Music for Analysis : Examples from the Common Practice Period and the Twentieth Century

by Benjamin, Thomas; Horvit, Michael E.; Nelson, Robert

• ISBN13: 9780534529482
• ISBN10: 0534529488
• Edition: 5th
• Format: Paperback
• Copyright: 2000-11-01
• Publisher: Thomson Learning

Summary

An essential partner to your music theory text, Music for Analysis, 5/e offers more than 400 pieces of music from the baroque period to the present. Selected by Thomas Benjamin, Michael Horvit, and Robert Nelson--three nationally respected composers and music theory teachers--these musical selections illustrate standard usage and idiomatic procedures. With more than 50 complete pieces and most selections of at least period length, this anthology is the perfect vehicle for analysis of style, musical idiom, small forms, tonal harmony, and contemporary techniques. The fifth edition features "Suggestions for Discussion" and "Questions for Analysis," and new selections including more pieces by Brahms, Wagner, Schumann, Liszt, and Bach. A comprehensive, up-to-the minute, 20th-century section now includes additional pieces by Schonberg, Webern, Sessions, Rouse, Horne, Prokofiev, and Macmillan.

Table of Contents

Preface to the Fifth Edition	xv
Suggestions for Using This Book	xvii
Part I Diatonic Materials
Suggestions for Discussion
Tonic Triad
Questions for Analysis
Hayden, Sonatina in G major, Hob. XVI: 8	3	(1)
Czerny, Sonatina, op. 792, no. 8	3	(1)
Rimsky-Korsakov, Le Coq d'Or: Hymn to the Sun	3	(1)
Beethoven, Leonora Overture No. 2, op. 72	4	(1)
Beethoven, Trio, op. 70, no. 2	4	(1)
Chopin, Polens Grabgesang, o. 74	5	(1)
Chopin, Valse (Posthumous)	6	(1)
Beethoven, Symphony No. 5, op. 67	6	(1)
Couperin, Carnival	7	(1)
Dominant Triad in Root Position
Questions for Analysis
Mozart, Rondo	8	(1)
Kuhnau, Biblical Sonata No. 1: Victory Dance and Festival	8	(1)
Beethoven, Fur Elise	9	(1)
Schumann, Album for the Young, op. 68: Reiterstuck	9	(1)
Weber, Euryanthe, op. 81: Overture	10	(1)
Beethoven, Symphony No. 5, op. 67	10	(1)
Dominant Seventh and Ninth in Root Position
Questions for Analysis
Weber, German Dance	11	(1)
Mozart, Sonata, K. 332	11	(1)
Schubert, Wiegenlied, op. 98, no. 2	12	(1)
Verdi, Rigoletto, Act I, no. 2	12	(1)
Haydn, Sonata in E major, Hob. XVI: 13	13	(1)
Beethoven, Symphony No. 4, op. 60	14	(1)
Weber, Oberon: Overture	14	(1)
Schubert, Landler	15	(1)
Schubert, Valses Nobles, op. 77	15	(1)
Mozart, Valse	16	(1)
Subdominant Triad in Root Position
Questions for Analysis
Scheidt, Bergamasca	17	(1)
Schumann, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino	17	(1)
Chopin, Mazurka, op. 17, no. 1	18	(1)
Beethoven, Egmont Overture, op. 84	18	(1)
Verdi, Rigoletto, Act I, no. 7	19	(1)
Schubert, Impromptu, op. 90, no. 4, D. 899	20	(1)
Kern, Look for the Silver Lining	21	(1)
Beethoven, Seven country Dances, no. 7	22	(1)
Schubert, Landler	22	(1)
