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Catherine Gordon-Seifert is Associate Professor of Music and Chair of the Music Department at Providence College.
Acknowledgments | p. xi |
Note on Quotations, Translations, and Musical Examples | p. xiii |
Introduction | p. 10 |
Music and Texts: An Overview of the Sources | p. 11 |
A General Description of the Air | p. 11 |
The Publications | p. 12 |
The Composers | p. 13 |
Publications by Lambert, Bacilly, La Barre, and Le Camus: A Description | p. 17 |
The Song Texts | p. 22 |
Poetic Structure | p. 32 |
Style or Elocution: Figurative Language and Poetic Syntax | p. 35 |
Poetry and Rhetoric | p. 40 |
Rhetoric and Meaning in the Seventeenth-Century French Air | p. 41 |
Seventeenth-Century French Sources on Rhetoric and Music | p. 41 |
Persuading the Passions | p. 52 |
Musical Representations of the Primary Passions | p. 58 |
The Primary Passions | p. 60 |
The Agitated Passions | p. 64 |
The Modest Passions | p. 78 |
The Neutral Passion: Le Contentement | p. 87 |
Summary | p. 89 |
Setting the Texts | p. 96 |
Painful Love | p. 98 |
Bittersweet Love | p. 126 |
Enticing Love | p. 129 |
Joyous Love | p. 132 |
Summary | p. 133 |
Form and Style: The Organization and Function of Expressions, Syntax, and Rhetorical Figures | p. 138 |
Form (Disposition) | p. 138 |
The Organization of Expressions in Short Airs | p. 139 |
The Organization of Expressions in Long Airs | p. 144 |
Form in Single-Strophe Airs | p. 151 |
The Rhetorical Sections of a Piece: Their Function and Expression | p. 153 |
Style (Elocution): Poetic Structure, Punctuation, and Rhetorical Figures | p. 158 |
L'Art du Chant: Performing French Airs | p. 185 |
À Haute Voix: The Importance of Orality | p. 186 |
The Art of Proper Singing: Tone and Style | p. 188 |
Ornamentation | p. 192 |
The Pronunciation of Seventeenth-Century French | p. 202 |
Syllabic Quantity | p. 210 |
Tempo | p. 216 |
Le Mouvement | p. 217 |
Repeats | p. 218 |
Basso Continuo Accompaniment | p. 220 |
Salon Culture and the Mid-Seventeenth-Century French Air | p. 230 |
The French Air and Conversation | p. 230 |
Musical Seductions | p. 237 |
Galanterie and the Air: Undercurrents of Eroticism and Lessons of Morality | p. 243 |
Women Singing Airs as Men | p. 260 |
The Late-Seventeenth-Century Air and the Rhetoric of Distraction | p. 268 |
The Air after 1670 | p. 268 |
Songs and the Rhetoric of Distraction | p. 271 |
Pleasure, Airs, and the New Rhetoric | p. 275 |
The Legacy of Lambert, Bacilly, Le Camus, and La Barre | p. 280 |
Appendix: Translations for Musical Examples and Emblems | p. 289 |
Notes | p. 297 |
Bibliography | p. 345 |
Index | p. 369 |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
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