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Introduction | p. ix |
The Texts of the Plays | p. 1 |
The Pot of Broth | p. 12 |
At the Hawk's Well | p. 20 |
Purgatory | p. 29 |
Spreading the News | p. 36 |
The Rising of the Moon | p. 50 |
Riders to the Sea | p. 58 |
The Playboy of the Western World | p. 68 |
John Bull's Other Island | p. 113 |
Juno and the Paycock | p. 197 |
Krapp's Last Tape | p. 247 |
Translations | p. 255 |
The Weir | p. 309 |
By the Bog of Cats | p. 352 |
Backgrounds and Criticism | p. 399 |
The Irish Dramatic Revival | p. 401 |
Our Irish Theatre | p. 401 |
What Should Be the Subjects of National Drama? | p. 410 |
An Irish National Theatre | p. 412 |
An Irish National Theatre | p. 415 |
[The Collaborations of Yeats and Lady Gregory] | p. 417 |
On W. B. Yeats | p. 424 |
An Introduction for My Plays | p. 424 |
Strangers in the House | p. 426 |
Cathleen ni Houlihan Writes Back | p. 429 |
[At The Hawk's Well] | p. 433 |
[Purgatory] | p. 440 |
On Lady Gregory | p. 443 |
Spreading the News | p. 443 |
A Note on Spreading the News | p. 444 |
The Rising of the Moon | p. 444 |
[Spreading the News] | p. 445 |
Image-Maker for Ireland: Augusta | p. 449 |
On J. M. Synge | p. 453 |
Preface to the Playboy of the Western World | p. 453 |
Preface to the First Edition of the Well of the Saints | p. 454 |
[Journal 1907] | p. 454 |
The Controversy over the Playboy of the Western World | p. 462 |
The First Playboy | p. 464 |
[The Playboy of the Western World] | p. 468 |
On Bernard Shaw | p. 473 |
Preface far Politicians | p. 473 |
The Rejection of Shaw's Irish Play: John Bull's Other Island | p. 481 |
Irish Romance | p. 486 |
John Bull's Other Islander-Bernard Shaw | p. 491 |
On Sean O'Casey | p. 496 |
[Journal 1923-24] | p. 496 |
[Journal 1923-24] | p. 499 |
[Juno and the Paycock] | p. 502 |
[Juno and the Paycock] | p. 506 |
Sensationalizing Sacrifice | p. 513 |
On Samuel Beckett | p. 517 |
Correspondence of Samuel Beckett and Alan Schneider | p. 517 |
[Krapp's Last Tape] | p. 521 |
The Irish Beckett | p. 525 |
Beckett and Yeats: Among the Dreaming Shades | p. 530 |
Chronicles of the Human Heart | p. 535 |
On Brian Friel | p. 540 |
Field Day Theatre Company | |
Program Notes for Translations | p. 540 |
Making a Reply to the Criticisms of Translations | p. 543 |
[Translations: A Night at the Theatre] | p. 546 |
[Review of Translations] | p. 552 |
Translations: On the Page and On the Stage | p. 554 |
On Conor McPherson | p. 559 |
[The Weir] | p. 559 |
Secular Morality in the Plays of Conor McPherson | p. 563 |
The Structural Elegance of Conor McPherson's The Weir | p. 568 |
Pastoral Exhibits: Narrating Authenticities in Conor McPherson's The Weir | p. 572 |
On Marina Carr | p. 577 |
[Introduction to Plays] | p. 577 |
[Interview: On Playing in By the Bog of Cats] | p. 578 |
A Cautionary Tale: Marina Carr's By the Bog of Cats | p. 582 |
Grotesque and Carnivalesque Elements in By the Bog of Cats | p. 587 |
On Theater in Ireland | p. 594 |
[Postcolonialism and Irish Theater] | p. 594 |
Translating Women into Irish Theatre History | p. 600 |
The Abbey Theatre and the Irish State | p. 606 |
Pageants, Parades, and Performance Culture | p. 613 |
Chronology | p. 623 |
Selected Bibliography | p. 633 |
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