Cadential Tonic Six-Four Chord
Questions for Analysis
Schubert, Valses Sentimentales, op. 50, no. 18	23	(1)
Chopin, Mazurka, op. 24, no. 3	23	(1)
Donizetti, Lucia di Lammermoor, Act II, no. 6	24	(1)
Beethoven, Trio, op. 97	25	(1)
Tonic, Subdominant, and Dominant Triads in First Inversion
Questions for Analysis
Bach, Lobt Gott, ihr Christen, allzugleich	26	(1)
Mozart, Bastien und Bastienne, K. 46B, no. 9	26	(1)
Mozart, Sonata, K. 332	27	(1)
Haydn, Sonata in D major, Hob. XVI:37	27	(1)
Mozart, Abendempfindung, K. 523	28	(1)
Beethoven, Symphony No. 5, op. 67	28	(1)
Beethoven, Fidelio, Act I, no. 9	29	(1)
Mozart, Sonata, K. 570	29	(1)
Mendelssohn, Elijah, Op. 70, no. 29	29	(1)
Couperin, Le Petit Rien	30	(1)
Dandrieu, Les Fifres	30	(2)
Supertonic Triad
Questions for Analysis
Anonymous, Dir, dir, Jehovah, will ich singen	32	(1)
Schubert, Waltz, op. 9, no. 3, D. 365	32	(1)
Beethoven, Six Variations on ``Net cor piu non mi sento''	32	(1)
Mozart, Die Zauberflote, K. 620, Act II, no. 21	33	(1)
Chopin, Zwei Leichen	33	(1)
Beethoven, Trio, op. 121A	34	(1)
Verdi, Rigoletto, Act II, no. 14	35	(1)
Chopin, Mazurka, op. 33, no. 2	36	(1)
Haydn, Sonata in E minor, Hob. XVI: 34	36	(1)
Inversions of the Dominant Seventh Chord
Questions for Analysis
J. C. F. Bach, Nun danket alle Gott	37	(1)
Haydn, Sonata in C major, Hob. XVI: 35	37	(1)
Paisiello, Le donne sur balcone	37	(1)
Mozart, Quartet, K. 464	38	(1)
Beethoven, Sonata, op. 31, no. 3	39	(1)
Rameau, Sarabande I, vol. I	39	(1)
Haydn, Trio in C major, Hob. XV: 3	40	(1)
Khulau, Sonatina, op. 20, no. 1	41	(1)
Beethoven, Symphony No. 2, op. 36	41	(1)
Beethoven, Minuet in C	42	(1)
Linear (Embellishing) Six-Four Chords
Questions for Analysis
Beethoven, Concerto No. 1 for Piano, op. 15	43	(1)
Schubert, Valses Sentimentales, op. 50, no. 1, D. 779	43	(1)
Mozart, Rondo, K. 485	44	(1)
Haydn, Quartet, op. 3, no. 5	45	(1)
Schubert, Waltz, op. 9, no. 1, D. 365	45	(1)
Kuhlau, Sonatina, op. 88, no. 3	46	(1)
Mozart, Symphony No. 35, K. 385	46	(1)
Beethoven, Sonatina in G major	47	(1)
Beethoven, Symphony No. 7, op. 92	47	(2)
Mozart, Symphony No. 41, K. 551	49	(1)
Haydn, Sonata in D major, Hob. XVI: 37	49	(1)
Beethoven, Contradanse	50	(1)
Buxtehude, Passacaglia	50	(1)
Beethoven, Symphony No. 3, op. 55	51	(1)
Gounod, Faust, Act I, no. 6	51	(2)
Sullivan, H.M.S. Pinafore, ``I'm Called Little Buttercup''	53	(1)
Submediant and Mediant Triads
Questions for Analysis
Cruger, Herzliebster Jesu, was hast du verbrochen	54	(1)
Annonymous, Dir, dir, Jehovah, will ich singen	54	(1)
Bach, Schmucke dich, o liebe Seele	54	(1)
Mozart, Bastien und Bastienne, K. 46B, no. 1	55	(1)
Mozart, Sonata, K. 545	55	(1)
Handel, Sonata in F for Flute and Continuo	56	(1)
Verdi, Rigoletto, Act I, no. 1	56	(1)
Brahms, Symphony No. 4, op. 98	56	(1)
Corelli, Sonata for Violin and Continuo, op. 5, no. 9	57	(1)
Schubert, Quartet in D major, D. 74	57	(1)
