Musicn Gde Aur Sk 1E V2 w/ CD PA

by Phillips,Joel

• ISBN13: 9780393925593
• ISBN10: 0393925595
• Edition: 1st
• Format: Paperback
• Copyright: 2005-06-10
• Publisher: W. W. Norton & Company

Summary

This two-volume text covers diatonic, chromatic, and contemporary harmony, as well as voice leading, emphasizing practical performance skills by integrating theoretical principles with aural and keyboard skills through coordinated keyboard, sight-singing, dictation, improvisation, and composition exercises. The much-anticipated Musician's Guide series offers a comprehensive four-semester introduction to the skills of complete musicianship, seamlessly integrating theory and analysis, aural training, and performance in one pedagogical program. The Musician's Guide series is divided into two main components, each represented by a core text. While complete enough to be used alone, these dynamic texts are fully coordinated, sharing the same pedagogical approach and structure. Each book relies on a core repertoire of real music that is revisited throughout in a variety of theory- and performance-based contexts. These texts are complemented by a rich collection of learning resources.

Table of Contents

Preface	ix
Part IV Further Expansion of the Harmonic Vocabulary
Tonicizing Scale Degrees Other Than V; Asymmetrical Meters	2	(27)
Key Concepts	2	(5)
Tonicizing New Scale Degrees	2	(4)
Introduction to Asymmetrical Meters	6	(1)
Call and Response	7	(2)
Contextual Listening	9	(12)
Melodies for Study	21	(3)
Improvisation	24	(2)
Team Improvisation	24	(1)
Consequent Phrases That Include Phrase Expansions	25	(1)
Composition	26	(3)
Single-Line Melody	26	(1)
Keyboard-Style Compositions with Roman Numerals and Figured Bass	26	(3)
Modulation to Closely Related Keys; Mixed Beat Divisions	29	(41)
Key Concepts	29	(13)
Modulation	29	(10)
Mixed Beat Divisions: Two Against Three	39	(3)
Call and Response	42	(3)
Creating Modulatory Periods	42	(3)
Contextual Listening	45	(18)
Melodies for Study	63	(3)
Improvisation	66	(2)
Accompanied Melodic Improvisations	66	(2)
Modulatory Periods	68	(1)
Composition	68	(2)
Single-Line Melody	68	(1)
Keyboard-Style Compositions with Roman Numerals and Figured Bass	69	(1)
Binary and Ternary Forms	70	(29)
Key Concepts	70	(5)
The Hierarchy of Form	70	(1)
Binary Forms	71	(2)
Ternary Forms	73	(1)
Composite Form	74	(1)
Call and Response	75	(2)
Contextual Listening	77	(16)
Melodies for Study	93	(2)
Improvisation	95	(1)
Team Improvisations	95	(1)
Composition	96	(3)
Single-Line Melody	96	(1)
Keyboard-Style Compositions	97	(2)
Color and Drama in Composition: Modal Mixture and Chromatic Mediants and Submediants	99	(26)
Key Concepts	99	(4)
Modal Mixture	99	(1)
Notating ``Borrowed'' Chords	100	(1)
Other Types of Altered Chords	101	(2)
Call and Response	103	(2)
Contextual Listening	105	(14)
Melodies for Study	119	(3)
Improvisation	122	(1)
Team Improvisations	122	(1)
Composition	123	(2)
Single-Line Melody: Rounded Binary	123	(1)
Keyboard Trio	124	(1)
Chromatic Approaches to V: The Neapolitan Sixth and Augmented Sixths	125	(25)
Key Concepts	125	(7)
The Neapolitan Sixth Chord	125	(3)
