Oral Session: Interaction | |
Landmark Recognition in VTSITO Tuscany | p. 1 |
Automatic Texturing without Illumination Artifacts from In-Hand Scanning Data Flow | p. 14 |
Voice Technology to Enable Sophisticated Access to Historical Audio Archive of the Czech Radio | p. 27 |
MNEMOSYNE: Enhancing the Museum Experience through Interactive Media and Visual Profiling | p. 39 |
Oral Session: Analysis and Management | |
Computer Tools for Archaeological Reference Collections: The Case of the Ceramics of the Iberian Period from Andalusia (Spain) | p. 51 |
Multimodal Interactive Transcription of Ancient Text Images | p. 63 |
A Collaborative Knowledge Management System for Analyzing Non-verbal Markings in the Ancient Mediterranean World | p. 74 |
New World, New Worlds: Visual Analysis of Pre-columbian Pictorial Collections | p. 90 |
Poster and Demo Session | |
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona" | p. 103 |
A Web-Oriented Multi-layer Model to Interact with Theatrical Performances | p. 114 |
Augmented Perception of the Past: The Case of the Telamon from the Greek Theater of Syracuse | p. 126 |
Publishing Europe's Television Heritage on the Web: The EUscreen Project | p. 136 |
Towards Artistic Collections Navigation Tools Based on Relevance Feedback | p. 143 |
Designing Virtual Reality Reconstructions of Etruscan Painted Tombs | p. 154 |
A Case Study for the Development of Methods to Improve User Engagement with Digital Cultural Heritage Collections | p. 166 |
The Multimedia Archive of the Fondazione Isabella Scelsi | p. 176 |
RFID-Enhanced Museum for Interactive Experience | p. 192 |
Discussion Session | |
Multimedia for Cultural Heritage: Key Issues | p. 206 |
Author Index | p. 217 |
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