Preface | p. 7 |
Prologue Considering Musical Form, Forms and Formenlehre Pieter Bergé | p. 11 |
William E. Caplin & The Theory Of Formal Functions | p. 19 |
What Are Formal Functions? | p. 21 |
Comments on William E. Caplin's Essay "What Are Formal Functions?" | p. 41 |
Comments on William E. Caplin's Essay "What Are Formal Functions?" | p. 46 |
Response to the Comments | p. 51 |
James Hepokoski & The Concept Of Dialogic Form | p. 69 |
Sonata Theory and Dialogic Form | p. 71 |
Comments on James Hepokoski's Essay "Sonata Theory and Dialogic Form" | p. 90 |
Comments on James Hepokoski's Essay "Sonata Theory and Dialogic Form" | p. 96 |
Response to the Comments | p. 101 |
James Webster & The Concept of Multivalent Analysis | p. 121 |
Formenlehre in Theory and Practice | p. 123 |
Comments on James Webster's Essay "Formenlehre in Theory and Practice" | p. 140 |
Comments on James Webster's Essay "Formenlehre in Theory and Practice" | p. 146 |
Response to the Comments | p. 152 |
Epilogue The Future of Formenlehre | p. 165 |
Bibliography | p. 171 |
About the Authors | p. 177 |
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