Augmented-Sixth Chords	128	(4)
Call and Response	132	(1)
Contextual Listening	133	(10)
Melodies for Study	143	(3)
Improvisation	146	(2)
Composition	148	(2)
Part V Musical Form and Interpretation
Popular Song and Art Song	150	(24)
Key Concepts	150	(5)
Popular or Art Song?	150	(1)
American Popular Songs	151	(1)
The Blues	151	(1)
Popular-Music Harmonies	152	(1)
Text Painting	153	(1)
Jazz Rhythm	154	(1)
Call and Response	155	(2)
Contextual Listening	157	(12)
Melodies for Study	169	(2)
Improvisation	171	(1)
Team Improvisations	171	(1)
Solo Improvisation	172	(1)
Composition	172	(2)
Variation and Rondo	174	(34)
Key Concepts	174	(4)
Sectional Variations	174	(2)
Continuous Variations	176	(1)
Rondo	177	(1)
Call and Response	178	(1)
Figural Variations	178	(1)
Contextual Listening	179	(24)
Melodies for Study	203	(3)
Improvisation	206	(1)
Continuous Variations	206	(1)
Composition	207	(1)
Sectional Variations	207	(1)
Sonata-Form Movements	208	(26)
Key Concepts	208	(3)
Call and Response	211	(2)
Contextual Listening	213	(16)
Melodies for Study	229	(3)
Improvisation	232	(1)
Composition	232	(2)
Sonata-Form Movement for Piano	232	(2)
Chromaticism	234	(34)
Key Concepts	234	(6)
Common-Tone Embellishing Chords	234	(2)
Chromatic Voice Exchanges and the Chromaticized Cadential 6/4	236	(1)
Chromatic Sequences	237	(3)
Call and Response	240	(1)
Contextual Listening	241	(20)
Melodies for Study	261	(2)
Improvisation	263	(1)
Composition	264	(4)
Ragtime Piece	264	(1)
Instrumental Duet	265	(3)
Part VI Into the Twentieth Century
Modes, Scales, and Sets	268	(20)
Key Concepts	268	(6)
Sounds of the Twentieth and Twenty-first Centuries	268	(6)
Call and Response	274	(1)
Contextual Listening	275	(8)
Melodies for Study	283	(2)
Improvisation	285	(1)
Composition	286	(2)
Music Analysis with Sets	288	(21)
Key Concepts	288	(10)
Identifying Sets	288	(1)
Transposing Sets	289	(2)
Inverting Sets	291	(2)
Interval-Class Vectors	293	(5)
Call and Response	298	(1)
Contextual Listening	299	(6)
Melodies for Study	305	(1)
Improvisation	306	(1)
Duets	306	(1)
Composition	307	(2)
Sets and Set Classes	309	(25)
Key Concepts	309	(6)
Identifying Sets as Members of Set Classes	309	(6)
Call and Response	315	(4)
Contextual Listening	319	(12)
Melodies for Study	331	(1)
Improvisation	332	(1)
Duets with Octatonic Scales and Subsets	332	(1)
Composition	333	(1)
Ordered Segments, Serialism, and Twelve-Tone Rows	334	(30)
Key Concepts	334	(3)
Hearing Pitch Relationships Between Ordered Segments	334	(3)
Call and Response	337	(2)
Contextual Listening	339	(20)
Melodies for Study	359	(2)
Improvisation	361	(1)
Composition	362	(2)
New Ways to Organize Rhythm, Meter, and Duration	364
Key Concepts	364	(5)
Changing Meter	364	(1)
Polymeter	365	(1)
More About Asymmetrical Meters	366	(3)
Call and Response	369	(2)
Contextual Listening	371	(14)
Melodies for Study	385	(2)
Improvisation	387	(2)
Polymetric Duets	387	(2)
Composition	389
Serial Composition	389	(1)
Percussion Duet	389	(1)
Ametric Composition	390
Appendixes	1	(28)
1. Glossary	3	(18)
2. Ranges of Orchestral Instruments	21	(4)
3. Set-Class Table	25	(4)
Credits	29	(2)
Index of Music Examples	31	(2)
Index of Terms and Concepts	33