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9781573229081

My Dream of You

by
  • ISBN13:

    9781573229081

  • ISBN10:

    1573229083

  • Edition: Revised
  • Format: Paperback
  • Copyright: 2002-02-05
  • Publisher: Riverhead Trade

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Summary

This compelling novel by Nuala O'Faolain intertwines the stories of two women, an Irish travel writer living in present-day London, and a British landowner's wife during the 19th century potato famine, who was convicted of committing adultery with an Irish groom. "A lovely heartbreaker of a novel that asks the hard questions...O'Faolain writes beautifully about longing and regret." (USA Today) "We often hail the virtuosic performance of a talented new 'writer's writer,' but O'Faolain may be a rarer thing in today's age of irony: a reader's writer, with a flair for straightforward, Dickensian storytelling." (Vogue) "One of the finest achievements of the book is its unflinching, empathetic depiction of just how it feels...to experience the chill clutch of the thought that the rest of one's life might be empty of love, sex, intimate human contact...a fully rendered portrait." (The New York Times Book Review)

Author Biography

Nuala O'Faolain is the author of the #1 New York Times bestselling memoir Are You Somebody? A columnist for the Irish Times, she as also worked as a producer for the BBC.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

1. By the time I was middle-aged I was well defended against crisis, if it came from outside. I had kept my life even and dry for a long time. I'd been the tenant of a dim basement, half-buried at he back of the Euston Road, for more than twenty years. I didn't like London particularly, except for the TravelWrite office, but I didn't see much of it. Jimmy and I, who were the main writers for the travel section of the NewsWrite syndicate, were on the move all the time. We were never what you'd call explorers; we never went anywhere near war or hunger or even discomfort. And we wrote about every place we went to in a cheerful way: that was the house rule. But we had a good boss. Even if it was the fifth "Paris in Springtime" or the third "Sri Lanka: Isle of Spices," Alex wouldn't let us get away with tired writing. Sometimes Jimmy accused him of foolish perfectionism, because every TravelWrite piece was bought immediately anyway. But having to please Alex was good for us. And then, people do read travel material in a cheerful frame of mind, imagining themselves at leisure and the world at its best. It's an intrinsically optimistic thing, travel. Partly because of that, but mostly because Alex went on caring, I liked my work. I even liked the basement, in a way, in the end. I don't suppose more than a handful of people ever visited it, in all the time I was there. Jimmy was my close friend and since he'd come to Travel-Write from America he'd lived twenty minutes away, in Soho, but we'd never been inside each other's places. It was understood that if one of us said they were going home, the other didn't ask any questions. Once, early on, he said he was going home, and I happened to see, from the top of the bus, that he had stopped a taxi and was in fact going in the opposite direction. After that, I deliberately didn't look around when we parted. Anyway, my silent rooms were never sweetened by the babble the two of us had perfected over the years. And for a long time, there hadn't been anyone there in the morning when I woke up. Sex was a hotel thing. I don't think I'd have liked to disturb the perfect nothingness of where I lived. Then a time came when I began to lose control of the evenness and the dryness. I was waiting for my bag in the arrivals hall at Harare airport when I fell into conversation with the businessman in the exquisite suit who was waiting beside me. Favorite airlines, we were chatting about. Royal Thai executive class is first-rate, he said. Ah, don't tell me you fall for all that I-am-your-dusky-handmaiden stuff, I laughed at him. Those girls really know how to please, he went on earnestly, as if I hadn't spoken at all. And there was a porter with gnarled bare feet asleep on the baggage belt, and when it started with a jolt the poor old man fell off in front of us, and all the businessman did was step back in distaste and then take out a handkerchief and flick it across the glossy toe caps of his shoes as if they'd been polluted. But I accepted his offer of a lift into town, all the same. We were stopped for a moment at a traffic light beside a bar that was rocking with laughter and drumming. They're very musical, the Africans, he said. Great sense of rhythm. Just what are you doing, I asked myself, with Mr. Dull here? I half-knew; no, quarter-knew. But if nothing more had happened I would never have given it a conscious thought. Men can't allow themselves that vagueness. At his hotel he said, Would you like to come in for a drink? Or would you like to come up to the room while I freshen up? I've rather a good single malt in my bag. I propped myself against the headrest of his big bed and sipped the Scotch and watched him deploy his neat things-his papers, his radio, his toiletries. When he came out of the bathroom with his shirt off and the top of his trousers open, I was perfectly ready to kiss

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