Beethoven, Trio, op. 1, no. 3	58	(1)
Mozart, Sonata, K. 283	59	(1)
J. C. F. Bach, Menuet	59	(1)
Tessier, Au joli bois je m'en vais	60	(1)
Strauss, Der Rosenkavalier, Act III	60	(1)
Brahms, Romance, op. 118, no. 5	61	(1)
Schumann, Phantasiestucke, op. 12, no. 4, Grillen	62	(1)
Schubert, Im Abendroth (Posthumous)	62	(1)
Schubert, Symphony in C major (``The Great'')	63	(2)
Leading Tone Triad
Questions for Analysis
Teschner, Schatz uber alle Schatze	65	(1)
Bach, Aus meines Herzens Grunde	65	(1)
Schumann, Album for the Young, op. 68: Soldatenmarsch	65	(1)
Handel, Courante	65	(1)
Haydn, Sonata in E♭ major, Hob. XVI: 49	66	(1)
Haydn, Sonatina in D major, Hob. XVI: 4	66	(1)
Mozart, Sonata, K. 280	67	(1)
Daquin, La Joyeuse	68	(1)
Variant Qualities of Diatonic Triads
Questions for Analysis
Scalar Variants in Minor
Bach, Herr, ich habe miβgehandelt	69	(1)
Pachelbel, Chaconne	69	(1)
Telemann, Fantasie No. 8	69	(1)
Byrd, Pavana ``The Earle of Salisbury''	70	(1)
A. Scarlatti, Folia	70	(1)
Mattheson, Minuet	71	(1)
Mozart, Sonata, K. 310	71	(1)
Modal Borrowing
Verdi, La Traviata, Act I, no. 4	72	(1)
Donizetti, Linda di Chamounix, ``O luce di quest'anima''	73	(1)
Mozart, Sonata for Violin and Piano, K. 306	74	(1)
Haydn, Sonatina in C major, Hob. XVI: 7	75	(1)
Schubert, Aufenthalt	75	(1)
Schubert, Der Wanderer	76	(1)
Brahms, Symphony No. 3, op. 90	77	(1)
Verdi, Il Trovatore, Act II, no. 11	78	(1)
Beethoven, Symphony No. 5, op. 67	79	(1)
Brahms, Symphony No. 4, op. 98	80	(1)
Supertonic Seventh Chord
Questions for Analysis
Anonymous, Herr, wie du willst, so schick's mit mir	81	(1)
Bach, Straf' mich nicht in deinem Zorn	81	(1)
Haydn, Sonata in A♭ major, Hob. XVI: 46	81	(1)
Grieg, Voegtersang	82	(1)
Beethoven, Symphony No. 6, op. 68	82	(1)
Schubert, Quartet, op. 168, D. 112	83	(1)
Mozart, Sonata, K. 310	83	(1)
Schubert, Standchen	84	(1)
Beethoven, Symphony No. 2, op. 36	85	(1)
Beethoven, Sonata, op. 14, no. 2	85	(1)
Beethoven, Symphony No. 6, op. 68	86	(1)
Bizet, Carmen, Act II: Entr'acte	87	(1)
Rodgers, Blue Moon	87	(2)
Leading Tone Seventh Chord
Questions for Analysis
Mozart, Sonata, K. 457	89	(1)
Schumann, Carnaval, op. 9: Chiarina	89	(1)
Brahms, Ballade, op. 10, no. 4	90	(1)
Handel, Sonata for Flute and Continuo	90	(1)
Haydn (?), Allegro	90	(1)
Haydn, Trio in G major, Hob. XV: 25	91	(1)
Mozart, Requiem, K. 626, Offertorium	92	(1)
Haydn, Sonatina in G major, Hob. XVI: 11	93	(1)
Handel, Judas Maccabaeus, Part III: no. 53, Introduction	94	(1)
Gluck, Orphee, Act I, no. 1	95	(1)
Handel, Aria con Variazioni, Lecon No. 1	96	(1)
Telemann, Fantasia, 1er Dozzina, no. 5	97	(1)
Mozart, Sonata for Violin and Piano, K. 306	97	(2)
Other Diatonic Seventh Chords
Questions for Analysis
Bach, O Ewigkeit, du Donnerwort	99	(1)
Mozart, Rondo. K. 494	99	(1)
Mendelssohn, Kinderstuck, op. 72, no. 1	99	(1)
Pachelbel, Fantasie	100	(1)
Handel, Sonata for Flute and Continuo	100	(1)
