Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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Acknowledgements | |
Contributors | |
General Editor's Introduction | |
Introduction | |
Shakespeare's Merchant and Marlowe's Other Play | |
Jewish Daughters: The Question of Philo-Semitism in Elizabethan Drama | |
Jessica | |
Textual Delivery in The Merchant of Venice | |
Portia and the Ovidian Grotesque | |
Does Source-Criticism Illuminate the Problems of Interpreting The Merchant as a Soured Comedy? | |
Shylock Is Content: A Study in Salvation | |
Isolation to Communion: A Reading of William Shakespeare's | |
The Less into the Greater: Emblem, Analogue and Deification in The Merchant of Venice | |
"Nerissa Teached Me What To Believe": Portia's Wifely Empowerment in The Merchant of Venice | |
"Mislike Me Not For My Complexion": Whose Mislike? Shakespeare's? That of the Age? | |
The Merchant of Venice and the Politics of Commerce | |
Names in The Merchant of Venice Palatable for US Audiences | |
Shylock in Performance | |
Portia Performs: Playing the Role in the Twentieth-Century English Theater | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.