Music in Theory and Practice Volume 2

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  • Edition: 10th
  • Format: Paperback
  • Copyright: 2020-01-29
  • Publisher: MCGRAW HILL

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Table of Contents


Part C: The Renaissance And Baroque Periods
Chp. 18: Late Renaissance Polyphony
Chp. 19: Two-Voice Eighteenth Century Counterpoint
Chp. 20: The Fugue

Part D: Chromatic Harmony
Chp. 21: Borrowed Chords
Chp. 22: Neapolitan 6th Chords
Chp. 23: Augmented 6th Chords

Part E: The Classical Period 
Chp. 24: Variation Technique
Chp. 25: Sonata Form
Chp. 26: Rondo Forms

Part F: Extended And Chromatic Harmony
Chp. 27: 9th,11th, and 13th Chords
Chp. 28: Altered Dominants
Chp. 29: Chromatic Mediants

Part G: The Nineteenth And Twentieth Centuries
Chp. 30: The Romantic Period 
Chp. 31: The Post-Romantic Style
Chp. 32: Impressionism and Related Styles
Chp. 33: The Early Twentieth Century
Chp. 34: Pitch-Class Set Theory
Chp. 35: Twelve-Tone Technique
Postlude: Music Since 1945

Appendix G Summary of Part-Writing Practices
Appendix H Macro Analysis Symbols
Appendix I Popular Music Chord Symbols


Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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