Musicology and Sister Disciplines Past, Present, Future: Proceedings of the 16th International Congress of the International Musicological Society, London, 1997

by Greer, David; Rumbold, Ian; King, Jonathan

• ISBN13: 9780198167341
• ISBN10: 0198167342
• Format: Hardcover
• Copyright: 2001-02-15
• Publisher: Oxford University Press

Summary

Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. These groundbreaking papers represent the outcome of a major musicological conference in 1997, and include contributions from the philosopher Bernard Williams and world-famous mathematician Roger Penrose.

Table of Contents

Editor's Foreword	xxix
Introduction	1	(8)
Julian Rushton
Part I: Keynote Papers
Scholarship, Authenticity, Honesty	9	(9)
Bernard Williams
The Heritage of Pythagoras: Nineteen to the Dozen	18	(15)
Roger Penrose
Part II: Round Tables
Round Table 1: Perception and Cognition
Brain and Music: An Electrophysiological Approach	33	(14)
Mireille Besson
Pascaline Regnault
Perception of Tonal Pitch Space and Tonal Tension	47	(13)
Lola L. Cuddy
Nicholas A. Smith
The Timing Implications of Musical Structures	60	(11)
Bruno H. Repp
Listening to a Piece of Music: A Schematization Process Based on Abstracted Surface Cues	71	(17)
Irene Deliege
Music and Affect: Empirical and Theoretical Contributions from Experimental Psychology	88	(12)
Carol L. Krumhansl
Strong Experiences of and with Music	100	(9)
Alf Gabrielsson
Siv Lindstrom Wik
Response	109	(2)
John Sloboda
First Response to the Respondent	111	(4)
Eleanor Selfridge-Field
Second Response to the Respondent	115	(3)
Christian Kaden
Round Table 2: Literary Studies
Music and Narrative in Recent Theory	118	(11)
Christopher Butler
`All Russian Music is So Sad': Two Constructions of the Russian Soul, through Literature and Music	129	(10)
Marina Frolova-Walker
Drowning in Music: Ophelia's Death and Feminist Hermeneutics	139	(15)
Heather Hadlock
The Study of Medieval Music: Some Thoughts on Past, Present, and Future	154	(15)
Susan Rankin
The Music of Rhetoric	169	(10)
Elaine Sisman
Round Table 3: Directions in Musicology
Statement	179	(6)
Andrew Dell' Antonio
Statement	185	(6)
Stefano Castelvecchi
Response	191	(4)
Margaret Bent
Response	195	(10)
Suzanne G. Cusick
Response	205	(4)
Annegret Fauser
Response	209	(9)
Ralph P. Locke
Response	218	(3)
Jurg Stenzl
Response	221	(5)
Rose Rosengard Subotnik
Closing Remarks	226	(2)
Andrew Dell' Antonio
Closing Remarks	228	(2)
Stefano Castelvecchi
Round Table 4: Historiography
Music Historiography, Critical Theory, and Other Tales	230	(9)
John Deathridge
The Problem of the French Revolution in Music Historiography and History	239	(12)
Michael Fend
Difficolta della storiografia dell' opera italiana	251	(12)
Fabrizio Della Seta
Collapsing the Dialectic: The Enlightenment Tradition in Music and its Critics	263	(10)
Reinhard Strohm
Round Table 5: Sociology
Music and Sociology: Perspectives, Horizons	273	(15)
Christian Kaden
Ethnomusicology and Music Sociology	288	(11)
Philip V. Bohlman
Musical Practices and Hidden Musicians: A Perspective from Sociology and Anthropology	299	(10)
Ruth Finnegan
Music from an Anthropological Perspective	309	(11)
Volker Kalisch
From Music-Makers to Virtual Singers: New Musics and Puzzled Scholars	320	(11)
Tullia Magrini
Music and Cultural Practices	331	(11)
Peter J. Martin
The Sociology of Music as Self-Critical Musicology	342	(14)
Mario Vieira de Carvalho
Bibliography	356	(11)
Round Table 6: Philosophy
New Music and Philosophy	367	(11)
Lewis Rowell
`Absolute Music' and the `New Musicology'	378	(11)
Peter Kivy
Signs and Transcendence	389	(12)
Eero Tarasti
`Authenticity', `Interpretation', and `Practice': Probing their Limits	401	(8)
Ruth Katz
Response: Four Philosophies of Musical Interpretation	409	(9)
Naomi Cumming
Round Table 7: Cultural Politics
Musicology and Sexuality: The Example of Edward J. Dent	418	(10)
