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Series Editor's Foreword | |
Foreword | |
Introduction: Thinking Music, Thinking Marx | |
Music Scholarship, Musical Practice, and the Act of Listening | p. 3 |
Commodity-Form, Disavowal, and Practices of Music Theory | p. 23 |
Modernity and Musical Structure: Neo-Marxist Perspectives on Song Form and Its Successors | p. 45 |
The Hip-Hop Sublime as a Form of Commodification | p. 63 |
Mode of Production and Musical Production: Is Hindustani Music Feudal? | p. 81 |
The Capitalization of Musical Production: The Conceptual and Spatial Development of London's Public Concerts, 1660-1750 | p. 106 |
Marx, Money, and Musicians | p. 139 |
Musicological Memoirs of Marxism | p. 167 |
Making Marxist-Leninist Music in Uzbekistan | p. 190 |
Central American Revolutionary Music | p. 204 |
Contributors | p. 236 |
Index | p. 238 |
Table of Contents provided by Blackwell. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.