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Acknowledgments | |
Introduction: Master Narrative, Postmodernism, Slave Narrative | p. 1 |
The Origin of Ethics in Music and Dance: Contemporary Psychoanalytic Theory | p. 17 |
Julia Kristeva: From Womb to Tomb | p. 19 |
Daniel Stern: The Social Dance | p. 24 |
Tactile Sociality: Irigaray and Child Development Research | p. 31 |
The Greeting: Historical Background | p. 57 |
Kojeve: Self-Creation | p. 57 |
Gadamer: The Role of the Greeting in Recognition | p. 63 |
Lacan and the Mirror Stage | p. 63 |
Jonathan Bennett and the Face in the Mirror | p. 68 |
The Figure of the Face: Levinas and Child Development Research | p. 75 |
The Face Stripped Bare | p. 75 |
Face-to-Face with the Mother | p. 83 |
The Saying before the Said, or Mamaese | p. 86 |
A Correspondence Theory of Ethical Exchange | p. 92 |
Hegel's Master Narrative of Freedom and the African American Experience | p. 105 |
Will over Desire | p. 106 |
Freedom as Self-Mastery | p. 113 |
The Slave as the Liminal Self | p. 119 |
The African American Experience of Slavery | p. 120 |
Black Dialectic/White Dialectic | p. 126 |
A Slave Narrative of Freedom: Frederick Douglass and the Force of Manhood | p. 129 |
The Ecstacy of Struggle | p. 132 |
Writing the Self: Douglas versus Foucault on Literacy | p. 135 |
Liberal and Dialectical Constructions of Manhood | p. 137 |
Black Spirituality | p. 143 |
Agency in the Slave | p. 148 |
Nietzschean and Psychoanalytic Explanations of Punishment | p. 151 |
The Pathology of the Oppressor | p. 152 |
The Healing Power of Music | p. 154 |
The Rhythms and Tones of Freedom | p. 156 |
Spirit: Friedrich Nietzsche versus Frederick Douglass | p. 157 |
Warrior versus Worker: Dubois on Freedom | p. 159 |
Free Spirits | p. 160 |
Ecstatic "Manhood" | p. 161 |
Demythologizing Power | p. 166 |
The Fear of Color | p. 167 |
Tactile Recognition | p. 169 |
The Birth of Freedom from the Spirit of Music | p. 173 |
Conclusion | p. 174 |
Notes | p. 177 |
Index | p. 213 |
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