Philip Brett
Beethoven's Ironies	428	(11)
Arthur Nestrovski
Ethnography, Ethnomusicology, and Post-White Theory	439	(18)
Deborah Wong
Part III: Reports on Study Sessions
Music in Tuscany: Past Research and Future Projects	457	(3)
Carolyn Gianturco
The Circulation of Music in Europe 1700-1850	460	(3)
Rudolf Rasch
Music and/as Ethics	463	(1)
The Dating and Chronology of the Works of Josquin des Prez	464	(3)
Eric Jas
a Musicology, Popular Music Studies, and Political Economy; 5b Musicology, Popular Music Studies, and Cultural Geography; 29 Musicology, Popular Music Studies, and the Interpretative Sciences	467	(6)
Dai Griffiths
Berlioz et autour de Berlioz: Un artiste en son temps	473	(3)
Peter Bloom
Portuguese Musical Outreach: Five Centuries	476	(3)
Robert Stevenson
Research in Music Performance: New Methods and Tools	479	(2)
Jose Bowen
Feminist Epistemologies in Ethnomusicology	481	(2)
Elizabeth Tolbert
Musicology and Biography	483	(3)
Philip Olleson
Opera Orchestras in Eighteenth-and Nineteenth-Century Europe	486	(3)
Franco Piperno
The Early Violin	489	(2)
Peter Walls
Auditory Scene Analysis: Future Directions for Musicological Research	491	(2)
Maria Anna Harley
Chant and Liturgy: Compositional Planning in Liturgical Chant	493	(3)
Roman Hankeln
Music Iconography: Transmission and Transformation of Symbolic Images	496	(2)
Ann Buckley
Repertory and Canon: The Dynamics of Canon Formation, 1700-1870	498	(3)
William Weber
Perspectives on Instrumental Music of the Late Fifteenth and Early Sixteenth Centuries	501	(3)
John Kmetz
Keith Polk
Theatrical Dance and Music, 1650-1850	504	(3)
Sarah McCleave
British Music since Britten	507	(2)
Alastair Borthvick
Semiotics, Structural Semantics, Rhetoric: Musical Language Sciences in Contemporary Musicology	509	(3)
Marta Grabocz
Interpreting Performance: Chopin-Playing in Perspective	512	(3)
John Rink
Theorizing the Transnational	515	(2)
Ingrid Monson
Sense and Sonority in Aquitanian Polyphony and the Conductus	517	(1)
The Evolution of Musical Instruments	518	(3)
Laurence Libin
Der Mensuralcodex St Emmeram (Clm 14274): Eine zentrale Quelle fur die Musik Mitteleuropas im 15. Jahrhundert und ihre musikalischen, liturgischen, und theologischen Voraussetzungen	521	(2)
Bernhold Schmid
Opera et melodrame en France, 1800-30: Une enquete sur les genres	523	(3)
David Charlton
Music, Politics; and Patronage in Spanish and Portuguese Dominions in the Early Modern Period	526	(2)
Michael Noone
Chant and Analysis: Where Are We, and Where Do We Go Now?	528
Barbara Haggh
Musicology, Popular Music Studies, and the Interpretative Sciences. See under 5a	468	(62)
Musical Data and Computer Applications	530	(2)
John B. Howard
Keyboard Organology: Past, Present, and Future	532	(3)
John Koster
Kulturelle Traditionen in Mitteleuropa: Musikleben zwischen Zentralismus und regionaler Spezifik am Beispiel der Rolle von Vereinen	535	(3)
Cornelia Szabo-Knotik
Implications for Mainstream Musicology of Recent Research in Music Cognition	538	(3)
Richard Parncutt
La vie musicale sous Vichy, 1940-1944	541	(3)
Myriam Chimenes
Chant and Palaeography	544	(1)
Charles T. Downey
Music between East and West: The Work of Lutoslawski, Penderecki, and Gorecki in the Context of Culture and History	545	(3)
Mieczyslaw Tomaszewski
Musicology and Art History	548	(4)
Tilman Seebass
Theorizing Mixed Media	552	(3)
Nicholas Cook
`To the Ends of the Earth': Refugee Musicians in East Asia and Latin America, 1933-1945	555	(2)
Horst Weber
The History of the Papal Chapel	557	(3)
Richard Sherr
Rapporti tra testo, musica e scena nello spettacolo a Napoli nel Settecento	560	(2)
Franco Carmelo Greco
The Early Sixteenth-Century Organ in England: Its Form, Music, and Place in the Liturgy	562	(3)
John Harper
Contexts for Brass: History, Performance, Culture	565	(3)
Jeffrey Nussbaum
