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9780534595487

Music in Childhood From Preschool through the Elementary Grades (with Audio CD)

by ; ;
  • ISBN13:

    9780534595487

  • ISBN10:

    0534595480

  • Edition: 3rd
  • Format: Spiral Bound
  • Copyright: 2005-06-01
  • Publisher: Schirmer
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Summary

Part 1: THE MUSICAL CHILD. 1. Multiple Meanings of Music for Children. 2. From Theory to Practice in Teaching Music to Children. 3. Methods of Teaching Music to Children. 4. The Singing Child. 5. Pitch and the Child. 6. The Moving Child. 7. Rhythm and the Child. 8. The Playing Child. 9. The Listening Child. 10. The Creating Child. Part 2: THE FACILITATING TEACHER. 11. Motivation and Management. 12. Curriculum Design. 13. Assessment and Evaluation. 14. Music in an Integrated Curriculum. 15. Music, Children, and Cultural Diversity. 16. Music for Exceptional Children. 17. Technology for Musical Instruction.

Table of Contents

Preface xi
Part One---The Musical Child
1(270)
The Multiple Meanings of Music for Children
2(13)
Musical Learning to Engage Children
3(1)
Music's Many Functions
3(3)
Music at the Curricular Core
6(1)
Children's Musical Capacities
7(3)
Music's Historical Role in the Curriculum
10(2)
Music for Children in a Changing Society
12(1)
A Musical Future
13(2)
Review
14(1)
Critical Thinking
14(1)
Projects
14(1)
From Theory to Practice in Teaching Music to Children
15(29)
Stage and Phase Theories
18(3)
Theories of Musical Play and Socialization
21(1)
A Constructivist Theory of Meaning Making
22(2)
Social Learning and Reinforcement Theories
24(3)
Learning Style Theories
27(5)
Theories of Instruction
32(3)
Relating Theory to Practice
35(7)
The Classroom Environment
35(1)
What Should the Music Classroom Look Like?
35(1)
What Should the Music Classroom Feel Like?
36(1)
What Other Resources Can Enhance a Music Classroom's Potential for Effective Instruction?
36(1)
What Print, Audio, and Video Materials Should a Teacher Have Available for Music Instruction?
36(1)
A Child-Centered Curriculum
37(1)
Know the Children
37(1)
Begin Where the Children Are
37(1)
Allow Time for Musical Play and Exploration
37(1)
Integrate Music into the Other Parts of a Child's Life
38(1)
The Teacher as Transmitter
38(1)
Know the Subject Matter
38(1)
Model the Musical Behaviors
38(1)
Present with Energy and Enthusiasm
39(1)
Instructional Strategies
40(1)
Starting the Class
40(1)
Ending the Class
40(1)
Supplying Feedback: The TST
41(1)
Stimulating Aural Learning
41(1)
Providing for Repetition and Rehearsal
42(1)
Informed Teaching
42(2)
Review
42(1)
Critical Thinking
42(1)
Projects
43(1)
Methods of Teaching Music to Children
44(22)
Dalcroze: Movement with a Mission
45(4)
Kodaly: Inner Hearing and Music Literacy
49(3)
Orff: Expression through Musical Experience
52(4)
Other Approaches to Music Learning
56(5)
Comprehensive Musicianship
56(1)
Gordon's Music Learning Theory
56(2)
Manhattanville Curriculum Project
58(1)
Music in Education
59(1)
Education through Music
60(1)
Weikert's Movement Sequence
61(1)
A Comparison of Methods
61(1)
A Personal Method
61(5)
Review
65(1)
Critical Thinking
65(1)
Projects
65(1)
The Singing Child
66(35)
The Developing Child Voice
67(5)
Physical Training for the Child Voice
72(5)
Toward Accurate Singing
77(6)
The Vocal Model
83(2)
Selecting and Teaching Songs
85(4)
How to Teach Singing in Parts
89(7)
Children's Choirs
96(1)
Assessment of Singing
97(1)
Reasons to Sing
98(1)
Scenario
98(3)
Questions
99(1)
Review
100(1)
Critical Thinking
100(1)
Projects
100(1)
Pitch and the Child
101(18)
Growth in Understanding of Linear Pitch Structures
102(1)
Discrimination and Contour Awareness
103(4)
Pitch Relations and Melodic Motion
107(3)
Advanced Pitch Concepts
110(4)
Growth in Understanding of Vertical Pitch Structures
114(3)
Helping Children to Think Musically
117(2)
Review
118(1)
Critical Thinking
118(1)