Handel, Menuet	101	(1)
Tchaikovsky, Symphony No. 4, op. 36	101	(1)
Bach, French Suite in D minor	102	(1)
Complete Pieces for Analysis I
Checklist for Analysis
Beethoven, Minuet	103	(1)
Schubert, Dance	104	(1)
Schubert, German Dance, op. 33, no. 12	104	(1)
Beethoven, Scottish Dance	105	(1)
Purcell, Rigadoon	106	(1)
Rameau, Mineut	107	(1)
Witt, Passacaglia	108	(2)
Grieg, Norsk	110	(5)
Part II Chromatic materials
Suggestions for Discussion
Secondary (Applied, Borrowed) Dominants
Questions for Analysis
Beethoven, Trio, op. 1, no. 1	115	(1)
Mozart, Sonata, K. 281	115	(1)
Schubert, Impromptu, op. 142, no. 3	116	(1)
Haydn, Trio in D major	116	(1)
Beethoven, Sonatina in G major	117	(1)
Weber, Oberon: Overture	117	(1)
Beethoven, Trio, op 1, no. 1	118	(1)
Schumann, Sonata, op. 118., Andante	119	(1)
Beethoven, Symphony No. 1, op. 21	119	(1)
Handel, Suite XI	120	(1)
Schumann, Arabeske, op. 18	120	(1)
Beethoven, Symphony No. 4, op. 60	121	(1)
Schumann, Widmung, op. 25, no. 1	122	(1)
Schubert, Symphony No. 8 (``Unfinished'')	123	(1)
Schumann, Sonata, op. 118., Puppenwiegenlied	123	(1)
Schubert, Quintet (``Die Forelle''), op. 114, D. 667	124	(1)
Beethoven, Quintet, op. 29	125	(1)
Beethoven, Trio, op. 11	126	(1)
Verdi, Rigoletto, Act II, no. 7	127	(2)
Handel, Suite XVI	129	(1)
Beethoven, Sonata, op. 53	129	(1)
Schubert, Symphony in C major (``The Great'')	129	(1)
Beethoven, Trio, op. 1, no. 3	130	(1)
Schubert, Mass in E♭ major: Benedictus	131	(1)
Mendelssohn, Midsummer Night's Dream, op. 61: Wedding March	132	(1)
Verdi, Rigoletto, Act II, no. 14	133	(1)
Bach, Christmas Oratorio, no. 4: Introduction	133	(1)
Handel, Sonata VII for Flute and Continuo	134	(1)
Chopin, Mazurka, op. 67, no. 2	135	(1)
Chopin, Valse, op. 69, no. 1	135	(1)
Chopin, Valse Brillante, op. 34. no. 3	136	(1)
Gershwin, Someone to Watch Over Me	137	(1)
Tchaikovsky, Morning Prayer	138	(1)
Kern, Can I Forget You?	139	(2)
Modulation to Closely Related Keys
Questions for Analysis
Modulation to Dominant
Mozart, Symphony No. 39, K. 543	141	(1)
Mozart, Sonata K. 331	141	(1)
Beethoven, Symphony No. 2, op. 36	142	(1)
Haydn, Minuet	142	(1)
Schubert, Quartet, D. 173	143	(1)
Haydn, Sonata in C# minor, Hob. XVI: 36	143	(1)
Mozart, Symphony No. 41, K. 551	144	(1)
Chopin, Mazurka, op. 7, no. 2	145	(1)
Haydn, Sonata in G major, Hob. XVI: 39	145	(1)
Mozart, Sonata, K. 282, Menuet I	146	(1)
Schubert, Quartet, D. 173	146	(3)
Modulation to Relative Major
Haydn, Trio in F# minor, Hob. XV: 26	149	(1)
Haydn, Sonata in E minor, Hob. XVI: 34	150	(1)
Mozart, Sonata, K. 330	150	(1)
Donizetti, Lucia di Lammermoor, Act I	151	(1)
Brahms, Quintet, op. 115	152	(1)
Beethoven, Symphony No. 7, op. 92	153	(1)
Haydn, Symphony No. 104, Hob. I: 104	154	(1)
Modulation to Other Closely Related Keys
Haydn, Sonatina, Hob. XVI: 1	155	(1)
Bononcini, Deh piu a me non vascondete	155	(1)
Saint-Saens, Carneval des Animaux, Le Cygne	156	(2)