Race and Culture in the Aesthetics of William Grant Still (1895-1978)	568	(3)
Catherine Parsons Smith
Redefining the Low Countries	571	(2)
Karl Kugle
Recent Mozart Research and Der neue Kochel	573	(2)
Neal Zaslaw
Music, Healing, and Culture: Towards a Comparative Perspective	575	(3)
Penelope Gouk
Fascism and Music	578	(2)
Karen Painter
New Methods, New Visions: Computational Initiatives for a New Millennium	580	(5)
John B. Howard
Part IV: Abstracts of Free Papers
Session 1: Liturgy and Homiletics
The Emerging Chant Repertory in Early Roman Sermons and Commentaries (Fifth-Seventh Centuries)	585	(1)
Peter Jeffery
The Influence of Homiletic and Exegetical Literature on the Fleury Lament of Rachel	585	(1)
Susan Boynton
Le vocabulaire de la psalmodie dans la Regle de St Benoit, a la lumiere des donnees musicales traditionnelles	586	(1)
Olivier Cullin
How to Build an Alleluia	586	(1)
Mitchell P. Brauner
History and Liturgy: The Historia of Thomas Becket	586	(1)
Kay Brainerd Slocum
Session 2: The Historiography of Early Music
Towards a Theory of Musical Patronage in the Renaissance and Baroque Eras: A Proposal between Anthropology and Semiotics	587	(1)
Claudio Annibaldi
Inaudible Efforts, Labeur des doigts, and the Monumentalizing Impulse: Towards a Sociology of Musical Auctoritas in Francophone Europe, 1200-1600	587	(1)
Sebastian Klotz
Music in Seventeenth-Century Emblem Books: Mass Manipulation of Cultural Values	588	(1)
Linda Phyllis Austern
Artusi's Rage: Fear and Loathing in the Prima prattica	588	(1)
Vivian S. Ramalingam
`Enemies of Love': Staging Female Excess in Monteverdi's Il ballo delle ingrate	589	(1)
Bonnie Gordon
A Jungian Perspective on Monteverdi's Late Madrigals	589	(1)
Jeffrey Kurtzman
Session 3: Eighteenth-Century Opera
The Rhetoric of the Enlightened Hero: Gender and Operatic Reforms in Early Eighteenth-Century Italy	590	(1)
Wendy Heller
Les editions parisiennes de livrets d' operas et leur contrefacon bruxelloise dans la seconde moitie du XVIIIe siecle	590	(1)
Marie Cornaz
Trembley's Polyp and the Natural History of Opera buffa	590	(1)
Wye J. Allanbrook
Alfieri and the Transformation of Opera seria	591	(1)
Marita P.McClymonds
The London Opera of Joseph Haydn: Loss, Lament, and Lieto fine	591	(1)
Caryl L. Clark
Session 4: Broadcasting and the Media
Opera Studies, Film Studies: Gounod's Faust and the History of Early French Cinema	592	(1)
Rose M. Theresa
`A Spectre-World Cuts Through our Space': Early German Radio Criticism and the Listening Subject	592	(1)
Nathan E. MacBrien
Union Radio: Musica, communicacion e ideologia	592	(1)
Julio Arce Bueno
La zarzuela como material ideologico en el cine y la television 1940-70	593	(1)
Juan P. Arregui
New Music on the New Third: Exploring BBC Music Policies and Practices in the Post-War Decade	593	(1)
Jenny Doctor
When Teaching Ten Thousand was Not Enough: E. Azalia Hackley and African-American Music Journalism	594	(1)
Juanita Karpf
Session 5: Early Polyphony
Is it Polyphony?	594	(1)
Manuel Pedro Ferreira
The Medieval Motet in Occitania and the `Occitanian' Motet	594	(1)
Elizabeth Aubrey
The Study of Pigments in Medieval Manuscripts	595	(1)
Mary E. Wolinski
Secular-Song Tenors and the Fourteenth-Century Motet	595	(1)
Alice V. Clark
Added Contratenors in the Ballades of Guillaume de Machaut	596	(1)
Elizabeth Leach
Session 6: The Sixteenth-Century Tradition
Sacred Music at the Court of Fernando de Aragon, Duke of Calabria: The Context of Barcelona MS 1166/1967 and a `Parody' Mass on Josquin's Inviolata	596	(1)
Bernadette Nelson
Laura, L'aura, Laurels: Strategies of Multiplication in Petrarch and Marenzio	596	(1)
Luminita Aluas
Carnival and Carne vale: Orlando di Lasso and Roman Courtesans	597	(1)
Donna Cardamone Jackson
Music in the Tragedia spirituale	597	(1)
Laura Macy
The Masses Salve regina and O magnum misterium: New Light on Victoria's Parody Technique	597	(1)
