Introduction | p. xiii |
Memory | |
Looking for the Body Music | p. 3 |
7 Variations on Margarita Weinberg | p. 4 |
1600 Elmwood Avenue | p. 12 |
The Closet | p. 14 |
Darkness | p. 17 |
First Kiss | p. 19 |
Groceries | p. 22 |
Blueberry Hill | p. 25 |
My Two Selves | p. 29 |
The Massacre | p. 31 |
My Mother with Her Hands as Knives | p. 32 |
Dear Ama | p. 38 |
Bitter Coffee | p. 40 |
Untitled | p. 44 |
Monologue | |
My House Is Wallpapered with Lies | p. 49 |
Maurice | p. 53 |
(Hey. Did You Happen to See) The Most Beautiful Girl in the World | p. 57 |
Conversations with My Son | p. 61 |
The Perfect Marriage | p. 67 |
None of Us Are Monologists (aka Chill) | p. 71 |
Darfur Monologue Winter Miller | p. 84 |
I Can Hear My Soul Cracking | p. 86 |
Celia | p. 91 |
They Took All of Us | p. 94 |
Rant | |
Woman | p. 103 |
I'm Thinking I've Closed My Eyes for the Last Time | p. 105 |
I Can't Wait | p. 107 |
In Memory of Imette | p. 111 |
Respect | p. 114 |
The Aristocrats | p. 117 |
Connect: A Web of Words | p. 119 |
Stew | p. 121 |
The Next Fantastic Leap | p. 126 |
Give It Back | p. 129 |
The Destruction | p. 131 |
Hands in Protest | p. 134 |
Prayer | |
The Bra | p. 139 |
Banana Beer Bath | p. 141 |
True | p. 145 |
Club | p. 148 |
Conversation Between Heaven and Earth | p. 151 |
Part Owner | p. 156 |
Woman Work | p. 160 |
Eye to Eye | p. 162 |
Hail to the Vagina | p. 165 |
Rescue | p. 169 |
To Stop the Violence Against Woman | p. 173 |
Fur Is Back | p. 176 |
Afterword: Reclaiming Our Mojo | p. 181 |
An Invitation: How to Get Involved | p. 191 |
Acknowledgments | p. 203 |
About the Writers | p. 205 |
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