Departing from his eponymous exhibition at Kunsthalle Wien, this publication examines new works by Odenbach and contextualizes them within a broader context. Named after an early poem by Ingeborg Bachmann, the exhibition reflected the atmosphere of the postwar period that dominates Bachmann's poetry, which itself is shaped as much by the search for authenticity and truthfulness as it is by the traumatic memory of the past. The exhibited works developed a series of interconnected motifs linking memorial remembrance of the atrocities committed during the Nazi period to individual memories. The complex history of the African continent was likewise presented through film as well as collages that created multilayered vectors pointing as much from the past toward the present as vice versa.
Copublished with Kunsthalle Wien