Eugene Casjen Cramer
Session 7: Analysis of Nineteenth-Century Music
Registral Direction and Melodic Implication	598	(1)
Zohar Eitan
An Exegesis of the Kyrie from Beethoven's Mass in C, Op. 86	598	(1)
Jeremiah W. McGrann
Nineteenth-Century Hallmark, Theoretical Problem: Third Relations in Schubert's `Unfinished' and Beethoven's `Waldstein'	599	(1)
Suzannah Clark
Rossini as Master of Instrumental Composition: Bonifazio Asioli's Analysis of the Sinfonia from La Cenerentola	599	(1)
Peter A. Hoyt
Brahms the Autumnal: Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 No.5	599	(1)
Frank Samarotto
Session 8: Methodologies
Ethnomusicologies of the West: Questions of Perspective and Scope	600	(1)
Jonathan Stock
American Musicology and `The Archives of Eden'	600	(1)
Harry White
Problems in the Application of Linguistic/Semiotic Principles to Music	601	(1)
Suk Won Yi
Music in Action: The View from Sociology	601	(1)
Tia DeNora
Queen Elisabeth of Belgium, the A-Bomb and Einstein's Violin: About Pacificism, Pantheism, and the Passion for Music	602	(1)
Willem Erauw
Session 9: The Fifteenth-Century Tradition
The Wedding of Pious and Profane: A Cultural Context for the Chanson Mass	602	(1)
M. Jennifer Bloxam
Musical Life at the Collegiate Church of Saint-Omer, Northern France, c.1460-1504	602	(1)
Andrew Kirkman
The Meaning of Okeghem's Intemerata dei mater	603	(1)
Jeffrey Dean
Obrecht's Anchises: Virgilian Allusion in Mille quingentis	603	(1)
Sean Gallagher
The Controversial Identity of an Iberian Poet-Musician of the Renaissance: `Badajoz el musico'	604	(1)
Emilio Ros-Fabregas
Session 10: Baroque Sacred Music
Music in the Cathedral of Manila: Evidence for the First Two Centuries from the Archdiocesan Archive	604	(1)
William Summers
Modelos de financiacion de musica en las catedrales espanolas: Formas e implicaciones	604	(1)
Javier Suarez-Pajares
Music, Ritual, and the Writings of Teodosio Herrera y Bonilla (1652-1734)	605	(1)
Greta J. Olson
The Sounding City: Urban History and Music in Baroque Jaen	605	(1)
Miguel-A. Marin
Iconografia musical en la tarasca barroca madrilena: Algunos ejemplos representativos	605	(1)
Alicia Gonzalez de Buitrago Garcia
The Interior-Exterior Duality in the Performances of the Musical Ensembles of Granada: Non-Salaried Posts and Extravagantes Performances	606	(1)
Juan Ruiz Jimenez
Session 11: Music and Society in the Nineteenth Century
Salon, Gender, and Musical Culture in Sweden around 1800	606	(1)
Eva Ohrstrom
Chladni as Musician Manque	607	(1)
Kathryn L. Reichard
Byron and the Poetics of Berlioz's `Harold' Symphony	607	(1)
Janet Johnson
`Musica sabia': The Reception of Classical Music in Madrid (c.1830-1870)	607	(1)
Judith Etzion
Four-Hand Transcription: Changing Performing Spaces and Genres	608	(1)
Thomas Christensen
Early Nineteenth-Century Virtuosity and its Public: Power, Gender, and Class in the Concert Hall	608	(1)
James A. Deaville
Session 12: New Music
The Visual Language of American Experimental Music	609	(1)
Nancy Perloff
Roland Barthes's `Text' and Aleatory Music: Is the `Birth of the Reader' the Birth of the Listener?	609	(1)
Jeongwon Joe
Imploding the System: Kagel and the Deconstruction of Modernism	609	(1)
Paul Attinello
Can Literary Criticism Contribute to the Study of Musical Borrowing? The Case of Twentieth-Century Italian Music	610	(1)
Susanna Pasticci
An Object-Orientated Analysis of Twentieth-Century Piano Music	610	(1)
Didier Guigue
Musical-Historical Conceptions in the Light of the Systematic Approach	611	(1)
Elena Markova
Vladimir Mironov
Session 13: Early Theory and Music
Law as a Sister Discipline of Music in the Middle Ages and Renaissance	611	(1)
C. Matthew Balensuela
Time out of Time: Eternity as a Thirteenth-Century Philosophical Issue Exemplified in Music	611	(1)
Nancy van Deusen
Ordo naturalis in Eleventh-Century Theoretical Systems	612	(1)
Gabriella Ilnitchi
