Music for Analysis : Examples from the Common Practice Period and the Twentieth Century

by Benjamin, Thomas; Horvit, Michael; Nelson, Robert

• ISBN13: 9780195379839
• ISBN10: 0195379837
• Additional ISBN(s): 9780190620752, 9780195188158, 9780197551813
• Edition: 7th
• Format: Spiral Bound
• Copyright: 2009-11-09
• Publisher: Oxford University Press
• More Book Details
• Purchase Benefits

Summary

Offering 470 pieces of music from the Baroque period to the present, Music for Analysis: Examples from the Common Practice Period and the Twentieth Century, Seventh Edition, is the most comprehensive anthology of its kind. FEATURES * Provides 363 excerpts organized logically by harmonic content and 107 complete pieces; ideal for traditional form and analysis courses as well as tonal harmony courses * Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ * Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal of comprehensive analysis * Guides study both within and outside of class, offering Suggestions for Discussion and Questions for Analysis throughout * Features a detailed Index of Composers and Their Compositions and an Index of Complete Pieces NEW TO THE SEVENTH EDITION * Seven new Model Analyses (four chromatic tonal excerpts and three from the twentieth century) * Two additional complete pieces (a four-movement Beethoven sonata and the prelude to Act I of Tristan und Isolde) * A CD icon with track numbers appearing next to the 145 musical examples that can be found on the accompanying audio CD

Author Biography

Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University.
Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Table of Contents

* = Indicates new to this edition

= Indicates inclusion on CD

Each Part opens with Suggestions for Discussion

CD Track List

Preface

Suggestions for Using This Book

Diatonic Materials

Tonic Triad

Questions for Analysis

Haydn, Sonatina in G major, Hob. XVI: 8

Czerny, Sonatina, op. 792, no. 8

Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun

Beethoven, Leonora Overture No. 2, op. 72

Beethoven, Trio, op. 70, no. 2

Chopin, Polens Grabgesang, op. 74

Chopin, Valse (Posthumous)

Beethoven, Symphony No. 5, op. 67

Couperin, Carnival

Dominant Triad In Root Position

Questions for Analysis

Mozart, Rondo

Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival

Beethoven, Fur Elise

Schumann, Album for the Young, op. 68: Reiterstuck

Weber, Euryanthe, op. 81: Overture

Beethoven, Symphony No. 5, op. 67

Dominant Seventh And Ninth In Root Position

Questions for Analysis

Model Analysis

Weber, German Dance

Mozart, Sonata, K. 332

Schubert, Wiegenlied, op. 98, no. 2

Verdi, Rigoletto, Act I, no. 2

Haydn, Sonata in E major, Hob. XVI: 13

Beethoven, Symphony No. 4, op. 60

Weber, Oberon: Overture

Schubert, Landler

Schubert, Valses Nobles, op. 77

Mozart, Valse

Subdominant Triad In Root Position

Questions for Analysis

Scheidt, Bergamasca

Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino

Chopin, Mazurka, op. 17, no. 1

Beethoven, Egmont Overture, op. 84

Verdi, Rigoletto, Act I, no. 7

Schubert, Impromptu, op. 90, no. 4, D. 899

Kern, Look for the Silver Lining

Beethoven, Seven Country Dances, no. 7

Schubert, Landler

Cadential Tonic Six-Four Chord

Questions for Analysis

Schubert, Valses Sentimentales, op. 50, no. 18

Chopin, Mazurka, op. 24, no. 3

Donizetti, Lucia di Lammermoor, Act II, no. 6

Beethoven, Trio, op. 97

Tonic, Subdominant, And Dominant Triads In First Inversion

Questions for Analysis

Model Analysis

Bach, Lobt Gott, ihr Christen, allzugleich

Mozart, Bastien und Bastienne, K. 46B, no. 9

Mozart, Sonata, K. 332

Haydn, Sonata in D major, Hob. XVI:37

Mozart, Abendempfindung, K. 523

Beethoven, Symphony No. 5, op. 67

Beethoven, Fidelio, Act I, no. 9

Mozart, Sonata, K. 570

Mendelssohn, Elijah, op. 70, no. 29

Couperin, Le Petit Rien

Dandrieu, Les Fifres

Supertonic Triad

Questions for Analysis

Anonymous, Dir, dir, Jehovah, will ich singen

Schubert, Waltz, op. 9, no. 3, D. 365

Beethoven, Six Variations on ""Nel cor piu non mi sento""

