Common Practice Techniques: Diatonic | |
Rhythm: One-and-Two-Pulse Units (Unmetered) | |
Pitch: The Major Scale | |
Rhythm: Simple Meters | |
Pitch: Introducing Thirds | |
Pitch: Introducing Fourths | |
Pitch: Tonic Triad in the Major Mode | |
Introducing Fifths, Sixths, and Octaves | |
Rhythm: 2:1 Subdivisions of the Beat | |
Pitch: I, V, and V7 | |
Introducing Sevenths | |
Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat | |
Pitch: I, IV, V, and V | |
Pitch: Introducing the Alto Clef | |
Rhythm: Dots and Ties | |
Pitch: Minor Mode | |
Music from the Literature | |
Rhythm: Compound Meter | |
Pitch: Supertonic Traid | |
Pitch: Submediant and Mediant Triads | |
Pitch: Tenor Clef | |
Rhythm: Triplets and Duplets | |
Music from the Literature | |
Rhythm: Syncopation | |
Pitch: Other Seventh Chords | |
Common Practice Techniques: Chromatic | |
Pitch: Decorative Chromaticism | |
Pitch: Inflected Scale Degrees | |
Pitch: Scalar Variants in Minor | |
Pitch: Modal Borrowing | |
Music from the Literature | |
Pitch: Secondary Dominants | |
Pitch: Modulations to Closely Related Keys | |
Rhythm: Quintuple Meters | |
Pitch: Chromaticism Implying Altered Chords | |
Modulation to Distantly Related Keys | |
Music from the Literature | |
Twentieth -Century Techniques | |
Rhythm: Irregular Meters | |
Pitch: Diatonic Modes | |
Pitch: Changing Clefs | |
Part Music | |
Rhythm: Changing Meters | |
Pitch: Pandiatonicism | |
Rhythm: Syncopation Including Irregular and Mixed Meters | |
Pitch: Extended and Altered Tertian Harmony | |
Pitch: Exotic Scales | |
Rhythm: Complex Divisions of the Beat | |
Pitch: Quartal Harmony | |
Rhythm: Polyrhythms and Polymeters | |
Pitch: Polyharmony and Polytonality | |
Pitch: Interval Music | |
Serial Music | |
Music from the Literature | |
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