Glosses on Music and Grammar and the Advent of Music-Writing in the West	612	(1)
Charles M. Atkinson
Session 14: Music and Society Around 1700
Carnival, Commedia dell' arte and the Paris Opera in the Late Years of the Sun King, 1697-1710	613	(1)
Georgia Cowart
Musicians, Amateurs, and Collectors: Early French Auction Catalogues as Musical Sources	613	(1)
Albert Cohen
Queen Marie Leczinska as Patron of Music: Opera and Chamber Music at the Court of Louis XV	613	(1)
M. Elizabeth C. Bartlet
The Personal Network: A Sociological Approach to `Imported' Villancico Texts and Music Supply at Segovia Cathedral (1650-1700)	614	(1)
Pablo-L. Rodriguez
Collecting and Enlightenment: Musical Instruments in the Natural History Cabinet of Charles III of Spain (1759-88)	614	(1)
Cristina Bordas
Session 15: Nineteenth-Century Topics
Virtue, Reform, and `Pure' Music in Second Empire Paris	615	(1)
Michael Strasser
Felix Mendelssohn Bartholdys geistliche Vokalmusik: Ein Versuch ihrer chronologischen und stilistischen Einordnung	615	(1)
Hiromi Hoshino
The Stornello and its Popularity in Ottocento Italy	615	(1)
Roberta Montemorra Marvin
Apocalypse (Now?): Politics in the Sacred Music of Johannes Brahms	616	(1)
Daniel Beller-McKenna
Orientalism in Borodin's Prince Igor	616	(1)
Firoozeh Khazrai
Canonizing the Dutchman: Wagnerism and Der fliegende Hollander	617	(1)
Stephen McClatchie
Session 16: Technology and Systematic Musicology
Music and Technology	617	(1)
Frank Pecquet
Did Greco-Roman Hydraules have Keyboards?	617	(1)
Eugene L. Szonntagh
The Applicability of Psychological Methods in the Study of Musical Rhythm	618	(1)
Youn Kim
Acoustique musicale et musicologie: L'apport de l' outil acoustique dans l' analyse perceptive	618	(1)
Marie-Cecile Barras
Stochastic Analysis and Music Predictability	618	(1)
Mario H. A. Koppers
Cognitive-Perceptual Effects in Music: Shepard Tones and the Canon per tonos from J. S. Bach's Musical Offering	619	(1)
Denis Collins
Andrew Schloss
Session 17: Gluck and Eighteenth-Century Aesthetics
Retorica e tragedia per musica: L'Iphigenie en Aulide di Gluck (1774)	619	(1)
Alessandra Martina
Gluck's L'Iphigenie en Aulide (1774-5): Reception and Revision	620	(1)
Daniel Heartz
Les reveries renouvelees des Grecs: Facture, Function, and Performance Practice in a Vaudeville Parody of Gluck's Iphigenie en Tauride (1779)	620	(1)
Bruce Alan Brown
Gluck in the Age of Living Reproduction: Fin-de-siecle Critics Speak on `Antiquarian' Opera	620	(1)
Sheryl Zukowski
Romantic Music Aesthetics and its Literary Origins in the Writings of Karl Philipp Moritz	621	(1)
Monika Hennemann
Gothic Architecture and Baroque Polyphony: A Romantic Blend	621	(1)
James Haar
Session 18: The Eighteenth-Century Tradition
Rediscovered East-European Sources of Hasse's Sacred Music	622	(1)
Ernest Harriss II
Reading the Metre: Verse Forms in Oratorio Librettos written for Handel by Charles Jennens and Thomas Morell	622	(1)
Donald Burrows
Musicology, Politics, and Heraldry: The Te deum: A `State Motet' at the Time of Louis XIV and Louis XV	622	(1)
Jean-Paul Montagnier
Riepel, Leibniz, and the Ars combinatoria in Seventeenth-and Eighteenth-Century Musical Thought	623	(1)
Stefan Eckert
Session 19: Early Twentieth Century
Musical Symbolism in the Operas of Debussy and Bartok	623	(1)
Elliott Antokoletz
`Loneliness' and `Love': The Literary Context of Bela Bartok's Bluebeard's Castle	624	(1)
Judit Frigyesi
David: Stravinsky's Music-Hall Ballet	624	(1)
Thomas P. Gordon
`Schonberg ist Theosoph': Anmerkungen zu einer wenig beachteten Beziehung	624	(1)
Beat A. Follmi
Schonbergs Vortragsideal rekonstruiert anhand einer Quelle zu Op.10	625	(1)
Hermann Danuser
Objectifs et methodes d'une hermeneutique de la creation et de la reception musicales	625	(1)
Christian Hauer
Session 20: Ethnology
Interrogating Musicological Otherness in India: Ma'dan-ul-Mausiqi as a `Mine' of Music History	626	(1)