Projects
118(1)
The Moving Child
119(36)
Movement and Child Development
121(4)
Action Songs and Singing Games
123(1)
Eurhythmics
124(1)
Creative Movement
124(1)
Dance
124(1)
Precepts and Principles of Movement
125(1)
Prelude to Movement-Based Musical Experiences
125(6)
Action Songs and Singing Games
127(4)
Dalcroze Eurhythmics
131(8)
Creative Movement
139(3)
Dance
142(8)
Assessment of Moving
150(1)
Movement for Musical Development
151(1)
Scenario
151(4)
Questions
153(1)
Review
153(1)
Critical Thinking
153(1)
Projects
153(2)
Rhythm and the Child
155(35)
Rhythm and Child Development
156(2)
Rhythm in Speech
158(5)
Rhythm in Movement
163(1)
The Pulse
164(1)
Meter
165(2)
Durations and Their Patterns
167(11)
Rhythm Mnemonics
178(3)
Notation for Writing and Reading Rhythms
181(1)
Syncopations
182(4)
Polyrhythms
186(2)
From Natural Rhythms to Rhythmic Training
188(2)
Review
189(1)
Critical Thinking
189(1)
Projects
189(1)
The Playing Child
190(32)
Developmental Sequence
191(3)
The Body as a Percussion Instrument
194(3)
Nonpitched Percussion Instruments
197(5)
Gourds
198(1)
Woods
198(2)
Skins (Drums)
200(1)
Metals
201(1)
Pitched Instruments
202(10)
Barred Instruments of the Orff Approach
203(6)
The Recorder
209(3)
Harmony Instruments
212(5)
The Autoharp
212(2)
The Guitar
214(2)
Keyboards
216(1)
Assessment of Playing Instruments
217(1)
The Benefits of Instrumental Study
218(1)
Scenario
219(3)
Questions
220(1)
Review
221(1)
Projects
221(1)
The Listening Child
222(26)
The Centrality of Listening
222(1)
Growth in Listening
223(2)
The Development of Perceptive Listening
223(1)
The Development of Attitudes toward Music
224(1)
Active Involvement in Listening
225(17)
Principles in Teaching Music Listening
225(1)
Listening in Early Childhood Settings
226(2)
Building Skills of Aural Perception
228(1)
Deep-Listening
229(6)
Student Construction of Listening Experiences
235(2)
Building an Aural Repertoire
237(1)
Listening Sequence
238(4)
Assessment of Listening
242(3)
Keys to Listening
245(1)
Scenario
246(2)
Questions
246(1)
Review
247(1)
Critical Thinking
247(1)
Projects
247(1)
The Creating Child
248(23)
The Importance of Creativity
248(1)
Developmental Sequence
249(1)
Creative Thinking
249(1)
Creative Processes
250(17)
Exploration and Discovery
250(2)
Improvisation
252(3)
Composition
255(1)
Structure and Context
255(3)
Aural Plans
258(1)
Notational Systems
259(3)
Inventing Songs
262(3)
Individualized Plan
265(1)
Assessment
265(2)
The Rewards of Nurturing Creativity in Music
267(1)
Scenario
268(3)
Questions
268(1)
Review
269(1)
Critical Thinking
269(1)
Projects
269(2)
Part Two---The Facilitating Teacher
271(164)
Motivation and Management
272(28)
What Is Motivation and Where Does It Come From?
274(6)
Three Sources of Motivation
274(2)
Drive Reduction Theory of Motivation
276(1)
Behaviorism: Operant Conditioning
277(2)
Competition as a Motivator
279(1)
Foundations of Understanding and Managing Student Behaviors
280(2)
Understanding the Role of Personal Traits and the Educational Environment
280(1)
Understanding Self and Others through Enneagrams
280(1)
Logical Consequences
281(1)
Setting Up Your Classroom to Nurture Positive Social and Academic Learning
282(7)
Organizing Classes into Cooperative Learning Groups
282(2)
Organizing the Classroom and Record Keeping
284(1)
Learning and Remembering Students' Names
285(1)
Guidelines for Motivating and Managing Students
286(1)
Token Prizes
286(1)
Special Person
287(2)
Other External Motivators
289(1)
Strategies for Confronting Inappropriate Behavior
289(7)
Establishing Expectations and Procedures
290(1)
Judicious Discipline
291(2)
Discipline with Love and Logic
293(1)
Behavior Expectation Forms
293(1)
Behavior Contracts
294(2)
The Intervention Thermometer
296(1)
Scenario
296(4)
Questions
298(1)
Review
298(1)
Critical Thinking
298(1)
Projects
299(1)
Curriculum Design
300(27)
Program Vignettes
300(1)
The Nature of Curriculum
301(1)
