Author's Note | p. 9 |
Before the Studio | p. 15 |
Acting with Backs to the Audience | p. 17 |
Building the System | p. 36 |
Stanislavski in America | p. 51 |
On Native Grounds: Triumph | p. 67 |
On Native Grounds: Defeat | p. 96 |
Behind Closed Doors: Inside the Actors Studio | p. 111 |
A Philanthropic Gesture | p. 113 |
Strasberg's Methods | p. 125 |
A Portrait of the Master Teacher | p. 150 |
The Best and the Brightest: Strasberg's Moderators | p. 170 |
A Studio Sampler | p. 181 |
The Language of the Method | p. 203 |
Auditions, Activities, Financing | p. 224 |
The Actors Studio on Stage and Film | p. 245 |
The Hesitation Waltz | p. 247 |
The Actors Studio Theatre | p. 262 |
The Method and the Movies: the Anti-Hero | p. 291 |
The Method and the Movies: the Anti-Heroine | p. 318 |
Private Matters: the Films of Elia Kazan | p. 330 |
Afterword | p. 341 |
Notes | p. 346 |
Bibliography | p. 357 |
Acknowledgments | p. 361 |
Index | p. 363 |
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