What is included with this book?
Acknowledgements | p. vii |
Notes on the Contributors | p. viii |
Introduction | p. 1 |
Towards a Reconceptualization of History and Identity | |
The Witch, the Puritan and the Prophet: Historical Novels and Seventeenth-Century History | p. 15 |
History as Story in Angela Carter's American Ghosts and Old World Wonders | p. 30 |
Falling Off the Edge of the World: History and Gender in Daphne Marlatt's Ana Historic | p. 45 |
Time, Space and (Her)Story in the Fiction of Eva Figes | p. 59 |
From Demidenko to Darville: Behind the Scenes of a Literary Carnival | p. 73 |
Historiographic Re-visionings | |
Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchill | p. 89 |
The Benefits of Watching the Circus Animals Desert: Myth, Yeats and Patriarchy in Angela Carter's Nights at the Circus | p. 102 |
Passion and Possession as Alternatives to 'Cosmic Masculinity' in 'Herstorical Romances' | p. 116 |
Michele Roberts: Histories and Herstories in In the Red Kitchen, Fair Exchange and The Looking Glass | p. 133 |
Generic Experimentations with Gender and Genre | |
Rewriting The Rover | p. 149 |
The Convent Novel and the Uses of History | p. 158 |
The Revenge of the Stereotype: Rewriting the History of the Gothic Heroine in Alice Thompson's Justine | p. 172 |
The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund's Ahab's Wife, or The Star-Gazer | p. 182 |
Breaking the Mould? Sarah Waters and the Politics of Genre | p. 195 |
Index | p. 211 |
Table of Contents provided by Ingram. All Rights Reserved. |
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