Types and Sources of Curriculum
302(3)
National Standards
303(1)
State and Local Standards
303(1)
Other Sources of Curriculum
304(1)
Planning a Curriculum
305(8)
General Curriculum Content
305(3)
Early Childhood Planning
308(1)
K-6 Planning
309(4)
Implementing a Curriculum
313(12)
Lesson Planning
313(1)
The Three-Legged Model
313(3)
The Problem-Solving Approach
316(1)
The Quadrant Approach
316(5)
The Immersed Approach
321(1)
Thematic and Unit Planning
322(1)
Curriculum Connections
323(1)
Topics within Music
323(2)
Distilling the Essence of Curriculum
325(2)
Review
326(1)
Critical Thinking
326(1)
Projects
326(1)
Assessment and Evaluation
327(18)
Evaluation
328(1)
Testing and Measurement
329(1)
Assessment
330(9)
Teacher Assessment of Children
331(1)
Overt and Covert Behaviors
331(1)
Questioning
331(4)
Rubrics
335(1)
Student Self-Assessment
336(1)
Peer Assessment
337(1)
Teacher Self-Assessment
338(1)
Tracking Student Growth
339(3)
Record Keeping
340(1)
Portfolios
341(1)
Reporting to Parents
342(1)
Distilling the Essence of Assessment and Evaluation
343(2)
Review
344(1)
Critical Thinking
344(1)
Projects
344(1)
Music in an Integrated Curriculum
345(26)
Vignettes of Artistically Rich Music Classrooms
345(2)
The Invitation to Arts Integration
347(1)
The Challenges of Arts Integration
348(2)
Integrating Other Arts into the Music Curriculum
350(9)
Interdisciplinary Curriculum in the Arts
350(1)
Shared Curriculum in the Arts
351(1)
Creative Movement and Dance
351(2)
Visual Arts
353(3)
Literature and Poetry
356(1)
Creative Drama and Theater
357(2)
Models of Integration
359(3)
The Thematic Web Design
359(1)
The Threaded Curriculum
360(1)
The Immersed Curriculum
361(1)
Creating Valid Connections
362(7)
Integrating the Arts Process
363(1)
The Arts in Social Studies
364(1)
The Arts in Science and Math
365(3)
The Arts and Language Arts
368(1)
Reflections on the Integrated Curriculum
369(2)
Review
370(1)
Critical Thinking
370(1)
Projects
370(1)
Music, Children, and Cultural Diversity
371(24)
Definitions
372(3)
Uncertainties in Teaching New Musical Styles
375(2)
The Musically Competent Teacher
377(2)
New Repertoire for Familiar Pedagogies
379(2)
The Aural-Oral Transmission Process
381(3)
Curricular Redesign
384(8)
Many Musical Worlds
392(1)
Scenario
392(3)
Questions
393(1)
Review
394(1)
Critical Thinking
394(1)
Projects
394(1)
Music for Exceptional Children
395(26)
Who Are Exceptional Children?
397(1)
Educating Exceptional Children
398(1)
Mainstreaming and the Music Classroom
399(2)
IEP in Music
401(2)
Inclusion in Music Instruction
403(1)
The Music Classroom and Exceptional Children
403(15)
Mental Retardation
404(1)
Learning Disabilities
405(2)
Attention Deficit Hyperactivity Disorder
407(2)
Emotional or Behavioral Disorders
409(1)
Sensory Disorders
410(1)
Hearing Impaired
410(3)
Vision Impaired
413(1)
Physical Disabilities
413(2)
Adapting for Movement
415(1)
Adapting Instruments and Materials
416(1)
Gifted and Talented
417(1)
The Joys of Reaching All Children
418(1)
Scenario
419(2)
Questions
419(1)
Review
420(1)
Critical Thinking
420(1)
Projects
420(1)
Technology for Music Instruction
421(14)
Music Technology Helps Students Learn in May Ways
422(1)
Technology Available for Teaching Music
423(2)
Choosing Music Technology
425(2)
Guidelines for Evaluating Music Software
427(1)
Using Technology to Teach Music
428(4)
Decide Who Will Use the Technology
430(1)
Sequence Learning in Small Steps
431(1)
Encourage Child-to-Child Interaction
431(1)
Consider Incorporating Mastery Learning
431(1)
Funding Technology-Assisted Instruction in Music
432(1)
The Likely Future of Technology for Music Teaching
433(1)
Scenario
433(2)
Questions
434(1)
Review
434(1)
Critical Thinking
434(1)
Projects
434(1)
Appendix
The School Music Program: A New Vision 435(8)
References and Resources 443(12)
Index 455

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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