Introduction | p. 1 |
A cornucopia of images : comparison and judgment across theater, film, and the visual arts during the late nineteenth century | p. 5 |
Early film and American artistic traditions | p. 39 |
Experiencing nature in early film : dialogues with Church's Niagara and Homer's seascapes | p. 55 |
John Singer Sargent's moving pictures | p. 61 |
The line, the stitch, and the wardrobe : conjuring the past in American mural painting and film at the turn of the twentieth century | p. 66 |
The body in motion | p. 73 |
Chronophotography : leaving traces | p. 95 |
Frieze Frames : painted processions in American art about 1900 | p. 100 |
"A personality so marked" : Eugen Sandow and visual culture | p. 104 |
On the canvas : boxing, art, and cinema | p. 111 |
The city in motion | p. 117 |
The impressionist city in motion : Childe Hassam and moving pictures in New York City, 1890-1900 | p. 130 |
Tough girls | p. 134 |
John Sloan : movies and moving through the city | p. 139 |
Art and film : interactions | p. 145 |
The film crowd | p. 159 |
Seeing, touching, fleeing | p. 165 |
Moving images and the transformation of the image in modern vision | p. 168 |
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