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Introduction | |
Swordsmen: | |
Tradition and the individual editor: Professor Grierson, modernism and national poetics | |
Louis MacNeice among the islands | |
Townland, desert, cave: Irish and Scottish Second World War poetry | |
Affinities in time and space: reading the Gaelic poetry of Ireland and Scotland | |
Contemporary affinities | |
The classics in modern Scottish and Irish poetry | |
Translating Beowulf | |
Reading in the gutters | |
'What matters is the yeast': 'foreignising' Gaelic poetry | |
Outside English: Irish and Scottish poets in the East | |
Names for nameless things: the poetics of place names | |
Desire lines: mapping the city in contemporary Belfast and Glasgow poetry | |
'The ugly burds without wings'?: Reactions to tradition since the 1960s | |
'And cannot say/and cannot say': Richard Price, Randolph Healy and the Dialogue of the Deaf | |
On 'The Friendship of Young Poets' | |
'No misprints in this work': the poetic 'translations' of Medbh McGuckian and Frank Kuppner | |
Phoenix or dead crow? Irish and Scottish poetry magazines 1945-2000 | |
Out with the pale: Irish-Scottish studies as an act of translation | |
Further reading | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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