Regula Burckhardt Qureshi
`White Facts about Blacks': Interculturalism, Music Education, and Identity in South Africa	626	(1)
Eduardo Correia
Der Tonartbegriff in der traditionellen turkischen Musik	627	(1)
M. Erturul Bayraktarkatal
Oral Traditions and Performance Practices in the Encyclopedia Jiu gong da chen nan bei ci gong pu, a Collection of Southern and Northern Chinese Songs	627	(1)
Lulu Huang Chang
Objectification of Music and the `Domination of Nature' (Naturbeherrschung): T.W. Adorno's Theory in the Light of Comparative Music Aesthetics	627	(1)
Ayako Tatsumura
The Body in Music	628	(1)
Ramon Pelinski
Session 21: Renaissance Source Studies
Identifying Composer Autographs in Pre-1600 Manuscripts	628	(1)
Jessie Ann Owens
In the Workshop of a Late-Medieval Editor: Johannes Martini and the Manuscript I-MOe α.M.1.13	628	(1)
Murray Steib
The Structure of the Chigi Codex: An Enigma Resolved	629	(1)
Fabrice Fitch
Who is Katherine? The Women of the Berg & Neuber-Gerlach-Kauffmann Printing Dynasty	629	(1)
Susan Jackson
The Printing of the Novum et insigne opus musicum (RISM 1537/1 and RISM 1538/3)	630	(1)
Royston Gustavson
Parthenia: A Paradigmatic Epithalamion	630	(1)
Janet Pollack
Session 22: Opera Around 1700
Comision nobiliaria en la circulacion de la opera italiana en Iberoamerica en los primeros anos del siglo XVIII	630	(1)
Annibale Cetrangolo
A New Source of Seventeenth-Century Spanish Theatre Music from Mexico City	631	(1)
John Koegel
Between the Market and the Public Institution: The First Spanish Opera Company in the Commercial Theatres in Madrid during the Eighteenth Century	631	(1)
Jose-Maximo Leza
Italian Opera and/in Spanish Theatres: Francesco Corradini in Valencia (1727-31)	632	(1)
Andrea Bombi
Sacrilege, Power Politics, and Lese-majeste: The Political Uses of Opera in Eighteenth-Century Gustavian Sweden	632	(1)
Bertil H. van Boer, Jr
Session 23: Twentieth-Century Topics
(Musical) Jugendstil Revisited: Interspecific Conceptual Modelling and the Turn-of-the-Century Peripheral Artsong	633	(1)
Zoltan Roman
The Piano in Gustav Mahler's Um Mitternacht: Invention or Error?	633	(1)
Sue Plumlee Taylor
To the Jew a Foreign Tongue: Mahler's Orchestration as a Sign of Difference	633	(1)
K. M. Knittel
Machine Music	634	(1)
Hugh Macdonald
Rose R. and Emilia Marty: The Representation of the Human Experience of Time in Janacek's The Makropoulos Affair	634	(1)
Francis Maes
Magic, Ritual, and Mystery in the Poetic Conception of Manuel de Falla's Music	635	(1)
Michael Christoforidis
Session 24: Jazz and Pop
What is Jazz, and How Might Scholars Write About It?	635	(1)
Barry Kernfeld
As Fats Waller Tells It: It's a Sin to Tell a Lie	635	(1)
Paul S. Machlin
`We are Not Hurdy-Gurdies': Musicians in a Changing Music World	636	(1)
Philomeen Lelieveldt
Operatic Intersections with Rock Music: Popularizing Opera	636	(1)
Ken McLeod
Punk, Funk, Dub, and Disco: British Post-Funk and the Avant-Garde Groove	637	(1)
Theo Cateforis
Session 25: Seventeenth-Century Topics
Music and Military Virtue in Early Modern France: The Equestrian Ballet	637	(1)
Kate van Orden
Guido Casoni (d.1642) on Love as Music, a Theme for All Seasons	638	(1)
Don Harran
Music of Devotion in Counter-Reformation Rome: Borboni's Musicali concenti	638	(1)
Kimberlyn Montford
Behind the Dragon's Mask: Hidden Political Music of the Restoration	638	(1)
Jo Ann Taricani
Baroque, musique, litterature: La nouvelle espagnole du XVIIe siecle, genre litteraire et source musicologique	639	(1)
Maria Sanhuesa Fonseca
Session 26: Eighteenth-Century Instrumental Music
The String Quartets of Franz Asplmayr and their Relationship to the Development of Haydn's String-Quartet Style	639	(1)
Dennis C. Monk
Trumpets, Feldmusik, Continuity, and Hierarchy: Music and the Imperial Procession during the Reign of Maria Theresia	640	(1)