Brahms, Waltz, op. 39, no. 15	158	(1)
Beethoven, Quartet, op. 18, no. 2	159	(1)
Purcell, Dido and Aeneas, Act I, scene I	159	(1)
Bach, French Suite in C minor	160	(2)
Complete Pieces for Analysis II
Checklist for Analysis
Bach, Wachet auf, ruft uns die Stimme	162	(1)
Bach, In dulci jubilo	163	(1)
Bach, Christ lag in Todesbanden	164	(1)
Handel, Menuet	165	(1)
Beethoven, Sonata, Op. 26	166	(1)
Schumann, Sonata, op. 118., Abendlied	167	(1)
Brahms, Waltz, op. 39	168	(1)
Handel, Prelude	169	(1)
Beethoven, Sonatina in F major	170	(2)
Haydn, Sonata in G major, Hob. XVI: 27	172	(3)
Rodgers, You Took Advantage of Me	175	(4)
Linear (Embellishing) Diminished Seventh Chords
Questions for Analysis
Haydn, Symphony No. 104, Hob. I: 104, Menuet	179	(1)
Beethoven, Symphony No. 7, op. 92	179	(1)
Liszt, Les Preludes	180	(1)
Beethoven, Contradanse	181	(1)
Tchaikovsky, Symphony No. 6, op. 74	181	(1)
Beethoven, Quartet, op. 18, no. 3	182	(1)
Schubert, Sonata, op. 53	182	(1)
Gounod, Faust, Act IV, no. 18	183	(1)
Schumann, Carnaval, op. 9: Arlequin	184	(1)
Mozart, Waltz, K. 567	184	(1)
Wagner, Rienzi: Overture	185	(1)
Bellini, I Puritani, Act II, scene 3	185	(1)
Haydn, Symphony No. 104, Hob. I: 104	186	(1)
Rodgers, The Girl Friend	187	(2)
Brahms, Liebeslieder Walzer, op. 52, no. 4	189	(2)
Neapolitan Triad
Questions for Analysis
Mozart, Concerto in A major, K. 488	191	(1)
Schubert, Der Muller und der Bach	191	(2)
Bach, Ach Gott, vom Himmel sieh' darein	193	(1)
Bach, Invention No. 13	193	(1)
Verdi, Il Trovatore, Act II, no. 8	194	(1)
Brahms, Intermezzo in A major, op. 118, no. 2	195	(1)
Chopin, Prelude, op. 28, no. 20	196	(1)
Beethoven, String Quartet, op. 59, no. 2	197	(1)
Brahms, Wie Melodien zieht es mir, op. 105	198	(1)
Beethoven, Quartet, op. 18, no. 3	198	(1)
Schubert, Mass in E♭ major: Credo	199	(1)
Bach, The Well-Tempered Clavier, Vol. II, Fugue 17	200	(1)
Chopin, Prelude, op. 28, no. 6	201	(2)
Augmented Sixth Chords, Submediant Degree as Lowest Note
Questions for Analysis
Italian
Bach, Ich hab' mein' Sach' Gott heimgestellt	203	(1)
Beethoven, Bagatelle, op. 119, no. 1	203	(1)
Beethoven, Coriolan Overture, op. 62	203	(1)
Tchaikovsky, Mazurka	204	(1)
Schubert, Quartet, op. 168, D. 112	204	(1)
Beethoven, Symphony No. 1, op. 21	205	(1)
German
Mozart, Sonata, K. 457	205	(2)
Beethoven, Sonata, op. 109	207	(1)
Haydn, Trio, Hob. XV: 25	207	(1)
Beethoven, Thirty-Two Variations, Var. 30	208	(1)
Sibelius, Chanson Sans Paroles, op. 40, no. 2	208	(1)
Strauss, Der Rosenkavalier, Act I	209	(1)
French
Mendelssohn, Elijah, op. 70, no. 1	210	(1)
Schubert, Mass in G major: Kyrie	211	(1)
Bach, Wer nur den lieben Gott laβt walten	212	(1)
Schubert, Snata, op. 42	212	(1)
Verdi, La Traviata, Act III: Prelude	213	(1)
Schubert, Symphony in C major (``The Great'')	213	(1)
Grieg, Alfedans, op. 12	214	(1)
Herbert, Gypsy Love Song	215	(1)
Enharmonic German
