea
Behind the Scenes: Support Activities and Facilities
90(8)
Heather Maximea
Access, Adjacency and Circulation
98(12)
Heather Maximea
Preserving Collections in Exhibitions
110(14)
Murray Frost
Security and Public Safety in Exhibitions
124(10)
Peter Osborne
Exhibition Accessibility
134(9)
Kristin Johnson
Exhibition Galleries
143(54)
Heather Maximea
Galleries for Art or Archives
144(4)
Galleries for Artefacts or Specimens
148(5)
Children's Museum and Science Centre Galleries
153(5)
Study Spaces
158(1)
Multi-purpose Public Spaces
159(7)
Case Study 6.1: One New Kind of Gallery: Discovery Libraries at the Denver Art Museum
160(4)
Patterson B Williams
Case Study 6.2: Alaska Native Heritage Center: `A Gathering of Traditions', Anchorage, Alaska
164(2)
Heather Maximea
Light and Colour in the Galleries
166(6)
Gallery Structure
172(13)
Materials and Finishes
185(12)
Gallery Facilities and Equipment
197(64)
Display Cases
198(9)
Till Hahn
Lighting
207(7)
Kevan Shaw
Audio-Visual Hardware
214(8)
Barry Crean
Multimedia: Enhancing the Experience
222(12)
Maria Piacente
Advanced Media in Museum Exhibitions
234(25)
Hugh A D Spencer
Case Study 7.1: Multimedia Investment Strategies at the Minneapolis Institute of Arts: Preparing for the Inevitable 'Tomorrows'
236(11)
Scott Sayre
Case Study 7.2: The Feast of a Thousand Years at the Ename Provincial Museum, Belgium
247(12)
Marie-Claire Van der Donckt
Dirk Callebaut
PART III HOW?
The Exhibition Development Process
259(2)
Planning and Managing an Exhibition Programme
261(56)
Permanent Collection Display
262(14)
Barry Lord
Case Study 8.1: Odyssey: A Journey into World Art at the Peabody Essex Museum, Salem, Massachusetts
268(8)
William Phippen
Planning and Managing Temporary Exhibitions
276(14)
Barry Lord
Case Study 8.2: African Zion: From Temporary to Permanent at the Walters Art Gallery, Baltimore
288(2)
Gory Vikan
Travelling Exhibitions
290(7)
Barry Lord
Case Study 8.3: The Treasures to Go Travelling Exhibitions Tour Smithsonian American Art Museum, Washington, DC
293(4)
Elizabeth Brown
Educational and Other Public Programmes for Exhibitions
297(20)
Kathleen Brown
Financial Planning and Management of Exhibitions
317(28)
Developing an Exhibition Budget Template
318(20)
Martha Morris
Financial Planning and Management of a Temporary Exhibition Programme
338(7)
Robert Scott
Curatorship in the Exhibition Planning Process
345(28)
John Nicks
Formulating the Exhibition Concept
346(1)
Curatorial Research
346(7)
Case Study 10.1: Making and Meaning: Turner's The Fighting Temeraire at the National Gallery, London
348(5)
Michael Wilson
Collection Evaluation, Selection and Development
353(1)
Documentation
354(1)
Conservation
355(1)
Preparation of the Exhibition Brief
356(17)
Interpretative Planning
373(20)
Hugh A D Spencer
The Communication Process
373(3)
The Logistical Process
376(1)
The Interpretative Planning Process
377(16)
Case Study 11.1: Making the Earth Move for You: the Earth Galleries at the Natural History Museum, London
387(6)
Robert M Bloomfield
Exhibition Text
393(12)
Balancing Perspectives in Exhibition Text
394(4)
Hugh A D Spencer
Exhibition Text Guidelines
398(2)
Hugh A D Spencer
Including Text in the Exhibition Process
400(2)
Hugh A D Spencer
The Language of Multimedia
402(3)
Maria Piacente
The Role of the Exhibition Designer
405(20)
Yves Mayrand
Criteria for Effective Museum Exhibition Design
405(4)
Designing the Space for a Museum Exhibition
409(2)
Designing Exhibitions for the Whole Sensorium
411(1)
The Exhibition Design Process
412(13)
Case Study 13.1: A Walk Past Time: Architecture, Evolution and the Tree of Life: the renovation and re-interpretation of the American Museum of Natural History Fossil Halls
421(4)
Ralph Appelbaum
Construction and Installation
425(12)
Chuck Sutyla
Organising the Museum for Exhibition Construction and Installation
426(1)
Contracting the Construction and Installation
426(11)
Case Study 14.1: Testing Exhibits During Construction for the Kirby Science Discovery Center Sioux Falls, South Dakota
433(4)
Erich Zuern
Lighting the Show
437(6)
Kevan Shaw
Case Study 15.1: Lighting the Scotland in History Exhibition at the Museum of Scotland, Edinburgh
440(3)
Kevan Shaw
The Role of the Project Manager
443(12)
Chuck Sutyla
Project Management Tools
444(1)
Documentation
445(2)
Attributes of a Successful Exhibition Project Manager
447(1)
Commissioning and Completing the Exhibition Project
447(1)
Warranty Period: Operation and Maintenance
448(7)
Case Study 16.1: The Roald Dahl Children's Gallery: Project Management at Buckinghamshire County Museum
450(5)
Colin Dawes
David Erskine
Exhibition Retail
455(12)
Susan Dunlop
Retail Research
455(2)
Merchandise Mix
457(2)
Beyond the Museum Shop
459(2)
Products Related to Temporary Exhibitions
461(6)
Case Study 17.1: Van Gogh: Face to Face at the Detroit Institute of Art: Planning the Exhibition Shop
465(2)
Susan Dunlop
PART IV WHAT NOW? 467(30)
Museum Exhibitions in the 21st Century
469(28)
Kevin Gosling
Case Study 18.1: Questioning Scientific Authority: A Question of Truth at the Ontario Science Centre, Toronto, Canada
475(4)
Hooley McLaughlin
Case Study 18.2: The Grande Galerie de l'Evolution Museum National d'Histoire Naturelle, Paris
479(4)
Patrick Blandin
Case Study 18.3: Follow the North Star at Conner Prairie, Indiana: A Case Study in Controversial Programming
483(4)
Stephen L Cox
Case Study 18.4: Enchanted Worlds: A Presentation at the museum of Ethnology, Rotterdam for Children on Multicultural Society
487(4)
Fred Wartna
Case Study 18.5: Art on Tyneside at the Laing Art Gallery, Tyne and Wear Museums, Newcastle Upon Tyne
491(6)
John Millard
Glossary 497(14)
Annotated Bibliography 511(12)
Brad King
Index 523

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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