Mozart, Die Zauberflote, K. 620, Act II, no. 21

Chopin, Zwei Leichen

Beethoven, Trio, op. 121A

Verdi, Rigoletto, Act II, no. 14

Chopin, Mazurka, op. 33, no. 2

Haydn, Sonata in E minor, Hob. XVI: 34

Inversions Of The Dominant Seventh Chord

Questions for Analysis

J. C. F. BACH, Nun danket alle Gott

Haydn, Sonata in C major, Hob. XVI: 35

Paisiello, Le donne sur balcone

Mozart, Quartet, K. 464

Beethoven, Sonata, op. 31, no. 3

Rameau, Sarabande I, vol. I

Haydn, Trio in C major, Hob. XV: 3

Kuhlau, Sonatina, op. 20, no. 1

Beethoven, Symphony No. 2, op. 36

Beethoven, Minuet in C

Linear (Embellishing) Six-Four Chords

Questions for Analysis

Beethoven, Concerto No. 1 for Piano, op. 15

Schubert, Valses Sentimentales, op. 50, no. 1, D. 779

Mozart, Rondo, K. 485

Haydn, Quartet, op. 3, no. 5

Schubert, Waltz, op. 9, no. 1, D. 365

Kuhlau, Sonatina, op. 88, no. 3

Mozart, Symphony No. 35, K. 385

Beethoven, Sonatina in G major

Beethoven, Symphony No. 7, op. 92

Mozart, Symphony No. 41, K. 551

Haydn, Sonata in D major, Hob. XVI: 37

Beethoven, Contradanse

Buxtehude, Passacaglia

Beethoven, Symphony No. 3, op. 55

Gounod, Faust, Act I, no. 6

Sullivan, H.M.S. Pinafore, ""I'm Called Little Buttercup""

Submediant And Mediant Triads

Questions for Analysis

Cruger, Herzliebster Jesu, was hast du verbrochen

Anonymous, Dir, dir, Jehovah, will ich singen

Bach, Schmucke dich, o liebe Seele

Mozart, Bastien und Bastienne, K. 46B, no. 1

Mozart, Sonata, K. 545

Handel, Sonata in F for Flute and Continuo

Verdi, Rigoletto, Act I, no. 1

Brahms, Symphony No. 4, op. 98

Corelli, Sonata for Violin and Continuo, op. 5, no. 9

Schubert, Quartet in D major, D. 74

Beethoven, Trio, op. 1, no. 3

Mozart, Sonata, K. 283

J. C. F. BACH, Menuet

Tessier, Au joli bois je m'en vais

Strauss, Der Rosenkavalier, Act III

brahms, Romance, op. 118, no. 5

schumann, Phantasiestucke, op. 12, no. 4, Grillen

schubert, Im Abendroth (Posthumous)

schubert, Symphony in C major (""The Great"")

Leading Tone Triad

Questions for Analysis

Teschner, Schatz uber alle Schatze

Bach, Aus meines Herzens Grunde

Schumann, Album for the Young, op. 68:Soldatenmarsch

Handel, Courante

Haydn, Sonata in E major, Hob. XVI: 49

Haydn, Sonatina in D major, Hob. XVI: 4

Mozart, Sonata, K. 280

Daquin, La Joyeuse

Variant Qualities Of Diatonic Triads

Questions for Analysis

Scalar Variants in Minor

Bach, Herr, ich habe mibgehandelt

Pachelbel, Chaconne

Telemann, Fantasie No. 8

Byrd, Pavana ""The Earle of Salisbury""

