List of Illustrations | |
Preface | |
Pioneering | p. 1 |
From Speak, Memory | p. 3 |
Letter to Jules Carpentier | p. 8 |
L'Arrivee d'un train en gare de La Ciotat | p. 9 |
The Kingdom of Shadows | p. 10 |
A Conversation on Film | p. 14 |
Comedy's Greatest Era | p. 17 |
Moviegoing | p. 37 |
From Le Silence est d'or | p. 39 |
Time Flies | p. 41 |
From A Death in the Family | p. 42 |
I Remember | p. 46 |
Warhol's Sleep | p. 50 |
Moviemaking | p. 53 |
From Adventures with D. W. Griffith | p. 55 |
Pabst and Lulu | p. 62 |
Tarzan, the Ape Man Story Conference Notes | p. 71 |
Backstage at the Studio | p. 74 |
From Something Like an Autobiography | p. 83 |
From My Years With Apu | p. 92 |
From The Studio | p. 96 |
The Making of Whity | p. 100 |
To Make a Film Means to Take a Position | p. 110 |
From Blue Movie | p. 113 |
Specializing | p. 121 |
Underground Films | p. 123 |
Short and Happy | p. 136 |
Beatitudes of B Pictures | p. 139 |
Bad Movies | p. 146 |
How to Play Indians | p. 159 |
How to Recognize a Porn Movie | p. 163 |
Re: Bad Day at Black Rock | p. 165 |
Three-Dementia | p. 168 |
The Imagination of Disaster | p. 170 |
Million-Dollar Graffiti: Notes from the Digital Domain | p. 186 |
Theorizing | p. 205 |
The Era of the Image Has Arrived | p. 207 |
Speech at the premiere of A Propos de Nice | p. 211 |
An Overwhelming Film | p. 214 |
On Dubbing | p. 216 |
Black and White | p. 218 |
A King in New York: King Kong | p. 221 |
An Inquiry | p. 231 |
Some Ideas on the Cinema | p. 235 |
From Notes on Cinematography | p. 246 |
The Romans in Films | p. 248 |
The Face of Garbo | p. 252 |
A Free Replay (Notes on Vertigo) | p. 255 |
Despising What You Sell | p. 263 |
Apocalypse Now | p. 265 |
The China Syndrome | p. 268 |
Just Place, Preferably Architectural Place | p. 273 |
Reflecting | p. 281 |
Filming Death | p. 283 |
The Wandering Jew | p. 287 |
What is Cinema for Us? | p. 292 |
Worshipping | p. 297 |
Entomology of the Pin-up Girl | p. 300 |
Marilyn | p. 305 |
John Wayne Listening | p. 319 |
Creating | p. 325 |
Charlie Chaplin | p. 327 |
About Boris Barnet | p. 334 |
Marcel Pagnol | p. 338 |
From 'Eisenstein on Disney' | p. 341 |
The Golden Age | p. 356 |
The Rogues are Weary | p. 368 |
From The Wrong Man | p. 372 |
'La Tour de Nesle' | p. 374 |
From Cinecitta | p. 378 |
From And Life Continues | p. 381 |
Dreaming | p. 383 |
In Dreams Begin Responsibilities | p. 385 |
Naaman's Song | p. 394 |
From A Night at the Opera | p. 396 |
Shaggy Doggerel | p. 401 |
Oscar Night in Hollywood | p. 403 |
More Shaggy Doggerel | p. 412 |
Character | p. 414 |
From Los Angeles: The Architecture of Four Ecologies | p. 415 |
From Suspects | p. 418 |
Life as a Remake of Movies | p. 422 |
Letter to Jean-Luc Godard | p. 424 |
Les 400 Coups | p. 432 |
Slowness | p. 433 |
Last Shaggy Doggerel | p. 435 |
Criticizing | p. 437 |
From A Twentieth Century Job | p. 439 |
'Not Where We Came In' | p. 443 |
Acknowledgements | p. 445 |
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