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9780141180847

Movies

by ;
  • ISBN13:

    9780141180847

  • ISBN10:

    0141180846

  • Format: Paperback
  • Copyright: 2000-05-01
  • Publisher: Penguin Group USA
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Summary

Has mainstream, formulaic, big-budget moviemaking triumphed over all other alternatives? Covering subjects as diverse as avant-garde cinema, B-movies, blue movies, bad movies and Nazi propaganda, with texts by filmmakers and non-specialists - Orson Welles, Fellini, Updike on Burton and Taylor, Mailer on Marilyn - this is a refreshing corrective to the Hollywood bias.

Table of Contents

List of Illustrations
Preface
Pioneeringp. 1
From Speak, Memoryp. 3
Letter to Jules Carpentierp. 8
L'Arrivee d'un train en gare de La Ciotatp. 9
The Kingdom of Shadowsp. 10
A Conversation on Filmp. 14
Comedy's Greatest Erap. 17
Moviegoingp. 37
From Le Silence est d'orp. 39
Time Fliesp. 41
From A Death in the Familyp. 42
I Rememberp. 46
Warhol's Sleepp. 50
Moviemakingp. 53
From Adventures with D. W. Griffithp. 55
Pabst and Lulup. 62
Tarzan, the Ape Man Story Conference Notesp. 71
Backstage at the Studiop. 74
From Something Like an Autobiographyp. 83
From My Years With Apup. 92
From The Studiop. 96
The Making of Whityp. 100
To Make a Film Means to Take a Positionp. 110
From Blue Moviep. 113
Specializingp. 121
Underground Filmsp. 123
Short and Happyp. 136
Beatitudes of B Picturesp. 139
Bad Moviesp. 146
How to Play Indiansp. 159
How to Recognize a Porn Moviep. 163
Re: Bad Day at Black Rockp. 165
Three-Dementiap. 168
The Imagination of Disasterp. 170
Million-Dollar Graffiti: Notes from the Digital Domainp. 186
Theorizingp. 205
The Era of the Image Has Arrivedp. 207
Speech at the premiere of A Propos de Nicep. 211
An Overwhelming Filmp. 214
On Dubbingp. 216
Black and Whitep. 218
A King in New York: King Kongp. 221
An Inquiryp. 231
Some Ideas on the Cinemap. 235
From Notes on Cinematographyp. 246
The Romans in Filmsp. 248
The Face of Garbop. 252
A Free Replay (Notes on Vertigo)p. 255
Despising What You Sellp. 263
Apocalypse Nowp. 265
The China Syndromep. 268
Just Place, Preferably Architectural Placep. 273
Reflectingp. 281
Filming Deathp. 283
The Wandering Jewp. 287
What is Cinema for Us?p. 292
Worshippingp. 297
Entomology of the Pin-up Girlp. 300
Marilynp. 305
John Wayne Listeningp. 319
Creatingp. 325
Charlie Chaplinp. 327
About Boris Barnetp. 334
Marcel Pagnolp. 338
From 'Eisenstein on Disney'p. 341
The Golden Agep. 356
The Rogues are Wearyp. 368
From The Wrong Manp. 372
'La Tour de Nesle'p. 374
From Cinecittap. 378
From And Life Continuesp. 381
Dreamingp. 383
In Dreams Begin Responsibilitiesp. 385
Naaman's Songp. 394
From A Night at the Operap. 396
Shaggy Doggerelp. 401
Oscar Night in Hollywoodp. 403
More Shaggy Doggerelp. 412
Characterp. 414
From Los Angeles: The Architecture of Four Ecologiesp. 415
From Suspectsp. 418
Life as a Remake of Moviesp. 422
Letter to Jean-Luc Godardp. 424
Les 400 Coupsp. 432
Slownessp. 433
Last Shaggy Doggerelp. 435
Criticizingp. 437
From A Twentieth Century Jobp. 439
'Not Where We Came In'p. 443
Acknowledgementsp. 445
Table of Contents provided by Blackwell. All Rights Reserved.

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