Preface | |
Acknowledgments | |
Introduction | p. 3 |
Narrating Memory | p. 26 |
Rereading Photographs and Narratives in Ethnic Autobiography: Memory and Subjectivity in Mary Antin's The Promised Land | p. 45 |
The New Man and the Mediator: (Non-)Remembrance in Jewish-American Immigrant Narrative | p. 89 |
Memory and Silences in the Work of Tillie Olsen and Henry Roth | p. 114 |
Nostalgia, Amnesia, and Grandmothers: The Uses of Memory in Albert Murray, Sabine Ulibarri, Paula Gunn Allen, and Alice Walker | p. 128 |
X Rays of Irish America: Edwin O'Connor, Mary Gordon, and William Kennedy | p. 145 |
Expanding the Collective Memory: Charles W. Chesnutt's The Conjure Woman Tales | p. 164 |
Reading Carnival as an Archaeological Site for Memory in Paule Marshall's The Chosen Place, The Timeless People and Praisesong for the Widow | p. 179 |
"Tell me your earrings": Time and the Marvelous in Toni Morrison's Beloved | p. 198 |
Memory and Mother Love: Toni Morrison's Dyad | p. 212 |
Maxine Hong Kingston's Fake Books | p. 233 |
Memory and the Ethnic Self: Reading Amy Tan's The Joy Luck Club | p. 261 |
Traveling Light: Immigration and Invisible Suitcases in M. G. Vassanji's The Gunny Sack | p. 278 |
Rediscovering Nineteenth-Century Mexican-American Autobiography | p. 305 |
Select Bibliography | p. 333 |
Editors and Contributors | p. 337 |
Index | p. 341 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.