A. Scarlatti, Folia

Mattheson, Minuet

Mozart, Sonata, K. 310 Modal Borrowing

Verdi, La Traviata, Act I, no. 4

Donizetti, Linda di Chamounix, ""O luce di quest'anima""

Mozart, Sonata for Violin and Piano, K. 306

Haydn, Sonatina in C major, Hob. XVI: 7

Schubert, Aufenthalt

Schubert, Der Wanderer

Brahms, Symphony No. 3, op. 90

Verdi, Il Trovatore, Act II, no. 11

Beethoven, Symphony No. 5, op. 67

Brahms, Symphony No. 4, op. 98

Supertonic Seventh Chord

Questions for Analysis

Anonymous, Herr, wie du willst, so schick's mit mir

Bach, Straf' mich nicht in deinem Zorn

Haydn, Sonata in A major, Hob. XVI: 46

Grieg, Voegtersang

Beethoven, Symphony No. 6, op. 68

Schubert, Quartet, op. 168, D. 112

Mozart, Sonata, K. 310

Schubert, Standchen

Beethoven, Symphony No. 2, op. 36

Beethoven, Sonata, op. 14, no. 2

Beethoven, Symphony No. 6, op. 68

Bizet, Carmen, Act II: Entr'acte

Rodgers, Blue Moon

Leading Tone Seventh Chord

Questions for Analysis

Dvorak, Quartet, op. 96

Mozart, Sonata, K. 457

Schumann, Carnaval, op. 9: Chiarina

Brahms, Ballade, op. 10, no. 4

Handel, Sonata for Flute and Continuo

Haydn (?), Allegro

Haydn, Trio in G major, Hob. XV: 25

Mozart, Requiem, K. 626: Offertorium

Haydn, Sonatina in G major, Hob. XVI: 11

Handel, Judas Maccabaeus, Part III: no. 53, Introduction

Wagner, Das Rheinghold, Scene 1

Gluck, Orphee, Act I, no. 1

Handel, Aria con Variazioni, Lecon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5

Mozart, Sonata for Violin and Piano, K. 306

Other Diatonic Seventh Chords

Questions for Analysis

Bach, O Ewigkeit, du Donnerwort

Mozart, Rondo. K. 494

Mendelssohn, Kinderstuck, op. 72, no. 1

Pachelbel, Fantasie

Handel, Sonata for Flute and Continuo

Handel, Lecon No. 2, Menuet

Tchaikovsky, Symphony No. 4, op. 36

Bach, French Suite in D minor

Complete Pieces For Analysis I

Questions for Analysis

Beethoven, Minuet

Schubert, Dance

Schubert, German Dance, op. 33, no. 12

Beethoven, Scottish Dance

Purcell, Rigadoon

Rameau, Minuet

Witt, Passacaglia

Grieg, Norsk

Chromatic Materials

Secondary (Applied, Borrowed) Dominants

Questions for Analysis

Model Analysis

Beethoven, Trio, op. 1, no. 1

Mozart, Sonata, K. 281

Schubert, Impromptu, op. 142, no. 3

Haydn, Trio in D major

Beethoven, Sonatina in G major

Weber, Oberon: Overture

Beethoven, Trio, op. 1, no. 1

Schumann, Sonata, op. 118c., Andante

Beethoven, Symphony No. 1, op. 21

Handel, Suite XI

Schumann, Arabeske, op. 18

Beethoven, Symphony No. 4, op. 60

Schumann, Widmung, op. 25, no. 1

Schubert, Symphony No. 8 (""Unfinished"")

Schumann, Sonata, op. 118c126 ., Puppenwiegenlied

Schubert, Quintet (""Die Forelle""), op. 114, D. 667

Beethoven, Quintet, op. 29

Beethoven, Trio, op. 11

Verdi, Rigoletto, Act II, no. 7

Handel, Suite XVI

Beethoven, Sonata, op. 53

Schubert, Symphony in C major (""The Great"")

