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Museums and Contact Work Section Introduction | |
Yup'ik elders in museums: fieldwork turned on its head | |
The Object in View: Aborigines, Melanesians and Museums | |
The Arts of the Sikh Kingdoms: Collaborating with a Community | |
Integrating Native Views into Museum Procedures: Hope and Practice at the National Museum of the American Indian | |
Talking Visual Histories Section Introduction | |
Taking Photographs Home: the Recovery of Maori History | |
Looking to See: Reflections on Visual Repatriation in the Purari Delta, Gulf Province, Papua New Guinea | |
Remembering our Namesakes: Audience Reactions to Archival Film of King Island | |
Snapshots on Dreaming: Photographs of the Past and Present | |
Community Collaboration in Exhibitions Section Introduction | |
How to Decorate a House: The Re-Negotiation of Cultural Representations at the University of British Columbia Museum of Anthropology | |
Curating African Worlds | |
Objects, Agency and Museums: Continuing Dialogues Between the Torres Straits and Cambridge | |
Transforming Archaeology Through Practice: Strategies for Collaborative Archaeology and the Community Archaeology Project at Quseir | |
Glenbow's Blackfoot Gallery: Working Towards Coexistence Gerard T Conaty Afterword: Beyond the Frame | |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.