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Summary
When it comes to writing a text for non-music majors, Kamien knows the score. With the care you would expect from the concert pianist he is, Kamien introduces the musical elements and repertoire thoroughly and clearly, without assumptions of prior knowledge but also without condescension. As a teacher at Queens (NY) College, Kamien developed the concept of the Listening Outline, which he incorporated into the first edition of Music: An Appreciation and which he has refined and enhanced in every subsequent edition. This is a text with which students of all levels and backgrounds can feel comfortable.
Table of Contents
Preface
Part I Elements
1. Sound: Pitch, Dynamics, and Tone Color
Pitch: Highnessor Lowness of Sound
Dynamics
Tone Color
Listening Outlines, Vocal Music Guides, and the Properties of Sound
Lohengrin, Prelude to Act III by Richard WagnerLISTENING OUTLINE
C-Jam Blues, by Duke Ellington and His Famous OrchestraLISTENING OUTLINE
2. Performing Media: Voices and Instruments
Voices
Musical Instruments
String Instruments
Woodwind Instruments
Brass Instruments
Percussion Instruments
Keyboard Instruments
Electronic Instruments
The Young Person's Guide to the Orchestra, Op.34, by Benjamin BrittenLISTENING OUTLINE
3. Rhythm
Beat
Meter
Accent and Syncopation
Tempo
4. Music Notation
Notating Pitch
Notating Rhythm
Notating Silence (Rests)
Notating Meter
The Score
5. Melody
6. Harmony
Consonance and Dissonance
The Triad
Broken Chords (Arpegios)
7. Key
The Major Scale
The Minor Scale
The Key Signature
The Chromatic Scale
Modulation: Change of Key
Tonic Key
8. Musical Texture
Monophonic Texture
Polyphonic Texture
Homophonic Texture
Changes of Texture
Farandole from L'Arlesienne (The Woman from Arles) Suite No.2, by Georges BizetLISTENING OUTLINE
9. Musical Form
Techniques That Create Musical Form
Repetition
Contrast
Variation
Types of Musical Form
Three-Part (Ternary) Form: A B A
Dance of the Reed Pipes from Nutcracker Suite, by Peter Ilyich TchaikovskyLISTENING OUTLINE
Two-Part (Binary) Form: A B
Forlane from Suite No.1 in C Major for Orchestra, by Johann Sebastian BachLISTENING OUTLINE
Listening for Form
10. Musical Style
Part II The Middle Ages And Renaissance
1. Music In The Middle Ages (450-1450)
Gregorian Chant
The Church Modes
Alleluia: Vidimus stellam (We have seen his star)VOCAL MUSIC GUIDE
O Successores (You successors) by Hildegard of BingenVOCAL MUSIC GUIDE
Secular Music in the Middle Ages
Estampie
The Development of Polyphony: Organum
School of Notre Dame: Measured Rhythm
Fourteenth-Century Music: The "New Art" in France
Guilaume de Machaut
Notre Dame Mass: Agnus DeiVOCAL MUSIC GUIDE
2. Music In The Renaissance (1450-1600)
Characteristics of Renaissance Music
Word and Music
Texture
Rhythm and Melody
Sacred Music in the Renaissance
Josquin Desprez and the Renaissance Motet
Ave Maria...virgo serena (Hail Mary...serene virgin)VOCAL MUSIC GUIDE
Palestrina and the Renaissance Mass
Pope Marcellus Mass: Kyrie
Secular Music in the Renaissance
Vocal Music: The Renaissance Madrigal
As Vesta Was Descending, by Thomas WeelkesVOCAL MUSIC GUIDE
Instrumental Music
Passamezzo and Galiard, by Pierre Fransisque Caroubel, from Terpsichore, by Michael Praetorius
Part III The Baroque Period
1. Baroque Music (1600-1750)
Characteristics of Baroque Music
Unity of Mood
Rhythm
Melody
Dynamics
Texture
Chords and the Basso Continuo (Figured Bass)
Words and Music
The Baroque Orchestra
Baroque Forms
2. Music In Baroque Society
3. The Concerto Grosso And Ritornello Form
Brandenburg Concerto No.5 in D Major, by Johann Sebastian Bach: First MovementLISTENING OUTLINE
4. The Fugue
Organ Fugue in G Minor (Little Fugue), by Johann Sebastian BachLISTENING OUTLINE
5. The Elements Of Opera
6. Opera In The Baroque Era
7. Claudio Monteverdi
Orfeo (Orpheus)VOCAL MUSIC GUIDE: Tu se morta (You are dead)
8. Henry Purcell
Ground Bass
Dido and AeneasVOCAL MUSIC GUIDE: Dido's Lament
9. The Baroque Sonata
Trio Sonata in A Minor, Op.3, No.10, by Arcangelo Corelli
10. Antonio Vivaldi
La Primavera (Spring), Concerto for Violin and String Orchestra, Op.8, No.1, from The Four SeasonsLISTENING OUTLINE: First Movement
11. Johann Sebastian Bach
Bach's Music