Beethoven, Trio, op. 1, no. 3

Schubert, Mass in E major: Benedictus

Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March

Verdi, Rigoletto, Act II, no. 14

Bach, Christmas Oratorio, no. 4: Introduction

Handel, Sonata VII for Flute and Continuo

Chopin, Mazurka, op. 67, no. 2

Chopin, Valse, op. 69, no. 1

Chopin, Valse Brillante, op. 34, no. 3

Gershwin, Someone to Watch Over Me

Tchaikovsky, Morning Prayer

Modulation To Closely Related Keys

Questions for Analysis

Modulation to Dominant

Mozart, Symphony No. 39, K. 543

Mozart, Sonata, K. 331

Beethoven, Symphony No. 2, op. 36

Haydn, Minuet

Schubert, Quartet, D. 173

Haydn, Sonata in C minor, Hob. XVI: 36

Mozart, Symphony No. 41, K. 551

Chopin, Mazurka, op. 7, no. 2

Haydn, Sonata in G major, Hob. XVI: 39

Mozart, Sonata, K. 282, Menuet I

Schubert, Quartet, D. 173

Modulation to Relative Major

Haydn, Trio in F minor, Hob. XV: 26

Haydn, Sonata in E minor, Hob. XVI: 34

Mozart, Sonata, K. 330

Donizetti, Lucia di Lammermoor, Act I, Cavatina

Brahms, Quintet, op. 115

Beethoven, Symphony No. 7, op. 92

Haydn, Symphony No. 104, Hob. I: 104

Modulation to other Closely Related Keys

Haydn, Sonatina, Hob. XVI: 1

Bononcini, Deh piu a me non vascondete

Saint-Saens, Carneval des Animaux: Le Cygne

Brahms, Waltz, op. 39, no. 15

Beethoven, Quartet, op. 18, no. 2

Purcell, Dido and Aeneas, Act I, scene I

Bach, French Suite in C Minor

Complete Pieces For Analysis Ii

Checklist for Analysis

Bach, Wachet auf, ruft uns die Stimme

Bach, In dulci jubilo

Bach, Christ lag in Todesbanden

Handel, Menuet

Beethoven, Sonata, op. 26

Schumann, Sonata, op. 118b., Abendlied 169

Brahms, Waltz, op. 39

Handel, Prelude

Beethoven, Sonatina in F major

Haydn, Sonata in G major, Hob. XVI: 27

* 241. GERSHWIN, I Got Rhythm

Linear (Embellishing) Diminished Seventh Chords

Questions for Analysis

Haydn, Symphony No. 104, Hob. I: 104, Menuet

Beethoven, Symphony No. 7, op. 92

Liszt, Les Preludes

Beethoven, Contradanse

Tchaikovsky, Symphony No. 6, op. 74

Beethoven, Quartet, op. 18, no. 3

Schubert, Sonata, op. 53

Gounod, Faust, Act IV, no. 18

Schumann, Carnaval, op. 9: Arlequin

Mozart, Waltz, K. 567

Wagner, Rienzi: Overture

Bellini, I Puritani, Act II, scene 3

Haydn, Symphony No. 104, Hob. I: 104

Rodgers, The Girl Friend

Brahms, Liebeslieder Walzer, op. 52, no. 4

Neapolitan Triad

Questions for Analysis

Mozart, Concerto in A major, K. 488

Schubert, Der Muller und der Bach

Bach, Ach Gott, vom Himmel sieh' darein

Bach, Invention No. 13

Verdi, Il Trovatore, Act II, no. 8

Brahms, Intermezzo in A major, op. 118, no. 2

Chopin, Prelude, op. 28, no. 20