Janet Page
Empress Marie Therese of Austria as Musician and Musical Patron	640	(1)
John A. Rice
The Hofkapelle under Joseph II and Mozart's Appointment	640	(1)
Dorothea Link
Title, Function, and the Concept of Genre: The Earliest `True' Symphonies	641	(1)
Eugene K. Wolf
Session 27: Nineteenth-Century Opera
Bellini and his Music as Political Symbol	641	(1)
Denise P. Gallo
Mimesis and Hysteria in La muette de Portici	642	(1)
Mary Ann Smart
Issues in the Reception of Meyerbeer's Les Huguenots	642	(1)
Kerry Murphy
Music-Literature-Theatre-History: A New Approach to Nineteenth-Century Czech Opera	642	(1)
Jarmila Gabrielova
`Che bella cosa scrivere a tre voci': Verdi's Use of the Trio Form (Musical, Dramatic, and Aesthetic Conception)	643	(1)
Ursula Kramer
Beyond Exoticism: Cio-Cio-San's Screen and the `Uses of Convention'	643	(1)
Helen Greenwald
Session 28: Transnationalism
Musicology and Missiology	644	(1)
Ann L. Silverberg
Chinese Politics and Western Musicians in China: A Reflection on Contemporary Exchanges versus Experiences of the Eighteenth-Century Musician-Priests	644	(1)
Joyce Z. Lindorff
The Iwakura Mission's Encounters with Western Music and their Consequence	644	(1)
Tatsuhiko Itoh
Russian Roots, American Branches: Music in Cognate Cultures	645	(1)
Margarita Mazo
The History of German-Russian Musical Contact: German Musical Families in St Petersburg from the Second Half of the Nineteenth Century to the Beginning of the Twentieth	645	(1)
Janna Kniazeva
Session 29: Hildegard of Bingen
Interdisciplinary Objects: The Case of Hildegard of Bingen	646	(1)
Honey Meconi
Rhetorical Chant? The Relationship between Music and Text in the Repertory of Hildegard of Bingen	646	(1)
Catherine Jeffreys
Hildegard's Ordo virtutum: Musical Rhetoric and Monastic Education	647	(1)
Margot Fassler
Session 30: Early Dance
Would You Like to Dance this Frottola? Choreographic Concordances in Two Early Sixteenth-Century (Tuscan?) Sources	647	(1)
Barbara Sparti
The Travelling Dance-Band: Patterns of Transmission of Dance and Music in Fifteenth-Century Europe	647	(1)
Jennifer Nevile
The Myth of Stylized Dance	648	(1)
G. Yvonne Kendall
Session 31: Early Twentieth-Century USA
Revising Ives	648	(1)
Philip Lambert
DuBose Heyward's Drafts for the Porgy Story as Cultural Politics	648	(1)
John Andrew Johnson
Ruth Crawford Seeger and John Cage: New Connections between Two American Originals	649	(1)
Teresa Davidian
Session 32: Early Twentieth-Century France
The Symphony as Political Tool in Early Twentieth-Century France	649	(1)
Brian J. Hart
French Political Ideology as `Performative Context': The Concert by World War I	650	(1)
Jane F. Fulcher
Poulenc and the Painters: The Influence of Art and Artists on his Life and Music	650	(1)
Carl B. Schmidt
Session 33: Renaissance Theory
On the One and the Many: Conflicting Ontologies of Sound in Late Fifteenth-Century Music Theory	651	(1)
Leonora Saavedra
Musica theorica und Musica practica im Licht der Studia humanitatis: Astronomie und Medizin als Grundlage und Rechtfertigung fur Franchinus Gaffurius' Proportionendenken	651	(1)
Walter Kurt Kreyszig
Compositio levis et utilis: Simple Formulas as Substitutes for Counterpoint Studies in the Teaching of Composition around 1500	652	(1)
Dietrich Helms
Zwischen der Musiktheorie und Poetik der Renaissance: Decorum	652	(1)
Ryszard J. Wieczorek
Glareanus and Vasari: Two Competing Views of Historical Progress from Late Renaissance Europe	653	(1)
Stefano Mengozzi
Theories, Proof, and Dissent in Spanish Music Theory, 1508-77	653	(1)
Wolfgang Freis
Session 34: Schubert and Song
Schubert Iconography: New and Problematic Issues	653	(1)
Eva Badura-Skoda
Franz Schubert and the Liederspiel: From the Kosegarten Cycle to Die schone Mullerin	654	(1)
Morten Solvik
Schubert's Activities in the `Unsinnsgesellschaft' (1817-18): New Literary and Iconographical Documents	654	(1)