12. The Baroque Suite
Suite No.3 in D Major, by Johann Sebastian Bach
13. The Chorale And Church Cantata
The Church Cantata
Cantata No.140: Wachet auf, ruft uns die Stimme (Awake, a voice is calling us) by Johann Sebastian BachVOCAL MUSIC GUIDES: Fourth Movement; Seventh Movement
14. The Oratorio
15. George Frideric Handel
Handel's Music
MessiahVOCAL MUSIC GUIDES: Ev'ry Valley Shall Be Exalted; Hallelujah Chorus
Part IV The Classical Period
1. The Classical Style (1750-1820)
Characteristics of the Classical Style
Contrast of Mood
Rhythm
Texture
Melody
Dynamics and the Piano
The End of the Basso Continuo
The Classical Orchestra
Classical Forms
2. Composer, Patron, And Public In The Classical Period
Vienna
3. Sonata Form
Exposition
Development
Recapitulation
Coda
Symphony No.40 in G Minor, K.550, by Wolfgang Amadeus Mozart: First MovementLISTENING OUTLINE
4. Theme And Variations
Symphony No.94 in G Major (Surprise), by Joseph Haydn: Second MovementLISTENING OUTLINE
5. Minuet And Trioh4>Eine kleine Nachtmusik (A Little Night Music), by Wolfgang Amadeus Mozart: Third MovementLISTENING OUTLINE
6. Rondo
String Quartet in C Minor, Op.18, No.4, by Ludwig van Beethoven: Fourth MovementLISTENING OUTLINE
7. The Classical Symphony
8. The Classical Concerto
9. Classical Chamber Music
10. Joseph Hadyn
Haydn's Music
Trumpet Concerto in E Flat Major: Third Movement
11. Wolfgang Amadeus Mozart
Mozart's Music
Don Giovanni
Act I: Excerpt from Opening Scene
Act 1: Madamina (Leporello's catalog aria)
Symphony No.40 in G. Minor, K.550
Piano Concerto No.23 in A Major, K.488LISTENING OUTLINE: First Movement
12. Ludwig Van Beethoven
Beethoven's Music
Piano Sonata in C Minor, Op.13 (Pathetique)
Symphony No.5 in C Minor, Op.67LISTENIG OUTLINES: First Movement; Second Movement
Part V The Romantic Period
1. Romanticism In Music (1820-1900)
Characteristics of Romantic Music
Individuality of Style
Expressive Aims and Subjects
Nationalism and Exoticism
Program Music
Expressive Tone Color
Colorful Harmony
Expanded Range of Dynamics, Pitch, and Tempo
Forms: Miniature and Monumental
2. Romantic Composers And Their Public
3. The Art Song
Strophic and Through-Composed Form
The Song Cycle
4. Franz Schubert
Schubert's Music
Erlkonig (The Erlking)VOCAL MUSIC GUIDE
5. Robert Schumann
Robert Schumann's Music
Carnaval
6. Clara Wieck Schumann
Clara Wieck Schumann's Music
Romance in G Minor for Violin and Piano, Op.22, No.2LISTENING OUTLINE
7. Frédéric Chopin
Chopin's Music
Nocturne in E Flat Major, Op.9, No.2LISTENING OUTLINE
Etude in C Minor, Op.9, No.12LISTENING OUTLINE
Polonaise in A Flat Major, Op.53
8. Franz Liszt
Liszt's Music
Transcendental Etude No.10 in F Minor
9. Felix Mendelssohn
Mendelssohn's Music
Concerto for Violin and Orchestra in E Minor, Op.64: First Movement
10. Program Music
11. Hector Berlioz
Berlioz's Music
Symphonie fantastique (Fantastic Symphony)LISTENING OUTLINE: Fourth Movement
12. Nationalism In Nineteenth-Century Music
The Moldau, by Bedrich SmetanaLISTENING OUTLINE
13. Antonin Dvorak
Symphony No.9 in E Minor (From the New World)LISTENING OUTLINE
14. Peter Ilyich Tchaikovsky
Tchaikovsky's Music
Romeo and Juliet, Overture-Fantasy
15. Johannes Brahms
Brahm's Music
Ein Deutsches Requiem (A German Requiem)VOCAL MUSIC GUIDE: How Lovely Is Thy Dweling Place
16. Giuseppe Verdi
Verdi's Music
Rigoletto
17. Giacomo Puccini
La BohemeVOCAL MUSIC GUIDE: Act 1: From Mimi's entrance through Che gelida manina
18. Richard Wagner
Wagner's Music
Die Walkure (The Valkyrie)VOCAL MUSIC GUIDE: Act I, Love Scene, Conclusion
Part VI The Twentieth Century
1. Musical Styles: 1900-1950
1900-1945: An Age of Musical Diversity
Characteristics of Twentieth-Century Music
Tone Color
Harmony
(Consonance and dissonance; New chord structures)
Alternatives to the Traditional Tonal System
Rhythm
Melody
2. Music and Musicians in Society
3. Impressionism And Symbolism
French Impressionist Painting
French Symbolist Poetry
4. Claude Debussy
Debussy's Music
Prelude a L'Apres-midi d'un faune (Prelude to The Afternoon of a Faun)LISTENING OUTLINE
5. Neoclassicism
6. Igor Stravinsky
Stravinsky's Music
Le Sacre du printemps (The Rite of Spring)LISTENING OUTLINE: Part I, Introduction, Omens of Spring--Dances of the Youths and Maidens, Ritual of Abduction