Beethoven, String Quartet, op. 59, no. 2

Brahms, Wie Melodien zieht es mir, op. 105

Beethoven, Quartet, op. 18, no. 3

Schubert, Mass in E major: Credo

Bach, The Well-Tempered Clavier, Vol. II, Fugue 17

Chopin, Prelude, op. 28, no. 6

Augmented Sixth Chords, Submediant Degree As Lowest Note

Questions for Analysis

Model Analysis

Italian

BACH, Ich hab' mein' Sach' Gott heimgestellt

Beethoven, Bagatelle, op. 119, no. 1

Beethoven, Coriolan Overture, op. 62

Tchaikovsky, Mazurka

Schubert, Quartet, op. 168, D. 112

Beethoven, Symphony No. 1, op. 21

German

Mozart, Sonata, K. 457

Beethoven, Sonata, op. 109

Haydn, Trio, Hob. XV: 25

Beethoven, Thirty-Two Variations, Var. 30

Sibelius, Chanson Sans Paroles, op. 40, no. 2

Strauss, Der Rosenkavalier, Act I

French

Mendelssohn, Elijah, Op. 70, No. 1

Schubert, Mass In G Major: Kyrie

Bach, Wer Nur Den Lieben Gott Lat Walten

Schubert, Sonata, Op. 42

Verdi, La Traviata, Act Iii: Prelude

Schubert, Symphony In C Major (""The Great"")

Grieg, Alfedans, Op. 12

Herbert, Gypsy Love Song

Enharmonic German

Schumann, Dichterliebe, op. 48, no. 12: ""Am leuchtenden Sommermorgen""

Augumented Sixth Chords, Other Scale Degrees As Lowest Note

Questions for Analysis

mozart (?), Adagio

granados, Valses Poeticos

schubert, Symphony No. 8 (""Unfinished"")

moussorgsky, Songs And Dances Of Death, No. 4

gluck, Orphee, Act I, Nos. 6 And 7

augumented Sixth Chords, Other Uses

Questions for Analysis

Linear

Verdi, Rigoletto, Act I: Prelude

Tchaikovsky, Song Without Words

Tchaikovsky, Romeo And Juliet

Schubert, Waltz

Brahms, Intermezzo, Op. 76, No. 4

Tchaikovsky, The Witch

Secondary

Chopin, Prelude, op. 28, no. 22

Schubert, Mass in G major: Benedictus

Schubert, Die Allmacht, op. 79, no. 2

Altered Dominants

Schubert, Quintet, Op. 163

Liszt, Liebestraum, No. 3

Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver

Grieg, Solvejg's Lied

Other Means Of Modulation

Questions for Analysis

Model Analysis

Schubert, Mass In G Major: Gloria

Brahms, Wenn Du Nur Zuweilen Lachelst, Op. 57, no. 2

Beethoven, Symphony No. 5, Op. 67

Schubert, Waltz, Op. 9, No. 14, D. 365

Mozart, Die Entfuhrung Aus Dem Serail, K. 384, Act III, no. 18

Schumann, Symphony No. 2, Op. 61

Beethoven, Symphony No. 7, Op. 92

Haydn, String Quartet, Op. 76, No. 6

Beethoven, Sonata, Op. 13

Beethoven, Trio, Op. 70, No. 1

Scriabin, Prelude, Op. 13, No. 3

J. Strauss, Die Fledermaus: Overture

Brahms, Wie Bist Du Meine Konigen, Op. 32, no. 9

Schubert, Mass In A Major: Agnus Dei

Beethoven, Trio, Op. 11

Rachmaninoff, Melodie, Op. 3, No. 3

Schubert, Symphony No. 8 (""Unfinished"")