Schumann, Dichterliebe, op. 48, no. 12: ``Am leuchtenden Sommermorgen''	216	(2)
Augumented Sixth Chords, Other Scale Degrees as Lowest Note
Questions for Analysis
Mozart (?), Adagio	218	(1)
Granados, Valses Poeticos	218	(1)
Schubert, Symphony No. 8 (``Unfinished'')	219	(1)
Moussorgsky, Songs and Dances of Death, no. 4	220	(1)
Gluck, Orphee, Act I, nos. 6 and 7	221	(1)
Augumented Sixth Chords, Other Uses
Questions for Analysis
Linear
Verdi, Rigoletto, Act I: Prelude	222	(1)
Tchaikovsky, Song Without Words	222	(1)
Tchaikovsky, Romeo and Juliet	223	(1)
Schubert, Waltz	224	(1)
Brahms, Intermezzo, op. 76, no. 4	224	(1)
Tchaikovsky, The Witch	225	(1)
Secondary
Chopin, Prelude, op. 28, no. 22	226	(1)
Schubert, Mass in G major: Benedictus	226	(2)
Schubert, Die Allmacht, op. 79, no. 2	228	(1)
Altered Dominants
Schubert, Quintet, op. 163	229	(1)
Liszt, Liebestraum, no. 3	230	(1)
Rimsky-Korsakov, Snowmaiden, Chanson du Bonhomme Hiver	230	(1)
Grieg, Solvejg's Lied	231	(1)
Other Means of Modulation
Questions for Analysis
Schubert, Mass in G major: Gloria	232	(1)
Brahms, Wenn du nur zuweilen lachelst, op. 57, no. 2	233	(1)
Beethoven, Symphony No. 5, op. 67	234	(1)
Schubert, Waltz, op. 9, no. 14, D. 365	235	(1)
Mozart, Die Entfuhrung aus dem Serail, K. 384, Act III, no. 18	235	(2)
Schumann, Symphony No. 2, op. 61	237	(1)
Beethoven, Symphony No. 7, op. 92	237	(1)
Haydn, String Quartet, op. 76, no. 6	238	(1)
Beethoven, Sonata, op. 13	239	(1)
Beethoven, Trio, op. 70, no. 1	239	(2)
Schriabin, Prelude, op. 13, no. 3	241	(1)
J. Strauss, Die Fledermaus: Overture	242	(1)
Brahms, Wie bist du meine Konigen, op. 32, no. 9	242	(2)
Schubert, Mass in A♭ major: Agnus Dei	244	(2)
Beethoven, Trio, op. 11	246	(2)
Rachmaninoff, Melodie, op. 3, no. 3	248	(1)
Schubert, Symphony No. 8 (``Unfinished'')	249	(1)
Ninth Chords
Questions for Analysis
Dominant Ninths
J. Strauss, Artist's Life Waltzes, op. 316, no. 3	250	(1)
Franck, Sonata for Violin and Piano	250	(1)
Beethoven, Andante	251	(1)
Chopin, Valse Brillante, op. 34, no. 1	252	(1)
Schumann, Waldesgesprach, op. 39, no. 3	253	(2)
Chopin, Prelude, op. 28, no. 15
Secondary Dominant Ninths
Bach, St. Matthew Passion, no. 78	255	(1)
Schumann, Genoveva, op. 81: Overture	255	(2)
Grieg, Grandmother's Minuet, op. 68, no. 2	257	(1)
Schumann, Kinderszenen, op. 15, no. 7: Traumerei	257	(1)
Nondominant Ninths
Grieg Wedding Day at Troldhaugen, op. 65, no. 6	258	(1)
Mendelssohn, Midsummer Night's Dream, op. 21: Overture	259	(1)
Faure, Apres un Reve	259	(2)
Extended Linear Usages
Questions for Analysis
Chopin, Mazurka, op. 6, no. 1	261	(1)
Brahms, ``Der Tod, das ist die kuhle Nacht,'' op. 96, no. 1	262	(1)
Weber, Euryanthe: Overture	263	(1)
Brahms, Variations on a Theme by Handel, var. 20	263	(1)
Franck, Symphony in D minor	264	(1)
Wagner, Lohengrin, Act I, scene 2	265	(1)
Wagner, Wotan's Farewell, Die Walkure, Act III	266	(2)
Rodgers, Lover	268	(1)
