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Preface | p. xii |
Abbreviations | p. xvii |
The nature and history of philosophical allegory | p. 1 |
Rehabilitating ancient ways of reading | p. 2 |
Allegory, Socrates and Plato | p. 5 |
Symbols, reserve and Pythagoreanism | p. 9 |
Persecution and the politics of allegory in classical Athens | p. 12 |
Plato and Pythagoreanism: two puzzles | p. 14 |
The allegorical Plato in history | p. 18 |
Methodological precedent: early Christianity | p. 23 |
Methodological precedent: Renaissance Platonism | p. 25 |
Introducing the dialogues' musical structure | p. 29 |
Structuring a dialogue | p. 31 |
Ancient Greek music: three key ideas | p. 32 |
Plato's symbolic scheme | p. 36 |
Harmony and consonance, disharmony and dissonance | p. 37 |
Sevenths and mixture | p. 38 |
Guide to the strongest evidence | p. 40 |
Methodology for line-counting | p. 45 |
Canons of criticism | p. 46 |
Responses to possible objections | p. 48 |
Independent lines of evidence | p. 52 |
Simple, objective measurements | p. 52 |
Parallel passages at the same relative location | p. 54 |
Ranges of positive and negative concepts | p. 56 |
Preview of the musical structure in the Republic | p. 57 |
A control: falsifiability and the pseudo-Platonica | p. 59 |
An emphatic pattern in the Sympostum's frame | p. 61 |
A theory of music | p. 62 |
Recurring clusters of features in the frame | p. 63 |
A new kind of commentary | p. 64 |
Making the Symposium's musical structure explicit | p. 78 |
phaedrus | p. 78 |
Pausanias | p. 84 |
Eryximachus | p. 96 |
Aristophanes | p. 104 |
Agathon | p. 116 |
Socrates and Diotima | p. 126 |
Alcibiades | p. 154 |
Parallel structure in the Euthyphro | p. 178 |
The same scale and the same symbolic scheme | p. 178 |
Guide to the strongest evidence | p. 179 |
The sevenths | p. 180 |
The connection to music | p. 181 |
Another kind of evidence: parallels between dialogues | p. 183 |
The Euthyphro is not aporetic | p. 184 |
Marking the notes | p. 185 |
Extracting doctrine from structure | p. 236 |
Aristotle on virtues and means | p. 236 |
Stichometry and the divided line | p. 238 |
Reading the dialogues in parallel | p. 240 |
The logic of the argument and its consequences | p. 241 |
Some implications | p. 244 |
Summary of the case | p. 244 |
Interpreting the: dialogues | p. 245 |
Problems with anonymity and intentionality | p. 246 |
Interpreting Plato, Pythagoras and Socrates | p. 247 |
History of music and mathematics | p. 249 |
History of literature and literary theory | p. 251 |
Ancient book production, papyrology, textual studies | p. 251 |
The forward path | p. 252 |
More musicological background | p. 253 |
Neo-Pythagoreans, the twelve-note scale and the monochord | p. 260 |
Markers between the major notes | p. 265 |
The central notes | p. 271 |
Systematic theory of the marking passages | p. 274 |
Structure in Agathon and Socrates' speeches | p. 287 |
Euripides and line-counting | p. 288 |
Data from the Republic | p. 291 |
OCT line numbers for the musical notes | p. 294 |
Notes | p. 297 |
Bibliography | p. 309 |
Index | p. 315 |
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