Ninth Chords

Questions for Analysis

Dominant Ninths

J. Strauss, Artist's Life Waltzes, op. 316, no. 3

Franck, Sonata For Violin and Piano

Beethoven, Andante

Chopin, Valse Brillante, op. 34, no. 1

Schumann, Waldesgesprach, op. 39, no. 3

Chopin, Prelude, Op. 28, no. 15

Secondary Dominant Ninths

Bach, St. Matthew Passion, No. 78

Schumann, Genoveva, Op. 81: Overture

Grieg, Grandmother's Minuet, Op. 68, No. 2

Schumann, Kinderszenen, Op. 15, No. 7: Traumerei

Nondominant Ninths

Grieg, Wedding Day At Troldhaugen, op. 65, no. 6

Mendelssohn, Midsummer Night's Dream, op. 21: Overture

Faure, Apres Un Reve

Extended Linear Usages

Questions for Analysis

Model Analysis

Chopin, Mazurka, op. 6, no. 1

Brahms, ""Der Tod, das ist die kuhle Nacht,"" op. 96, no. 1

Weber, Euryanthe: Overture

Brahms, Variations on a Theme by Handel, var. 20

Franck, Symphony in D minor

Wagner, Lohengrin, Act I, scene 2

Wagner, Wotan's Farewell, Die Walkure, Act III

Chopin, Prelude, op. 28, no. 9

Beethoven, Quartet, op. 18, no. 6

Bach, Ein' feste Burg ist unser Gott 336

Bach, Es ist genug, so nimm, Herr 337

Complete Pieces For Analysis Iii

Checklist for Analysis

Mozart, Minuet, K. 355

Schumann, Myrthen, Op. 25, No. 24

Mendelssohn, Lieder Ohne Worte, Op. 30, No. 3

Chopin, Mazurka, Op. Posth. 67, No. 2

Schumann, Phantasiestucke, Op. 12, No. 3: Warum?