Chopin, Prelude, op. 28, no. 9	269	(1)
Beethoven, Quartet, op. 18, no. 6	270	(3)
Complete Pieces for Analysis III
Checklist for Analysis
Bach, Ein' feste Burg ist unser Gott	273	(1)
Bach, Es ist genug, so nimm, Herr	274	(1)
Bach, Cantata No. 4, Sinfonia	275	(1)
Mozart, Minuet, K. 355	275	(3)
Schumann, Myrthen, op. 25, no. 24	278	(1)
Mendelssohn, Lieder ohne Worte, op. 30, no. 3	279	(2)
Schumann, Phantasiestucke, op. 12, no. 3: Warum?	281	(2)
Grieg, Erotikon	283	(2)
Liszt, Il pensieroso, from Annees de Pelerinage	285	(2)
R. Strauss, Morgen, op. 27, no. 4	287	(2)
Wagner, Der Engel	289	(5)
Mozart, Symphony No. 40, K. 550	294	(5)
Beach, Phantoms	299	(3)
Scott Joplin, A Breeze from Alabama	302	(4)
Kern, Smoke Gets in Your Eyes	306	(3)
Beethoven, Sonata, op. 49, no. 1	309	(11)
Examples of Formal Counterpoint from the Works of J. S. Bach
Questions for Analysis
Invention No. 4, BWV 775	320	(2)
Sinfonia 3, BWV 789	322	(2)
The Well-Tempered Clavier, Vol. I, Fugue 2	324	(3)
The Well-Tempered Clavier, Vol. II, Fugue 9	327	(3)
Chorale Prelude on ``In Dulci Jubilo''	330	(3)
Chorale Prelude on ``Christ lag in Todesbanden''	333	(4)
Part III Twentieth-Century Materials
Suggestions for Discussion
Extended and Altered Tertian Harmony
Questions for Analysis
Hanson, Symphony No. 2, op. 30	337	(1)
Kabalevsky, Sonatina, op. 13	337	(1)
Hovhaness, Mysterious Mountain	338	(1)
Shostakovich, Prelude, op. 34, no. 24	339	(1)
Debussy, Pelleas et Mellisande, Act I, scene 1	339	(1)
Scriabin, Poem, op. 32, no. 2	340	(1)
Ravel, Valses Nobles et Sentimentales	341	(1)
Rodgers, Slaughter on Tenth Avenue	342	(1)
Weill, September Song	343	(1)
Ellington, Prelude to a Kiss	344	(1)
Duke Jordan, Jordu	345	(1)
Berg, Four Songs, op. 2, no. 3	346	(2)
Diatonic (Church) Modes
Questions for Analysis
Bartok, Little Pieces for Children, no. III	348	(1)
Chavez, Ten Preludes, no. 1	349	(1)
Poulenc, Valse	349	(2)
Debussy, Trois Chansons, no. 1	351	(1)
Kabalevsky, Toccatina	351	(1)
Britten, Ceremony of Carols, no. 8	352	(2)
Debussy, Suite bergamasque, Passepied	354	(1)
Floyd, Susannah, Act II, scene 3	354	(1)
Stravinsky, Five Fingers: Lento	355	(1)
Bartok, Fourteen Bagatelles, op. 6, no. 4	356	(1)
Casella, Siciliana	357	(2)
Adderley, Work Song	359	(1)
Pandiatonicism and Additive Harmony
Questions for Analysis
Ravel, Mother Goose Suite: The Magic Garden	360	(1)
Milhaud, Touches Blanches	361	(1)
Cowell, The Irishman Dances	361	(1)
Copland, The Young Pioneers	362	(1)
Barber, Excursions, III	362	(1)
Stravinsky, Petroushka, Danse Russe	363	(1)
Stravinsky, Sonata for Two Pianos	364	(1)
Poulenc, Gloria, Laudamus te	365	(2)
Exotic (Artificial, Synthetic) Scales
Questions for Analysis
Milhaud, Touches Noires	367	(1)
Bartok, Mikrokosmos, no. 78: Five Tone Scale	367	(1)
Kodaly, Valsette	368	(1)
Vaughan Williams, London Symphony	369	(1)
Debussy, Preludes II: Voiles	369	(1)
