Matisse in the Cone Collection breaks new ground by offering the first scholarly exploration of this exceptional group of works, all donated to the Baltimore Museum of Art in 1950. Doreen Bolger's Foreword traces the Cone sisters' early association with Leo and Gertrude Stein, their growing friendship with Matisse, and the building of their collection. An essay by Jack Flam guides readers through the sisters' collection of Matisse's art and, simultaneously, charts the artist's development from his Neo-Impressionist work of the 1890s to his late style of the 1940s, which is marked by the use of cut-paper and an increasingly linear