Grieg, Erotikon

Liszt, Il Pensieroso, From Annees De Pelerinage

R. Strauss, Morgen, Op. 27, No. 4

Wagner, Der Engel

Beethoven, Sieben Variationen: Uber Das Volkslied: God Save The King

Mozart, Symphony No. 40, K. 550

Beach, Phantoms

Scott Joplin, A Breeze From Alabama: March And Two-Step

Wagner, Prelude to Act I from Tristan und Isolde

Mozart, Sonata, K. 309

Allegro con spirito

Andante, un poco Adagio

Allegretto grazioso

Beethoven, Sonata, op. 2, no. 3

Examples Of Counterpoint

Questions for Analysis

Bach, Cantata No. 4: Sinfonia 338

Bach, Chorale Prelude On ""In Dulci Jubilo"" 339

Bach, Chorale Prelude On ""Christ Lag In Todesbanden"" 342

Brahms, Chorale Prelude On ""O Wie Selig Seid Ihr Doch, Ihr Fommen"" 343

Purcell, ""Thy Hand Belinda"", From Dido And Aeneas 345

Bach, Invention No. 4, Bwv 775 349

Bach, Invention No. 13, Bwv 775 351

Bach, Sinfonia 3, Bwv 789 352

Bach, The Well-Tempered Clavier, Vol. I, Fugue 2 354

Bach, The Well-Tempered Clavier, Vol. Ii, Fugue 9 357

Mendelssohn, Fugue No. 2, Op. 35

Contemporary Materials

Model Analysis

Extended And Altered Tertian Harmony

Questions for Analysis

Hanson, Symphony No. 2, Op. 30

Kabalevsky, Sonatina, Op. 13

Hovhaness, Mysterious Mountain

Shostakovich, Prelude, Op. 34, No. 24

Debussy, Pelleas Et Mellisande, Act I, Scene 1

Scriabin, Poem, Op. 32, No. 2

Ravel, Valses Nobles Et Sentimentales

Rodgers, Slaughter On Tenth Avenue

Ellington, Prelude To A Kiss

Duke Jordan, Jordu

Berg, Four Songs, Op. 2, No. 3

Raskin, Laura

Diatonic (Church) Modes

Questions for Analysis

Model Analysis

Bartok, Little Pieces For Children, no. III

Chavez, Ten Preludes, No. 1

Poulenc, Valse

Debussy, Trois Chansons, No. 1

Kabalevsky, Toccatina

Britten, Ceremony Of Carols, No. 8

Debussy, Suite Bergamasque, Passepied

Floyd, Susannah, Act Ii, Scene 3

Stravinsky, Five Fingers: Lento

Bartok, Fourteen Bagatelles, Op. 6, no. 4

Casella, Siciliana

Adderley, Work Song

Pandiatonicism And Additive Harmony

Questions for Analysis

Ravel, Mother Goose Suite: The Magic Garden

Milhaud, Touches Blanches

Cowell, The Irishman Dances

Copland, The Young Pioneers

Barber, Excursions, III

Stravinsky, Petroushka, Danse Russe

Poulenc, Gloria, Laudamus te

Exotic (Artificial, Synthetic) Scales

Questions for Analysis

Milhaud, Touches Noires

Bartok, Mikrokosmos, no. 78: Five Tone Scale

Kodaly, Valsette

Vaughan WILLIAMS, London Symphony

Debussy, Preludes, II: Voiles

Bartok, Mikrokosmos, no. 136: Whole Tone Scale

Debussy, Pelleas et Melisande, Act II, scene 1

Bartok, Fourteen Bagatelles, op. 6, no. 10

Lutoslawski, Bucolic, no. 3

Bartok, Mikrokosmos, no. 101: Diminished Fifth

Bartok, Sketches, op. 9, no. 6

Bartok, Fourteen Bagatelles, op. 6, no. 6

Quartal And Secundal Harmony

Questions for Analysis

Hindemith, Mathis Der Maler: Grablegung

Ives, Majority

Krenek, Piano Piece, Op. 39, No. 5

Hindemith, Ludus Tonalis, Fuga Secunda in G

Bartok, Concerto For Orchestra

Berg, Wozzeck, Act Ii

Bartok, Mikrokosmos, No. 107: Melody In the Mist

Berg, Wozzeck, Act Ii

Cowell, Tiger

Ives, Majority

Brubeck, Blue Rondo A La Turk

Polyharmony And Polytonality

Questions for Analysis

Honegger, Symphony No. 5

Schuman, A Three-Score Set, II

Kraft, Allegro Giocoso

Stravinsky, The Rake's Progress: Prelude

Stravinsky, Petroushka, Scene 2

Milhaud, Saudades do Brazil, no 7: Corcovado

Bartok, Forty-Four Violin Duets, no. 33

Brubeck, Strange Meadowlark

Free Atonality

Questions for Analysis

Schonberg, Drei Klavierstucke, op. 11, no. 1

Schonberg, Klavierstucke, op. 19, no. 2

Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken

Webern, Five Movements for String Quartet, op. 5, no. 4

Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths

Bartok, Fourth String Quartet

Berger, Two Episodes, I

Twelve-Tone Serialism

Questions for Analysis

Model Analysis

Krenek, Dancing Toys, op. 83, no. 1

Schonberg, Suite fur Klavier, op. 25: Gavotte

Dallapiccola, Cinque Frammenti di Saffo

Webern, Drei Lieder, op. 25, no. 1

Music Since 1945

Questions for Analysis

Stockhausen, Klavierstucke, no. 2

Lutoslawski, String Quartet (1965)

Penderecki, String Quartet, no. 2

Crumb, Madrigals, Book IV

Druckman, Valentine, for solo contrabass

Rouse, Valentine

Horne, Six Short Studies, Sixteenth Notes

Complete Pieces For Analysis Iv

Suggestion for Analysis

Ravel, Sonatine, Mouvt II

Debussy, Pour le Piano: Sarabande

Debussy, Preludes, X: La Cathedrale engloutie

Milhaud, Saudades do Brazil, No. 6: Gavea

Prokofiev, Classical Symphony, op. 25

Prokofiev, March from The Love of Three Oranges

Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)

Ruggles, Evocations, no. 1

Schonberg, Suite fur Klavier, op. 25: Menuett

Porter, Night and Day

Gershwin, Porgy and Bess, ""Summertime""

Stravinsky, Sonata for Two Pianos, II: Theme with Variations

Hindemith, Piano Sonata, No. 2

Macmillan, Piano Sonata, I

Checklist for Analysis and Sample Analysis

For Further Reference

Textbook Correlation Chart

Index of Composers and Their Compositions

Index of Complete Pieces

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