Bartok, Mikrokosmos, no. 136, Whole Tone Scale	370	(1)
Debussy, Pelleas et Melisande, Act II, scene 1	370	(1)
Bartok, Fourteen Bagatelles, op. 6, no. 10	371	(1)
Lutoslawski, Bucolic, no. 3	371	(1)
Bartok, Mikrokosmos, no. 101: Diminished Fifth	372	(1)
Bartok, Sketches, op. 9, no. 6	373	(2)
Bartok, Fourteen Bagatelles, op. 6, no. 6	375	(1)
Quartal and Secundal Harmony
Questions for Analysis
Hindemith, Mathis der Maler: Grablegung	376	(1)
Ives, Majority	376	(1)
Krenek, Piano Piece, op. 39, no. 5	377	(1)
Hindemith, Ludus Tonalis, Fuga secunda in G	378	(1)
Bartok, Concerto for Orchestra	378	(2)
Berg, Wozzeck, Act II	380	(1)
Bartok, Mikrokosmos, no. 107: Melody in the Mist	381	(1)
Berg, Wozzeck, Act II	382	(1)
Cowell, Tiger	383	(1)
Ives, Majority	384	(1)
Brubeck, Blue Rondo a la Turk	385	(1)
Polyharmony and Polytonality
Questions for Analysis
Honegger, Symphony No. 5	385	(2)
Schuman, A Three-Score Set	387	(1)
Kraft, Allegro Giocoso	388	(1)
Stravinsky, The Rake's Progress: Prelude	389	(1)
Stravinsky, Petroushka, Scene 2	390	(1)
Milhaud, Saudades do Brazil, no 7: Corcovado	391	(1)
Bartok, Forty-Four Violin Duets, no. 33	391	(1)
Brubeck, Strange Meadowlark	392	(2)
Free Atonality
Questions for Analysis
Schonberg, Drei Klavierstucke, op. 11, no. 1	394	(1)
Schonberg, Klavierstucke, op. 19, no. 2	395	(1)
Schonberg, Pierrot Lunaire, op. 21, no. 1: Mondestrunken	396	(3)
Webern, Five Movements for String Quartet, op. 5, no. 4	399	(1)
Bartok, Mikrokosmos, no. 144: Minor Seconds, Major Sevenths	400	(1)
Bartok, Fourth String Quartet	401	(2)
Sessions, From My Diary, III	403	(1)
Berger, Two Episodes, I	404	(2)
Twelve-Tone Serialism
Questions for Analysis
Krenek, Dancing Toys, op. 83, no. 1	406	(2)
Schonberg, Suite fur Klavier, op. 25: Gavotte	408	(1)
Dallapiccola, Cinque Frammenti di Saffo	409	(3)
Webern, Drei Lieder, op. 25, no. 1	412	(2)
Music Since 1945
Questions for Analysis
Stockhausen, Klavierstucke, no. 2	414	(1)
Lutoslawski, String Quartet (1965)	415	(1)
Penderecki, String Quartet, no. 2	416	(3)
Crumb, Madrigals, Book IV	419	(1)
Druckman, Valentine, for solo contrabass	420	(1)
Rouse, Valentine	421	(1)
Horne, Six Short Studies, Sixteenth Notes	422	(2)
Complete Pieces for Analysis IV
Suggestion for Analysis
Ravel, Sonatine, Mouvt II	424	(3)
Debussy, Pour le Piano: Sarabande	427	(4)
Debusy, Preludes, X: La Cathedrale engloutie	431	(6)
Bartok, Sonatina	437	(2)
Prokofiev, Classical Symphony, op. 25	439	(3)
Prokofiev, March from The Love of Three Oranges	442	(3)
Hindemith, Ludus Tonalis, Fuga undecima in B (Canon)	445	(2)
Ruggles, Evocations, no. 1	447	(1)
Schonberg, Suite fur Klavier, op. 25: Menuett	448	(3)
Macmillan, Piano Sonata, I	451	(2)
Porter, Night and Day	453	(5)
Gershwin, Porgy and Bess, ``Summertime''	458	(5)
Appendix A. Checklist for Analysis and Sample Analysis	463	(4)
Appendix B. Textbook Correlation Chart	467	(6)
Index of Composers and Their Compositions	473