Rita Steblin
Schubert's Free Verse Setting	655	(1)
Jurgen Thym
Die Gedichte der schwabischen Dichterin Friederike Robert in den Vertonungen von Fanny Hensel	655	(1)
Annegret Huber
Performing Purcell's Mad Bess' in Late Eighteenth-and Early Nineteenth-Century England	655	(1)
Robert Toft
Session 35: Music and Literature: Twentieth Century
Indagando la musicalita della poesia di Gabriele d'Annunzio: Il Poema paradisiaco	656	(1)
Marco della Sciucca
Faustus, Mephistopheles...and Gretchen? The Significance of Thomas Mann in the Music of Luigi Dallapiccola 1947-55	656	(1)
Raymond Fearn
Ghost Trio: Musik in Samuel Becketts dramatischem Spatwerk	657	(1)
Michael Maier
`Es lebe Kulturkampf!': Polish Parody Songs from Nazi Concentration Camps	657	(1)
Barbara Milewski
Bret Werb
At Home and Abroad: The Critical Reception of Ethel Smyth's Operas in England and Germany	657	(1)
Elizabeth Kertesz
Alexander Mikhailov as Musicologist	658	(1)
Larissa Kirillina
Session 36: Nationalism
General Histories of Music and the Place of the European Periphery	658	(1)
Melita Milin
Baltic Music-History Writing: Problems and Perspectives	659	(1)
Urve Lippus
La revision de Boris Godounov par le compositeur letton Melngailis (1924): Premiers elements sur une version inconnue de l'opera de Moussorgski	659	(1)
Jean-Marie Jacono
Arnolds Klotins
Some Premisses for the Study of Peripheral Musical Nationalism in the Twentieth Century: Fernando Lopes-Graca and the Problem of Tradition in Contemporary Portuguese Music	659	(1)
Teresa Cascudo
How Musicological and Ethnomusicological is Spanish Flamenco?	660	(3)
Joaquina Labajo
Part V: Abstracts of Poster Sessions
Session 1: Analytical Applications
The Antiphons for the Consecration of Virgins and the Changing Role of Plainchant in the Middle Ages	663	(1)
James Borders
Computer Applications to Sketch Studies: A Database with Image Access for Berg's Sketches for Wozzeck	663	(1)
Patricia Hall
William Koseluk
Multimedia Environments for the Study of Musical Structure	663	(1)
Daniel C. Jacobson
Knowledge-Based Simulations: Technological Tools for Music Research	664	(1)
Deron L. McGee
Toward a Model for Background Motivic Structure	664	(1)
Michael Schiano
Computer Applications and Visual Aids for a Historically Orientated Structural Analysis of Pitches	665	(1)
Rainer Zillhardt
Session 2: New Computer Applications in Musicology
POCO: Tools for Analysing, Modifying, and Generating Performance Expression in Music	665	(1)
Peter Desain
Henkjan Honing
An Adaptive Optical Music Recognition System	666	(1)
Ichiro Fujinaga
Music, Memory, and Time	666	(1)
Petri Toiviainen
Mauri Kaipainen
A Parallel Processing Key-Finding Model: Structure and Applications	666	(1)
Piet G. Vos
Erwin W. Van Geenen
Session 3: Databases
Lessico italiano della didattica vocale	667	(1)
Sergio Durante
Villanelle alla napolitana e canzonette all romana	667	(1)
Marco Giuliani
RISM A/II CD-ROM	668	(1)
Klaus Keil
Hispanic Music Archive and Library Project	668	(1)
Paul R. Laird
Coleccion musical `Fondo Canuto Berea' (archivo y partituras) de la Biblioteca de la Diputaccion Provincial de La Coruna (Espana)	668	(1)
Dolores Liano Pedreira
An Antiphonal from Kranj: Analytical Approach to its Contents	668	(1)
Jurij Snoj
The Grey Collection of the South African Library, Cape Town: Studies of Western Plainchant Sources in South Africa	669	(1)
Carol Steyn
Morne Bezuidenhout
Session 4: Multimedia
Shepherd-Musicians in Catalano-Aragonese Iconography from the Fourteenth and Fifteenth Centuries	669	(1)
Jordi Ballester
How did Harry James Make us Love him?	670	(1)
Michael Meckna
The Third Symphony of Gustav Mahler: Ballet by John Neumeier	670	(1)
Robert Riggs
Mary Riggs
Music Criticism Today	671	(1)
Michael Saffle
The Duangong: A Qiang Shaman	671	(2)
Emma Zevik
Chen Zhong
Acknowledgments	673	(2)
Index of Contributors	675